American Cinematographer - January 2008 - (Page 43)

A Winning Combination Sony F23 CineAlta™ camera docked to SRW-1 HDCAM SR™ recorder, shown with Canon ACV-235 Anamorphic Converter and Canon HD-EC Cine Prime Lens. Sony’s F23 CineAlta Camera and Canon’s HD-EC Lenses Sony’s 2/3-inch F23 CineAlta camera outfitted with one of Canon’s cost-effective HD-EC Prime or Zoom lenses provides DP’s with a winning combination. The F23 was specifically developed for cinematographers seeking superior digital image origination. Canon has a long history in making motion-picture lenses, and the very high MTF, excellent relative light distribution, and superb black reproduction of its HD-EC Prime and Zoom lenses ensure full exploitation of the F23’s extraordinary exposure latitude, sharpness, and tonal and color reproduction attributes. Focus breathing on these lenses is remarkably low. Canon’s ACV-235 Anamorphic Converter, meanwhile, fully utilizes the F23’s 16:9 imagers to capture overall spatial resolution that carries through to final 2.35:1 35mm film-out. For more info: Call 1-800-321-HDTV (In Canada: 905-795-2012) http://www.canonhdec.com CineAlta™, HDCAM SR™, and Sony™ are trademarks of Sony. ©2007 Canon U.S.A., Inc. All rights reserved. Canon is a registered trademark of Canon Inc. in the United States and may also be a registered trademark or trademark in other countries. IMAGEANYWARE is a trademark of Canon. http://www.canonhdec.com http://www.canonhdec.com http://www.canonhdec.com Table of Contents for the Digital Edition of American Cinematographer - January 2008American Cinematographer - January 2008ContentsEditor's NoteShort Takes: Madame Tutli-PutliProduction Slate: The Diving Bell and the Butterfly, The Great DebatersBlood for OilVery Close ShavesA Rogue PoliticianA Bulletproof CinematographerPost Focus: Restoring Days of Heaven, Achieving Color Symmetry, HPA Awards New Products & ServicesInternational MarketplaceClassified AdsAd IndexIn Memoriam: Roderick Ryan, ASCClubhouse NewsASC Close-Up: Glen MacPhersonAmerican Cinematographer - January 2008American Cinematographer - January 2008 - (Page Intro)American Cinematographer - January 2008 - American Cinematographer - January 2008 (Page Cover1)American Cinematographer - January 2008 - American Cinematographer - January 2008 (Page Cover2)American Cinematographer - January 2008 - American Cinematographer - January 2008 (Page 1)American Cinematographer - January 2008 - American Cinematographer - January 2008 (Page 2)American Cinematographer - January 2008 - Contents (Page 3)American Cinematographer - January 2008 - Contents (Page 4)American Cinematographer - January 2008 - Contents (Page 5)American Cinematographer - January 2008 - Contents (Page 6)American Cinematographer - January 2008 - Contents (Page 7)American Cinematographer - January 2008 - Editor's Note (Page 8)American Cinematographer - January 2008 - Editor's Note (Page 9)American Cinematographer - January 2008 - Short Takes: Madame Tutli-Putli (Page 10)American Cinematographer - January 2008 - Short Takes: Madame Tutli-Putli (Page 11)American Cinematographer - January 2008 - Short Takes: Madame Tutli-Putli (Page 12)American Cinematographer - January 2008 - Short Takes: Madame Tutli-Putli (Page 13)American Cinematographer - January 2008 - Short Takes: Madame Tutli-Putli (Page 14)American Cinematographer - January 2008 - Short Takes: Madame Tutli-Putli (Page 15)American Cinematographer - January 2008 - Short Takes: Madame Tutli-Putli (Page 16)American Cinematographer - January 2008 - Short Takes: Madame Tutli-Putli (Page 17)American Cinematographer - January 2008 - Production Slate: The Diving Bell and the Butterfly, The Great Debaters (Page 18)American Cinematographer - January 2008 - Production Slate: The Diving Bell and the Butterfly, The Great Debaters (Page 19)American Cinematographer - January 2008 - Production Slate: The Diving Bell and the Butterfly, The Great Debaters (Page 20)American Cinematographer - January 2008 - Production Slate: The Diving Bell and the Butterfly, The Great Debaters (Page 21)American Cinematographer - January 2008 - Production Slate: The Diving Bell and the Butterfly, The Great Debaters (Page 22)American Cinematographer - January 2008 - Production Slate: The Diving Bell and the Butterfly, The Great Debaters (Page 23)American