American Cinematographer - January 2009 - (Page 39) was how you saw the scene,” says Deakins. “I decided we could do it with three practicals, a little tungsten bounce off a sheet of polystyrene, and car headlights passing by in the background.” The three practicals were period streetlights manufactured by the art department that each held four 2K 3200°K bulbs (standing in for the 8'-long fluorescent tubes that would normally be used in the fixtures); the lights were positioned along a gravel turnoff that had also been created by the art department. “In some shots, you can see about a mile and a half down the road, and there’s no way we were going to light that, so we just let the passing cars’ headlights be the background,” says Deakins. “Of course, because they’re period cars, we had to replace the headlights with stronger bulbs, tungsten Par 36s, run off batteries and inverters.” O’Leary adds, “We outfitted about two dozen period cars [that way]. It’s probably the iffiest situation a film electrician can get into — batteries and inverters are notoriously unreliable — but it all worked.” The filmmakers considered shooting the driving portion of the scene practically, but Deakins suggested using poor man’s process instead. “What we needed to create in the car was the feeling of Frank’s headlights bouncing back from the road onto their faces, and I knew I could do that in a barn,” says the cinematographer. “We found one that gave us about 40 feet of space, and we did the shot very quickly in a couple of takes. We’d scheduled two days for the same scene when we planned to shoot it on the open road; at that time of year, darkness lasts little more than five hours.” To create the feel of headlights approaching and taillights retreating behind the Wheelers’ car, the crew put four Tweenies (two for headlights and two gelled red for taillights) on dollies that were pushed back and super BOGIE +90° – manual – swivel range ± 90° gear unit with 3 reductions manual handling via flexible shaft or handwheel touch & go 0° – 90° www.denz-deniz.com 39 http://www.jimmyjib.com http://www.jimmyjib.com http://www.denz-deniz.com http://www.denz-deniz.com
Table of Contents Feed for the Digital Edition of American Cinematographer - January 2008 American Cinematographer - January 2009 Contents Editor’s Note Short Takes: Triangle of Need Production Slate: Frost/Nixon, The Wrestler Close Focus An Old Soul Brothers in Arms A Cut Above Post Focus: HPA Awards, Still Me New Products & Services International Marketplace Classified Ads Ad Index In Memoriam: Robert C. Jessup, ASC Clubhouse News ASC Close-Up: Gabriel Beristain American Cinematographer - January 2008 American Cinematographer - January 2008 - American Cinematographer - January 2009 (Page Cover1) American Cinematographer - January 2008 - American Cinematographer - January 2009 (Page Cover2) American Cinematographer - January 2008 - American Cinematographer - January 2009 (Page 1) American Cinematographer - January 2008 - American Cinematographer - January 2009 (Page 2) American Cinematographer - January 2008 - Contents (Page 3) American Cinematographer - January 2008 - Contents (Page 4) American Cinematographer - January 2008 - Contents (Page 5) American Cinematographer - January 2008 - Contents (Page 6) American Cinematographer - January 2008 - Contents (Page 7) American Cinematographer - January 2008 - Editor’s Note (Page 8) American Cinematographer - January 2008 - Editor’s Note (Page 9) American Cinematographer - January 2008 - Short Takes: Triangle of Need (Page 10) American Cinematographer - January 2008 - Short Takes: Triangle of Need (Page 11) American Cinematographer - January 2008 - Short Takes: Triangle of Need (Page 12) American Cinematographer - January 2008 - Short Takes: Triangle of Need (Page 13) American Cinematographer - January 2008 - Short Takes: Triangle of Need (Page 14) American Cinematographer - January 2008 - Short Takes: Triangle of Need (Page 15) American Cinematographer - January 2008 - Production Slate: Frost/Nixon, The Wrestler (Page 16) American Cinematographer - January 2008 - Production Slate: Frost/Nixon, The Wrestler (Page 17) American Cinematographer - January 2008 - Production Slate: Frost/Nixon, The Wrestler (Page 18) American Cinematographer - January 2008 - Production Slate: Frost/Nixon, The Wrestler (Page 19) American Cinematographer - January 2008 - Production Slate: Frost/Nixon, The Wrestler (Page 20) American Cinematographer - January 2008 - Production Slate: Frost/Nixon, The Wrestler (Page 21) American Cinematographer - January 2008 - Production Slate: Frost/Nixon, The Wrestler (Page 22) American Cinematographer - January 2008 - Production Slate: Frost/Nixon, The Wrestler (Page 23) American Cinematographer - January 2008 - Production Slate: Frost/Nixon, The Wrestler (Page 24) American Cinematographer - January 2008 - Production Slate: Frost/Nixon, The Wrestler (Page 25) American Cinematographer - January 2008 - Production Slate: Frost/Nixon, The Wrestler (Page 26) American Cinematographer - January 2008 - Production Slate: Frost/Nixon, The