LCV Winter 2013-14 - (Page 23)
three faculty members.
Such faculty collusion wasn't rare. Faculty members
tended to play a much more active role in the protest
actions at black colleges and universities. White liberals
played a role, but black professors, often made militant
through their own collegiate experience, participated in
even greater numbers. Howard University, for example,
released radical professor Nathan Hare, who had been
critical of black colleges. In August 1967, Hare described
the schools as "caricatures of the most conspicuous
aspects of white college trivia... These colleges, in the
minds of many of their students, represent in almost
every way a total failure."
The Grambling administration didn't do much to
dissuade the students of that idea. The day after Scott
made the Student Government Association's demands
on November 1, 1972, Jones left for Hawaii with the
Grambling football team. There would be no capitulation
when the Tigers had a game to play. While Grambling's
security force would be in charge of maintaining order
on campus, forces from the Ruston City Police, Lincoln
Parish Sheriff's Office, Louisiana State Police and
Louisiana National Guard were on alert.
Shortly after 5 o'clock, November 2, one of the student
groups meeting in front of the administration building
began removing tables and chairs from the dining hall,
using them to form a barricade blocking the street. Still,
there didn't seem to be any systematic plan in place.
campus moved in and began making arrests. By midnight,
12 students had been arrested and sent to the Lincoln Parish
jail. The number totaled 25 by morning. With the core group
of approximately 150 student protesters unable to marshal
any sort of mass consciousness among a student body of
more than 4,000, the brief revolution had fizzled. But the
student unrest at Grambling seemed like an introduction,
not a conclusion. The protest failed, but the protest wasn't
over.
PROTESTS AT SOUTHERN UNIVERSITY
Student activism was nothing new at Southern, just
north of Baton Rouge. In the Rev. T.J. Jemison's Baton
Rouge bus boycott of 1953, for example, Southern students
actively declined to ride local buses. As the early '50s
THE GRAMBLINITE, GRAMBLING STATE UNIVERSITY
THE GRAMBLINITE, GRAMBLING STATE UNIVERSITY
Around 9 o'clock, the violence started when a frustrated
student threw a garbage can lid through a plate glass
window at the student union. Students streamed into the
building, looting clothing and jewelry from the campus
bookstore.
Then the first shot was fired. A student blasted a glass
door with a pistol, inciting students to begin destroying
all of the glass windows and doors. The frenzied group
then moved to Adams Hall, the women's dormitory.
"Wake your dead up!" they shouted. They threw
rocks into the dorm's large glass windows
before moving on. At some point in the
evening, members of the group
overturned a Volkswagen. There was no
order to the violence. No system. State
troopers waiting on the edge of
became the late '50s, Southern students began a
series of lunch counter protests that preceded the
popular birth of the sit-in movement at North
Carolina A&T State University in February 1960.
When the Greensboro sit-ins of 1960 became a
national movement, Southern again became a
state flashpoint for racial protest. At the same time,
however, it became a glaring example of the disconnect
between a radical student body and a conservative
administration. The state Board of Education warned the
presidents of all Louisiana colleges, white or black, to
discourage such radicalism through "stern disciplinary
action," and Southern president Felton Clark obliged,
issuing directives to stem the tide of protest before it even
started. It didn't work. In late March, Southern students sat
in at local businesses. An estimated 3,000 students marched
to the state capitol. Clark expelled the 16 students
arrested in the sit-ins and the one who
organized the march.
At this point, the Southern
administration had proved to the
student body that racial equality
Winter 2013-14 * LOUISIANA CULTURAL VISTAS 23
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