Art Review - March Issue - (Page 173)
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Gallery: Clip four Ori Gersht ORI GERSHT, whose video Big Bang 2006 is
being presented as part of New York gallery CRG’s Armory stand, is an
artist enamoured with high-velocity impact. A specially commissioned
single-shot film, Big Bang begins with a vase of flowers presented as a
tranquil scene of seemingly painted still life. It is an austere, but
undoubtedly domestic setting: perhaps a drawing room whose peace could be
shattered, when you least expect it, by a bullet or a bomb. Gersht’s
vase is exploded from within, and accompanied by the bass sound of sonic
rupture a reference to the glass-shattering cries of the midget from
Gunter Grass’s The Tin Drum, 1959 . The rest of the video lyrically
captures the vase’s shattered parts as they drift quietly to the floor.
Gersht imagines the origin of the universe as a sudden, barely-there blast,
followed by a magical dance of particles and debris, here figured as
fragments of petals and shards of ceramic. Gersht maintains the vase’s
painted quality even after it is smashed into its moving component parts,
and he takes a perverse pleasure in creating motion out of stillness. His
last shot in Big Bang is of a stripped and single-standing stem, wracked
but upright amidst the rubble. Gersht’s work, which has previously
referenced atrocities from the Second World War, here evokes with elegiac
bareness the fallout caused by conflict. Laura Allsop Ori Gersht, excerpt
from Big Bang, 2006, single-shot film. Courtesy the artist 00 ARTREVIEW Warning : Unknown : The session id contains invalid characters, valid
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Table of Contents for the Digital Edition of Art Review - March Issue
Manifesto
Dispatches
Consumed
Tales from the City
David Lynch
Marcel Dzama
Future Greats
Art Pilgrimage: Moscow
Mixed Media: Moving Images
Mixed Media: Photography
Mixed Media: Digital
Reviews
Book Reviews
On the Town
On the Record
Art Review - March Issue
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