LCV Winter 2013-14 - (Page 74)

ince the late 1990s, artist Isabelle Hayeur has been us. Between the critical regard and the disturbance, she known for her large-format digital montages, videos creates a unique attraction, difficult to name or qualify, to and site-specific installations. Both appealing and these disenchanted zones, which are as if dehumanized S alarming, her work presents vast landscapes that denounce because they are too humanized. the no man's lands of contemporary industrial developments. Her ongoing body of work, Underworlds, takes her Hayeur's work questions the impact of Western development through North America to probe various underwater models on the environment and invites us to think about the environments, especially polluted ones, but also fragile and states of the landscape. The unknown, or unknowable, places threatened ecosystems. Working with watertight housing she fabricates draw attention to the non-places that surround that allows her to photograph submerged environments of 74 LOUISIANA ENDOWMENT FOR THE HUMANITIES * Winter 2013-14 

Table of Contents for the Digital Edition of LCV Winter 2013-14

LCV Winter 2013-14

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