A Unique Slant of Light: The Bicentennial History of Art in Louisiana - (Page 434)

ENDNOTES LOUISIANA: THE NEW CENTURY, 1900-1945 ( J. Richard Gruber, Ph.D.) Lyle Saxon, Fabulous New Orleans (New York: D. Appleton-Century Company, 1935), 255-256. See J. Richard Gruber, “The Story of the South: Art and Culture, 1890-2003,” in The  Art of the South: 1890-2003 (London: Scala Publishers, 2003); Randolph Delehanty, “The South: The Last Frontier in American Art,” in Art in the American South: Works from the Ogden Collection (Baton Rouge: Louisiana State University Press, 1996); Estill Curtis Pennington, Downriver, Currents of Style in Louisiana Painting, 1800-1950 (Gretna: Pelican Publishing Company, 1991). 3 2 1 13 Jean Moore Bragg and Susan Saward, Painting The Town, The Woodward Brothers Come to New Orleans (New Orleans: Jean Bragg Gallery, 2004), 67. Federal Writers’ Project of the Works Progress Administration for the City of New Orleans, New Orleans City Guide (Boston: Houghton Mifflin Company, 1938), xx-xxi. See Phillip Collier, J. Richard Gruber, Jim Rapier and Mary Beth Romig, Missing New Orleans (New Orleans: The Ogden Museum of Southern Art, 2005), 26-29, 102-107. 16 15 14 Randolph Delehanty, 120-21. Ned Sublette, The World That Made New Orleans, From Spanish Silver to Congo Square (Chicago: Lawrence Hill Books, 2008), 3-4. See Al Rose, Storyville, New Orleans: Being an Authentic , Illustrated Account of the Notorious Red Light District (Tuscaloosa: University of Alabama Press, 1978). 18 See Isabel Wilkerson, The Warmth Of Other Suns, The Epic Story of America’s Great Migration (New York, Random House, 2010). 19 17 4 See S. Frederick Starr, Inventing New Orleans, Writings of Lafcadio Hearn ( Jackson: University Press of Mississippi, 2001), xi-xxvi, and 159-199. Lyle Saxon, Edward Dreyer and Robert Tallant, Gumbo Ya-Ya, Folk Tales of Louisiana (Gretna: Pelican Publishing Company, 1998). 5 See David A. Cleveland, A History of American Tonalism: 1880-1920 (New York: Hudson Hills Press, 2010). See Brook Thomas, Plessy v. Ferguson (New York: Bedford/St. Martin’s, 1996).   See Adam Fairclough, Race and Democracy: The Civil Rights Struggle in Louisiana, 1915-1972 (Athens: University of Georgia Press, 2nd edition, 2008). 8 7 6 See “Jennings Field, the birthplace of Louisiana’s Oil Industry,” Louisiana Geological Survey (September 2001, www.lgs.lsu.edu). 21 See Prescott N. Dunbar, The New Orleans Museum of Art, the First Seventy-Five Years (Baton Rouge: Louisiana State University Press, 1990), 1-24.  22 20 John Kendall, History of New Orleans (Chicago: The Lewis Publishing Company, 1922), 457-461. See Jean Moore Bragg and Susan Saward, The Newcomb Style: Newcomb College Arts & Crafts and Art Pottery (New Orleans: Jean Bragg Gallery, 2002), 80. 12 434 9 10 11 See Richard Waller, Kendall Shaw: A Life’s Journey in Art (Richmond: Marsh Art Gallery, University of Richmond Museums, 1999), 11-12. ENDNOTES Ibid, 2-3, see also Pennington, Downriver, 132-137. Ibid, 42-48. 23 Barbara Haskell, The American Century: Art & Culture, 1900-1950 (New York: Whitney Museum of American Art, 1999), 11. Ibid. 11-129.  24 See J. Richard Gruber, Thomas Hart Benton and the American South (Augusta: Morris Museum of Art, 1998), 39-53. Thomas Hart Benton, An Artist in America (New York: Halcyon House, 1937/1939), 198.  Thomas Hart Benton, “American Regionalism: A Personal History of the Movement,” University of Kansas City Review, vol. 18, no.1 (autumn 1951). 25 26  http://www.lgs.lsu.edu

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