American Cinematographer - January 2009 - (Page 64) Brothers in Arms Right: Tuvia helps Lilka (Alexa Davalos) escape from a ghetto. Below: When Nazis discover the camp, Lilka helps shepherd the children to safety. highlights that are a little blue or a little pink, for example. You never know what the result will be; it depends on the time of day or the sun or the shadows. You can see something, but it’s not obvious — you don’t say, ‘It’s pink.’ It’s just not the usual image. It has a texture that isn’t clean or modern.” Serra overexposed the pushed 5279 by rating it at 1,000 ASA or lower. With a smile, he notes, “It’s one thing to take the risk with color, but one thing I don’t play with is exposure! I don’t want to be on that edge.” To get a thick negative, he usually rates the stock at least 2⁄3 of a stop lower than recommended. Most of Defiance takes place in forests, and one of Serra’s chief challenges was giving these scenes visual continuity. “For daytime scenes, the first thing I did was cut the sun because I wanted to avoid shadows moving every two minutes.” He adds that an “incredible team of grips,” some of whom had worked on Blood Diamond in Africa, assisted him. His outdoor lighting was bold and simple. “We used a huge silk to kill the sun and big silks to bounce light.” At first, his team tried cutting the sun with a gigantic silk hung above the set, but that proved unwieldy, as well as ineffectual with wider crowd scenes. Serra then had the silks positioned vertically, acting as a curtain against the low northern sun. The cinematographer bounced two or three 18K HMIs on big silks to create diffuse light that acted as a fill. “That’s it — no crosslights, no backlights … just light to clean up.” He notes that for reasons of convenience, 64 January 2009
Table of Contents Feed for the Digital Edition of American Cinematographer - January 2008 American Cinematographer - January 2009 Contents Editor’s Note Short Takes: Triangle of Need Production Slate: Frost/Nixon, The Wrestler Close Focus An Old Soul Brothers in Arms A Cut Above Post Focus: HPA Awards, Still Me New Products & Services International Marketplace Classified Ads Ad Index In Memoriam: Robert C. Jessup, ASC Clubhouse News ASC Close-Up: Gabriel Beristain American Cinematographer - January 2008 American Cinematographer - January 2008 - American Cinematographer - January 2009 (Page Cover1) American Cinematographer - January 2008 - American Cinematographer - January 2009 (Page Cover2) American Cinematographer - January 2008 - American Cinematographer - January 2009 (Page 1) American Cinematographer - January 2008 - American Cinematographer - January 2009 (Page 2) American Cinematographer - January 2008 - Contents (Page 3) American Cinematographer - January 2008 - Contents (Page 4) American Cinematographer - January 2008 - Contents (Page 5) American Cinematographer - January 2008 - Contents (Page 6) American Cinematographer - January 2008 - Contents (Page 7) American Cinematographer - January 2008 - Editor’s Note (Page 8) American Cinematographer - January 2008 - Editor’s Note (Page 9) American Cinematographer - January 2008 - Short Takes: Triangle of Need (Page 10) American Cinematographer - January 2008 - Short Takes: Triangle of Need (Page 11) American Cinematographer - January 2008 - Short Takes: Triangle of Need (Page 12) American Cinematographer - January 2008 - Short Takes: Triangle of Need (Page 13) American Cinematographer - January 2008 - Short Takes: Triangle of Need (Page 14) American Cinematographer - January 2008 - Short Takes: Triangle of Need (Page 15) American Cinematographer - January 2008 - Production Slate: Frost/Nixon, The Wrestler (Page 16) American Cinematographer - January 2008 - Production Slate: Frost/Nixon, The Wrestler (Page 17) American Cinematographer - January 2008 - Production Slate: Frost/Nixon, The Wrestler (Page 18) American Cinematographer - January 2008 - Production Slate: Frost/Nixon, The Wrestler (Page 19) American Cinematographer - January 2008 - Production Slate: Frost/Nixon, The Wrestler (Page 20) American Cinematographer - January 2008 - Production Slate: Frost/Nixon, The Wrestler (Page 21) American Cinematographer - January 2008 - Production Slate: Frost/Nixon, The Wrestler (Page 22) American Cinematographer - January 2008 - Production Slate: Frost/Nixon, The Wrestler (Page 23) American Cinematographer - January 2008 - Production Slate: Frost/Nixon, The Wrestler (Page 24) American Cinematographer - January 2008 - Production Slate: Frost/Nixon, The Wrestler (Page 25) American Cinematographer - January 2008 - Production Slate: Frost/Nixon, The Wrestler (Page 26) American Cinematographer - January 2008 - Production Slate: Frost/Nixon, The Wrestler (Page 27) American Cinematographer - January 2008 - Close Focus (Page 28) American Cinematographer - January 2008 - Close Focus (Page 29) American Cinematographer - January 2008 - Close Focus (Page 30) American Cinematographer - January 2008 - Close Focus (Page 31) American Cinematographer - January 2008 - Close Focus (Page 32) American Cinematographer - January 2008 - Close Focus (Page 33) American Cinematographer - January 2008 - Close Focus (Page 34) American Cinematographer - January 2008 - Close Focus (Page 35) American Cinematographer - January 2008 - Close Focus (Page 36) American Cinematographer - January 2008 - Close Focus (Page 37) American Cinematographer - January 2008 - Close Focus (Page 38) American Cinematographer - January 2008 - Close Focus (Page 39) American Cinematographer - January 2008 - Close Focus (Page 40) American Cinematographer - January 2008 - Close Focus (Page 41) American Cinematographer - January 2008 - An Old Soul (Page 42) American Cinematographer - January 2008 - An Old Soul (Page 43) American Cinematographer - January 2008 - An Old Soul (Page 44) American Cinematographer - January 2008 - An Old Soul (Page 45) American Cinematographer - January 2008 - An Old Soul (Page 46) American Cinematographer - January 2008 - An Old Soul (Page 47) American Cinematographer - January 2008 - An Old Soul (Page 48) American Cinematographer - January 2008 - An Old Soul (Page 49) American Cinematographer - January 2008 - An Old Soul (Page 50) American Cinematographer - January 2008 - An Old Soul (Page 51) American Cinematographer - January 2008 - An Old Soul (Page 52) American Cinematographer - January 2008 - An Old Soul (Page 53) American Cinematographer - January 2008 - An Old Soul (Page 54) American Cinematographer - January 2008 - An Old Soul (Page 55) American Cinematographer - January 2008 - An Old Soul (Page 56) American Cinematographer - January 2008 - An Old Soul (Page 57) American Cinematographer - January 2008 - Brothers in Arms (Page 58) American Cinematographer - January 2008 - Brothers in Arms (Page 59) American Cinematographer - January 2008 - Brothers in Arms (Page 60) American Cinematographer - January 2008 - Brothers in Arms (Page 61) American Cinematographer - January 2008 - Brothers in Arms (Page 62) American Cinematographer - January 2008 - Brothers in Arms (Page 63) American Cinematographer - January 2008 - Brothers in Arms (Page 64) American Cinematographer - January 2008 - Brothers in Arms (Page 65) American Cinematographer - January 2008 - Brothers in Arms (Page 66) American Cinematographer - January 2008 - Brothers in Arms (Page 67) American Cinematographer - January 2008 - Brothers in Arms (Page 68) American Cinematographer - January 2008 - Brothers in Arms (Page 69) American Cinematographer - January 2008 - A Cut Above (Page 70) American Cinematographer - January 2008 - A Cut Above (Page 71) American Cinematographer - January 2008 - A Cut Above (Page 72) American Cinematographer - January 2008 - A Cut Above (Page 73) American Cinematographer - January 2008 - A Cut Above (Page 74) American Cinematographer - January 2008 - A Cut Above (Page 75) American Cinematographer - January 2008 - A Cut Above (Page 76) American Cinematographer - January 2008 - A Cut Above (Page 77) American Cinematographer - January 2008 - A Cut Above (Page 78) American Cinematographer - January 2008 - A Cut Above (Page 79) American Cinematographer - January 2008 - Post Focus: HPA Awards, Still Me (Page 80) American Cinematographer - January 2008 - Post Focus: HPA Awards, Still Me (Page 81) American Cinematographer - January 2008 - Post Focus: HPA Awards, Still Me (Page 82) American Cinematographer - January 2008 - Post Focus: HPA Awards, Still Me (Page 83) American Cinematographer - January 2008 - New Products & Services (Page 84) American Cinematographer - January 2008 - New Products & Services (Page 85) American Cinematographer - January 2008 - New Products & Services (Page 86) American Cinematographer - January 2008 - New Products & Services (Page 87) American Cinematographer - January 2008 - International Marketplace (Page 88) American Cinematographer - January 2008 - Classified Ads (Page 89) American Cinematographer - January 2008 - Ad Index (Page 90) American Cinematographer - January 2008 - Ad Index (Page 91) American Cinematographer - January 2008 - In Memoriam: Robert C. Jessup, ASC (Page 92) American Cinematographer - January 2008 - In Memoriam: Robert C. Jessup, ASC (Page 93) American Cinematographer - January 2008 - Clubhouse News (Page 94) American Cinematographer - January 2008 - Clubhouse News (Page 95) American Cinematographer - January 2008 - ASC Close-Up: Gabriel Beristain (Page 96) American Cinematographer - January 2008 - ASC Close-Up: Gabriel Beristain (Page Cover3) American Cinematographer - January 2008 - ASC Close-Up: Gabriel Beristain (Page Cover4)
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