Art Review - February Issue - (Page 26)
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S AND THINGS TO MAKE AND DO… ART, MUSIC, ARCHITECTURE, FILM, SHOPPING,
NEWS AND THING IS THAT A GUN IN YOUR POCKET?: SCOTT TEPLIN Even those
familiar with Scott Teplin’s drawings of roofless Polly Pocket-like
apartments chock-a-block with vending machines, swimming pools, tool
sheds, public toilets, subway exits, archery ranges, funeral chapels and
pretty much every other architectural and furniture subset and species
known to man – or at any rate to this thirty-fouryear-old incorrigible
doodler from Brooklyn – will be surprised to see something new and
loopily abundant amid the already surfeited mix: nuclear missiles.
Inspired by Hezbollah’s ‘human shield’ strategies during last
year’s conflict in Lebanon, Teplin has stuffed rockets and missiles into
his bathrooms, kitchens and ubiquitous hot tubs. “My work doesn’t
normally involve politics,” says Teplin. “But in the last few years,
it’s been impossible to not let some current global events sneak into
the work.” Sneaking into Condoleezza 2006 , for example, a drawing of an
offshore oil rig-like facility that pays ironic homage to Secretary
Rice’s tenure at Chevron, is the word ‘LICKSPITTLE’, spelled out in
letter-shaped rooms. The missiles, however, are not necessarily targeting
a purely political message. Teplin describes them as “erect, always
vertical, dog-penis and lipstick-like” and says they are an expression
of what he calls “Weapons Porn… Most of my work seems to take on this
sexual feel. And not always erotic, either, sometimes just plain gross.”
Christopher Mooney SCOTT TEPLIN, JANUARY – FEBRUARY, G-MODULE, PARIS,
WWW.G-MODULE.COM BSTRACT THINGS - Produce a set of my drawings as
temporary tattoos. - Get an artist like Chris Johanson to do free
face-painting on a street for a couple of hours. - Suggest to the Whitney
that I curate the next biennial. No, those weren’t my New Year’s
resolutions; rather, they’re just some of the ideas percolating around
Portland-based artist Harrell Fletcher’s website. And when he’s not
busy composing that inventory of dreams, he’s corunning with Miranda
July www. learningtoloveyoumore.com. Like much of Fletcher’s work one of
the more recent examples is Veda’s Bible, 2006 - digital prints of a
Bible in which passages have been highlighted by a homeless lady called
Veda , LTLYM is a social project. But where in other works Fletcher is a
collaborator, here he’s more of a dictator - issuing assignments that
are completed by the general public and then posted on the site. Since
2002, more than 2,000 people have participated in the pair’s projects. A
Dana Dart-McLean, Untitled, 2006, watercolour and ink on paper, 75 x 55 cm.
Courtesy the artist With that background, Fletcher is ideally placed as a
curator – hey, he’s never short of artists to include in his shows –
and this month he’s turned his directorial talents to creating a show at
London’s Laura Bartlett Gallery. Featuring ten young artists notable
among them photographer Anne Daems and mixed-media artist Dana Dart-McLean
, the show promises to be an engaging snaphot of emerging art. Mark Rappolt
ABSTRACT THINGS, TO 3 MARCH, LAURA BARTLETT GALLERY, LONDON, WWW.
LAURABARTLETTGALLERY.COM Array, 2006, ink and watercolour on paper, 132 x
132 cm. Courtesy g-module, Paris ARTREVIEW p 25-36 Dispatches AR
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http://WWW.G-MODULE.COM
http://www.learningtoloveyoumore.com
http://www.LAURABARTLETTGALLERY.COM
Table of Contents for the Digital Edition of Art Review - February Issue
Art Review - February Issue
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