Wrestler (Page 27) American Cinematographer - January 2008 - Close Focus (Page 28) American Cinematographer - January 2008 - Close Focus (Page 29) American Cinematographer - January 2008 - Close Focus (Page 30) American Cinematographer - January 2008 - Close Focus (Page 31) American Cinematographer - January 2008 - Close Focus (Page 32) American Cinematographer - January 2008 - Close Focus (Page 33) American Cinematographer - January 2008 - Close Focus (Page 34) American Cinematographer - January 2008 - Close Focus (Page 35) American Cinematographer - January 2008 - Close Focus (Page 36) American Cinematographer - January 2008 - Close Focus (Page 37) American Cinematographer - January 2008 - Close Focus (Page 38) American Cinematographer - January 2008 - Close Focus (Page 39) American Cinematographer - January 2008 - Close Focus (Page 40) American Cinematographer - January 2008 - Close Focus (Page 41) American Cinematographer - January 2008 - An Old Soul (Page 42) American Cinematographer - January 2008 - An Old Soul (Page 43) American Cinematographer - January 2008 - An Old Soul (Page 44) American Cinematographer - January 2008 - An Old Soul (Page 45) American Cinematographer - January 2008 - An Old Soul (Page 46) American Cinematographer - January 2008 - An Old Soul (Page 47) American Cinematographer - January 2008 - An Old Soul (Page 48) American Cinematographer - January 2008 - An Old Soul (Page 49) American Cinematographer - January 2008 - An Old Soul (Page 50) American Cinematographer - January 2008 - An Old Soul (Page 51) American Cinematographer - January 2008 - An Old Soul (Page 52) American Cinematographer - January 2008 - An Old Soul (Page 53) American Cinematographer - January 2008 - An Old Soul (Page 54) American Cinematographer - January 2008 - An Old Soul (Page 55) American Cinematographer - January 2008 - An Old Soul (Page 56) American Cinematographer - January 2008 - An Old Soul (Page 57) American Cinematographer - January 2008 - Brothers in Arms (Page 58) American Cinematographer - January 2008 - Brothers in Arms (Page 59) American Cinematographer - January 2008 - Brothers in Arms (Page 60) American Cinematographer - January 2008 - Brothers in Arms (Page 61) American Cinematographer - January 2008 - Brothers in Arms (Page 62) American Cinematographer - January 2008 - Brothers in Arms (Page 63) American Cinematographer - January 2008 - Brothers in Arms (Page 64) American Cinematographer - January 2008 - Brothers in Arms (Page 65) American Cinematographer - January 2008 - Brothers in Arms (Page 66) American Cinematographer - January 2008 - Brothers in Arms (Page 67) American Cinematographer - January 2008 - Brothers in Arms (Page 68) American Cinematographer - January 2008 - Brothers in Arms (Page 69) American Cinematographer - January 2008 - A Cut Above (Page 70) American Cinematographer - January 2008 - A Cut Above (Page 71) American Cinematographer - January 2008 - A Cut Above (Page 72) American Cinematographer - January 2008 - A Cut Above (Page 73) American Cinematographer - January 2008 - A Cut Above (Page 74) American Cinematographer - January 2008 - A Cut Above (Page 75) American Cinematographer - January 2008 - A Cut Above (Page 76) American Cinematographer - January 2008 - A Cut Above (Page 77) American Cinematographer - January 2008 - A Cut Above (Page 78) American Cinematographer - January 2008 - A Cut Above (Page 79) American Cinematographer - January 2008 - Post Focus: HPA Awards, Still Me (Page 80) American Cinematographer - January 2008 - Post Focus: HPA Awards, Still Me (Page 81) American Cinematographer - January 2008 - Post Focus: HPA Awards, Still Me (Page 82) American Cinematographer - January 2008 - Post Focus: HPA Awards, Still Me (Page 83) American Cinematographer - January 2008 - New Products & Services (Page 84) American Cinematographer - January 2008 - New Products & Services (Page 85) American Cinematographer - January 2008 - New Products & Services (Page 86) American Cinematographer - January 2008 - New Products & Services (Page 87) American Cinematographer - January 2008 - International Marketplace (Page 88) American Cinematographer - January 2008 - Classified Ads (Page 89) American Cinematographer - January 2008 - Ad Index (Page 90) American Cinematographer - January 2008 - Ad Index (Page 91) American Cinematographer - January 2008 - In Memoriam: Robert C. Jessup, ASC (Page 92) American Cinematographer - January 2008 - In Memoriam: Robert C. Jessup, ASC (Page 93) American Cinematographer - January 2008 - Clubhouse News (Page 94) American Cinematographer - January 2008 - Clubhouse News (Page 95) American Cinematographer - January 2008 - ASC Close-Up: Gabriel Beristain (Page 96) American Cinematographer - January 2008 - ASC Close-Up: Gabriel Beristain (Page Cover3) American Cinematographer - January 2008 - ASC Close-Up: Gabriel Beristain (Page Cover4)
For optimal viewing of this digital publication, please enable JavaScript and then refresh the page. If you would like to try to load the digital publication without using Flash Player detection, please click here.