LCV Winter 2013-14 - (Page 3)
THE CHOICES WE MAKE DEFINE US
Editor-in-Chief/LEH President
It was midnight music, birthed on the creative cusp between Saturday night and Sunday morning, the
trumpets so sharp and clear they could have been made of glass, the chorus alternately swaying and
chanting, moaning and praying, strains of Revelations in one section, all Shaka Zulu the next. The occasion
was a rare homecoming for New Orleans' most distinguished musical prodigy of a generation, Wynton
Marsalis, leading his Jazz at Lincoln Center Orchestra from the back row of the brass section, fronting for the
hundred-person-strong Abyssinian Baptist Church Choir directed by the magnetic Damien Sheer.
The historic Saenger Theatre, technically in the Creole faubourg of Treme across the North Rampart Street
border with the French Quarter, was gleaming with a $52 million renovation, capable of seating 2,600, but
occupied by a bare third of that number, about as many people as between the 48th and 50th yard lines at a
Saints game, though the tickets cost less. But perhaps few knew about the concert, since it was featured on
the front page of the newspaper, and not in the sports section. The performance was not even competing
with the football game, as the home team was out of town and already had lost earlier in the afternoon.
What does one say about a culture so self-debasing that pays so much lip service and advertising to its
love of jazz and its pride in its indigenous origins but does not actually support it? Who needs enemies,
foreign or domestic, when we value ourselves in so paltry a fashion? I have long agonized over the modest
audiences too often garnered for the humanities at learned and informed events, but never again. The
problem clearly does not lie with the humanities but with humanity itself.
Executive Editor/Art Director
MICHAEL SARTISKY, Ph.D.
The Second Half
While I realize it's the third rail of public discourse in Louisiana, and most of America, to criticize football,
on a related topic to the above I commend to your attention the just released monumental piece of
investigative reporting, Gregg Easterbrook's The King of Sports: Football's Impact on America. By about page 83,
I was already working on my third cardiac infarction, especially in the section on the revising of the IRS code-
at the behest of NFL lobbyists and attorneys-to include professional football among the tax exempt entities,
a status normally reserved for schools, universities, social service agencies, museums and other cultural
institutions-in short, noncommercial activities generally understood to be for the public good and not
involving the profit motive.
But unlike these traditional beneficiaries, the individual NFL teams, with the curious exception of the
Green Bay Packers, are for the most part owned by for-profit, family-dominated and administered
corporations with relatives filling most of the upper echelons. So nonprofit is the NFL that it pays $30 million a
year to the CEO it calls a Commissioner, about what 50 or 60 university presidents would make collectively.
The public funding of the stadiums alone-in states and cities that claim they cannot afford schools,
universities, police or health care-was worth a mortal heart attack. Easterbrook has a sizable section
specifically on the Saints' financial extortion and rape of Louisiana and New Orleans, though one has to admit
the populace pretty much willingly complied.
One of the gnawing ironies is how these greedy, hypocritical teams and their owners encourage fan loyalty
while holding them hostage to the extortionate threat of leaving town if their monetary demands are not
met. Apparently loyalty is not a two-way street. Of course, the bare mention of most of this by the media
(both print and television)-especially the economic consequences and who benefits, a subject Easterbrook
addresses in detail-makes them shamefully complicit. Small wonder the faithful blindly swallow the bogus
economic impact arguments that the teams' PR offices pump out, being bereft of any contradictory facts from
the media. Follow the money, stupid.
We are in effect a nation addicted to a brutal and ultimately meaningless spectacle that we sanctify more
than the platitudes we say really represent our values. Consider the demented civic pride induced in Seattle
where decibel levels of the crowd yelling at the recent Saints game exceeded the roar of a jet engine. Not
exactly the right milieu for thoughtful reflection or aesthetic appreciation. Perhaps they were just overcaffeinated.
It is very telling that the radical inflation of football salaries and costs is a compensating sociological
phenomenon of just the last half century, paralleling America's own decline since the post-war era. As
students of culture, it also is interesting to reflect on what life was like in the preceding centuries when such
mass spectacles did not exist and to consider what it is about our own culture and society that makes football
such a perfect paradigm for what we have become. This is journalism that matters, even if no one really cares.
Like jazz.
DAVID JOHNSON
Associate Editors
CATHE MIZELL-NELSON
RON THIBODEAUX
Layout/Graphic Designer
TOAN NGUYEN
Associate Media Editor
ROMY MARIANO
Copy Editor
JAN CLIFFORD
Contributors
SALLY ASHER
THOMAS AIELLO, Ph.D.
RICHARD CAMPANELLA
JESSICA DORMAN
S. DERBY GISCLAIR
CYBÈLE GONTAR
ISABELLE HAYEUR
KAREN KINGSLEY, Ph.D.
JOHN LAWRENCE
RICHARD MCCABE
GERALD T. MCNEILL
SALLY MAIN
MICHAEL MIZELL-NELSON, Ph.D.
OWEN MURPHY
DAVID RAE MORRIS
MATT SAKAKEENY, Ph.D.
BEN SANDMEL
JESSICA H. SCHEXNAYDER
THOMAS USKALI
-Michael Sartisky, Ph.D.
Editor-In-Chief
Winter 2013-14 * LOUISIANA CULTURAL VISTAS 3
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Table of Contents for the Digital Edition of LCV Winter 2013-14
LCV Winter 2013-14
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