Cinematographer - January 2008 - Production Slate: The Diving Bell and the Butterfly, The Great Debaters (Page 24)American Cinematographer - January 2008 - Production Slate: The Diving Bell and the Butterfly, The Great Debaters (Page 25)American Cinematographer - January 2008 - Production Slate: The Diving Bell and the Butterfly, The Great Debaters (Page 26)American Cinematographer - January 2008 - Production Slate: The Diving Bell and the Butterfly, The Great Debaters (Page 27)American Cinematographer - January 2008 - Production Slate: The Diving Bell and the Butterfly, The Great Debaters (Page 28)American Cinematographer - January 2008 - Production Slate: The Diving Bell and the Butterfly, The Great Debaters (Page 29)American Cinematographer - January 2008 - Production Slate: The Diving Bell and the Butterfly, The Great Debaters (Page 30)American Cinematographer - January 2008 - Production Slate: The Diving Bell and the Butterfly, The Great Debaters (Page 31)American Cinematographer - January 2008 - Production Slate: The Diving Bell and the Butterfly, The Great Debaters (Page 32)American Cinematographer - January 2008 - Production Slate: The Diving Bell and the Butterfly, The Great Debaters (Page 33)American Cinematographer - January 2008 - Production Slate: The Diving Bell and the Butterfly, The Great Debaters (Page 34)American Cinematographer - January 2008 - Production Slate: The Diving Bell and the Butterfly, The Great Debaters (Page 35)American Cinematographer - January 2008 - Blood for Oil (Page 36)American Cinematographer - January 2008 - Blood for Oil (Page 37)American Cinematographer - January 2008 - Blood for Oil (Page 38)American Cinematographer - January 2008 - Blood for Oil (Page 39)American Cinematographer - January 2008 - Blood for Oil (Page 40)American Cinematographer - January 2008 - Blood for Oil (Page 41)American Cinematographer - January 2008 - Blood for Oil (Page 42)American Cinematographer - January 2008 - Blood for Oil (Page 43)American Cinematographer - January 2008 - Blood for Oil (Page 44)American Cinematographer - January 2008 - Blood for Oil (Page 45)American Cinematographer - January 2008 - Blood for Oil (Page 46)American Cinematographer - January 2008 - Blood for Oil (Page 47)American Cinematographer - January 2008 - Blood for Oil (Page 48)American Cinematographer - January 2008 - Blood for Oil (Page BRC1)American Cinematographer - January 2008 - Blood for Oil (Page BRC2)American Cinematographer - January 2008 - Blood for Oil (Page 49)American Cinematographer - January 2008 - Blood for Oil (Page 50)American Cinematographer - January 2008 - Blood for Oil (Page 51)American Cinematographer - January 2008 - Blood for Oil (Page 52)American Cinematographer - January 2008 - Blood for Oil (Page 53)American Cinematographer - January 2008 - Blood for Oil (Page 54)American Cinematographer - January 2008 - Blood for Oil (Page 55)American Cinematographer - January 2008 - Very Close Shaves (Page 56)American Cinematographer - January 2008 - Very Close Shaves (Page 57)American Cinematographer - January 2008 - Very Close Shaves (Page 58)American Cinematographer - January 2008 - Very Close Shaves (Page 59)American Cinematographer - January 2008 - Very Close Shaves (Page 60)American Cinematographer - January 2008 - Very Close Shaves (Page 61)American Cinematographer - January 2008 - Very Close Shaves (Page 62)American Cinematographer - January 2008 - Very Close Shaves (Page 63)American Cinematographer - January 2008 - Very Close Shaves (Page 64)American Cinematographer - January 2008 - Very Close Shaves (Page 65)American Cinematographer - January 2008 - Very Close Shaves (Page 66)American Cinematographer - January 2008 - Very Close Shaves (Page 67)American Cinematographer - January 2008 - Very Close Shaves (Page 68)American Cinematographer - January 2008 - Very Close Shaves (Page 69)American Cinematographer - January 2008 - A Rogue Politician (Page 70)American Cinematographer - January 2008 - A Rogue Politician (Page 71)American Cinematographer - January 2008 - A Rogue Politician (Page 72)American Cinematographer - January 2008 - A Rogue Politician (Page 73)American Cinematographer - January 2008 - A Rogue Politician (Page 74)American Cinematographer - January 2008 - A Rogue Politician (Page 75)American Cinematographer - January 2008 - A Rogue Politician (Page 76)American Cinematographer - January 2008 - A Rogue Politician (Page 77)American Cinematographer - January 2008 - A Rogue Politician (Page 78)American Cinematographer - January 2008 - A Rogue Politician (Page 79)American Cinematographer - January 2008 - A Rogue Politician (Page 80)American Cinematographer - January 2008 - A Rogue Politician (Page 81)American Cinematographer - January 2008 - A Bulletproof Cinematographer (Page 82)American Cinematographer - January 2008 - A Bulletproof Cinematographer (Page 83)American Cinematographer - January 2008 - A Bulletproof Cinematographer (Page 84)American Cinematographer - January 2008 - A Bulletproof Cinematographer (Page 85)American Cinematographer - January 2008 - A Bulletproof Cinematographer (Page 86)American Cinematographer - January 2008 - A Bulletproof Cinematographer (Page 87)American Cinematographer - January 2008 - A Bulletproof Cinematographer (Page 88)American Cinematographer - January 2008 - A Bulletproof Cinematographer (Page 89)American Cinematographer - January 2008 - A Bulletproof Cinematographer (Page 90)American Cinematographer - January 2008 - A Bulletproof Cinematographer (Page 91)American Cinematographer - January 2008 - A Bulletproof Cinematographer (Page 92)American Cinematographer - January 2008 - A Bulletproof Cinematographer (Page 93)American Cinematographer - January 2008 - A Bulletproof Cinematographer (Page 94)American Cinematographer - January 2008 - A Bulletproof Cinematographer (Page 95)American Cinematographer - January 2008 - A Bulletproof Cinematographer (Page 96)American Cinematographer - January 2008 - A Bulletproof Cinematographer (Page 97)American Cinematographer - January 2008 - Post Focus: Restoring Days of Heaven, Achieving Color Symmetry, HPA Awards (Page 98)American Cinematographer - January 2008 - Post Focus: Restoring Days of Heaven, Achieving Color Symmetry, HPA Awards (Page 99)American Cinematographer - January 2008 - Post Focus: Restoring Days of Heaven, Achieving Color Symmetry, HPA Awards (Page 100)American Cinematographer - January 2008 - Post Focus: Restoring Days of Heaven, Achieving Color Symmetry, HPA Awards (Page 101)American Cinematographer - January 2008 - Post Focus: Restoring Days of Heaven, Achieving Color Symmetry, HPA Awards (Page 102)American Cinematographer - January 2008 - Post Focus: Restoring Days of Heaven, Achieving Color Symmetry, HPA Awards (Page 103)American Cinematographer - January 2008 - Post Focus: Restoring Days of Heaven, Achieving Color Symmetry, HPA Awards (Page 104)American Cinematographer - January 2008 - Post Focus: Restoring Days of Heaven, Achieving Color Symmetry, HPA Awards (Page 105)American Cinematographer - January 2008 - New Products & Services (Page 106)American Cinematographer - January 2008 - New Products & Services (Page 107)American Cinematographer - January 2008 - New Products & Services (Page 108)American Cinematographer - January 2008 - New Products & Services (Page 109)American Cinematographer - January 2008 - New Products & Services (Page 110)American Cinematographer - January 2008 - New Products & Services (Page 111)American Cinematographer - January 2008 - New Products & Services (Page 112)American Cinematographer - January 2008 - New Products & Services (Page 113)American Cinematographer - January 2008 - New Products & Services (Page 114)American Cinematographer - January 2008 - New Products & Services (Page 115)American Cinematographer - January 2008 - New Products & Services (Page 116)American Cinematographer - January 2008 - New Products & Services (Page 117)American Cinematographer - January 2008 - International Marketplace (Page 118)American Cinematographer - January 2008 - Classified Ads (Page 119)American Cinematographer - January 2008 - Ad Index (Page 120)American Cinematographer - January 2008 - In Memoriam: Roderick Ryan, ASC (Page 121)American Cinematographer - January 2008 - Clubhouse News (Page 122)American Cinematographer - January 2008 - Clubhouse News (Page 123)American Cinematographer - January 2008 - ASC Close-Up: Glen MacPherson (Page 124)American Cinematographer - January 2008 - ASC Close-Up: Glen MacPherson (Page Cover3)American Cinematographer - January 2008 - ASC Close-Up: Glen MacPherson (Page Cover4)http://www.nxtbookMEDIA.com

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