Art Review - February Issue - (Page 32)
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/mnt/data/www.nxtbook.com/fx/config_1.3/global.php on line 10 DISPATCHES
MUSIC, ARCHITECTURE, FILM, SHOPPING, NEWS AND THINGS TO MAKE AND DO…
ART, MUSIC, ARCHITECT TOMORROW PEOPLE: FUTURE OF SOUND The Future of Sound
tour, running this winter, offers a whistle-stop run through a palette of
current sonic possibilities. Future of Sound is curated by Martyn Ware,
founder member of Sheffield’s early electronic pop groups the Human
League and Heaven 17. He’s now based in South London running Illustrious
Company, set up in 2000 to explore cutting-edge sound production. “We
were disillusioned with the way popular music was going in Britain,”
says Ware. “I’m a big believer in convergent art and collaboration.”
Each Future of Sound show will feature seven 15-minute presentations by
artists including Scanner, Modified Toy Orchestra, Anna Hill, Luciana
Haill and Sancho Plan. But for Ware the most significant element is the
research by Brian Barritt and Flinton Chalk into ‘archaeo-acoustics’.
At burial grounds and stone mounds in Ireland, unorthodox archaeologist
Paul Devereux found that the complex intersection of the stone and their
spatial placement always results in a 111Hz vibration, and Barritt and
Chalk have made a piece based on this frequency. As Ware puts it, the
subliminal drone “switches off the frontal cortex and puts you into a
trance… imagine sound being used as medicine – how that would freak
out drug companies. This is the future – we have to acknowledge the
effect the world around us has on our bodies.” Rob Young FUTURE OF SOUND
ON TOUR UNTIL 12 APRIL, WWW.FUTUREOFSOUND.ORG BODYSHOP: SEXWORK SEXWORK is
the latest exhibition to fill the galleries of the castle-like
nineteenth-century Kunstraum Kreuzberg, in Berlin. This transgressive show
brings together 35 international artists whose work focuses on issues
surrounding sex tourism. Ann-Sofi Siden’s videobased exploration of
prostitution after the Velvet Revolution, documenting the post-Communist
sex industry in a Czech town, which was shown at the Hayward Gallery in
1999, made it clear that the issue of trafficking in women had to be
accepted as a universal, not just a feminist concern. Similarly, the
agenda here is not simply feminist, but to present work that foregrounds
and interrogates representation methods which avoid voyeurism,
fetishisation and exploitation, exploring themes of sex tourism,
homosexuality, transsexual prostitution and AIDS. Artists featuring in the
show include Bubu de Madeleine, the Japanese AIDS activist and sex worker,
who last year worked on the Tokyo-based Natalie Kriwy, Beruf:
Prostitution, 2004–6, c-print, 80 x 80cm Courtesy the artist erformance
Diary of a Prostitute: Porno Taken with the Punters, and German filmmaker
Karin Jurschick, cofounder of the international women’s film festival
Feminale, in Cologne, whose 2003 film The Peacekeepers and the Women
provided a chilling investigation of the booming sex-trafficking industry
in Bosnia. With the equally sexual exhibition Into Me / Out of Me,
formerly on at P.S.1 in New York, running at the capital’s Kunst / Werk
at the same time, Berlin welcomes in the new year as the city of
polymorphous perversions it is reputed to be. Sarah James SEXWORK: ART
MYTHOS REALITY, UNTIL 25 FEBRUARY, KUNSTRAUM KREUZBERG, BERLIN,
WWW.KUNSTRAUMKREUZBERG.DE Brian Duffy, Speak & Spell on Stands Modified
Toy Orchestra , 2006. Courtesy Future of Sound ARTREVIEW p p 25-36
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http://WWW.FUTUREOFSOUND.ORG
http://WWW.KUNSTRAUMKREUZBERG.DE
Table of Contents for the Digital Edition of Art Review - February Issue
Art Review - February Issue
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