Art Review - March Issue - (Page 20)
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In this month’s issue, Shana Nys Dambrot opens the Dispatches section
with a preview of painter Ezra Johnson’s new film at the Hammer Museum.
She is an art critic and author based in Los Angeles. Her fine art and
design reviews, features and interviews have appeared in more than 20
publications. She is currently the LA Managing Editor at Flavorpill.net.
Juergen Teller helped to change the face of fashion photography during the
1990s through his work for iD and The Face and fashion campaigns such as
Helmut Lang and Marc Jacobs. He has gone on to become one of the leading
lights in contemporary art photography. Recent exhibitions include
Nürnburg, at Lehman Maupin, New York, and a solo show at the Fondation
Cartier, in Paris. Teller’s first solo exhibition in Scotland,
Awailable, is on show at Inverleith House, Edinburgh, until 15 April;
Juergen will also be exhibiting in the Ukrainian Pavilion at this
summer’s Venice Biennale. For this month’s cover Juergen flew to L A
to photograph another icon, the director David Lynch. Ian Monroe is known
for his large-scale collages on paper, made with monochrome or wood-grain
vinyl, sometimes also including carpet and linoleum, depicting cavernous
interior spaces and faux architectural planes. The works investigate the
nature of idealised spaces – the showroom, the corporate office block,
the church and the hyperreal environments of science fiction and computer
games – and the way they cater to specific desires or lifestyles that
maintain certain kinds of collective social myths. For this issue Ian
created the Manifesto pages – a monthly feature in which an artist is
invited to interpret the magazine’s content in the form of an artwork.
PLANIT, an exhibition of Monroe’s work is on show at Haunch of Venison,
London from 2 to 31 March. Tom Parfitt is a correspondent in Moscow for
The Guardian. He has lived in Russia since 2002, after studying at the
School of Slavonic and East European Studies in London. Last year Tom’s
editors commissioned him to write about the city’s rash of new chic
industrial conversions and its threatened utopian architecture. Putting
those stories together brought him contacts in the artworld who helped him
compile this issue’s Moscow Art Pilgrimage. Ivan Pustovalov used to have
a boring job in a bank. Now he takes photographs. This transition has not
been without its struggles. His first camera was stolen in Madrid, and
another complete kit was swiped in Goa. “I shoot the things that really
touch my heart”, he says, “from dog fights to celebrity portraits for
glossy magazines, from reportage to famous actresses.” We’re not sure
where the photographs he shot for us in Moscow fit into that. hana Nys
Dambrot photo: ERIC GRUSH. ARTREVIEW S p 20 Contributors AR Mar07.indd 20
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Table of Contents for the Digital Edition of Art Review - March Issue
Manifesto
Dispatches
Consumed
Tales from the City
David Lynch
Marcel Dzama
Future Greats
Art Pilgrimage: Moscow
Mixed Media: Moving Images
Mixed Media: Photography
Mixed Media: Digital
Reviews
Book Reviews
On the Town
On the Record
Art Review - March Issue
https://www.nxtbookmedia.com