Beauty Etc. - Winter 2010/2011 - (Page 43)

Putting on airs When hD cameras were first introduced, makeup artists flew to their airbrush systems. The reason: Brush- and fingerstrokes can leave behind ever-sofaint—yet unforgivingly magnified by hD resolution—streaks on skin, whereas airbrush makeup hits skin as miniscule dots that seemingly blend with the technology’s pixels. Today, many artists rely on airbrushing when working with hD cameras—and several TV producers demand it. however, using the proper formulas and techniques is key; for example, pigment particle size remains important when using hD makeup with an airbrush system. “We reduced our pigment particle size to 1 or 2 microns, maximum, in comparison to 7 to 10 microns, because large chunks of pigment lying undissolved in the airbrush formula lead the artist to increase pressure, causing skin discomfort, clouds of overspray and detection by the hD camera,” says eric G. coffman, president of Graftobian makeup co. he notes that the preferred airbrush formulas are water-based rather than siliconebased, because a powdering on top of the latter can dull its tones. additionally, the matte look from (OPENING YOUR MAKEUP PALETTE) (OPENING YOUR MAKEUP PALETTE) etc... Winter 2011 BEAUTYetc. 43 

Table of Contents for the Digital Edition of Beauty Etc. - Winter 2010/2011

Beauty Etc. - Winter 2010/2011
How-To
Table of Contents
Contributors
Face-to-Face
Beauty Scoop
Kit Essentials
Etc., Etc.
In Like Tint
The Gray Shift
Go Deep
The Conceal Deal
Beautiful Stranger
Retro Bending
Going Hi-Def
Jewel Tide
Reflect
Sharp Objects
Gifted
Claire Danes

Beauty Etc. - Winter 2010/2011

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