American Cinematographer - January 2012 - 102
Clubhouse News
began working as an electricianand climbed the ranks to gaffer and then cinematographer on independent productions. His work on Girlfight won him a mention on Variety’s “10 Cinematographers to Watch,” and he then went on to shoot Sunshine State. Cady shot the first season of Cold Case, and his credits also include the series In Treatment, Body of Proof and Suits and the features The Stepfather (2009) and The Lottery Ticket. Larry Fong, ASC was born and raised in Los Angeles. As a teen, he became interested in photography and filmmaking, and he began experimenting with short films, cel animation and stop-motion projects. He earned an undergraduate degree in linguistics from the University of California-Los Angeles and a film degree fromArt Center College of Design in Pasadena. He launched his career shooting music videos for such acts as R.E.M., Van Halen and the Goo Goo Dolls, and then began shooting commercials, independent features and television pilots.In 2004, he shot the pilot for Lost, for which he earned an ASC Award nomination. He shot several episodes of the hit series before embarking on his first studio feature, 300. He has since shot the features Watchmen, Sucker Punch and Super 8. The son of screenwriter and producer Richard Maibaum, Paul Maibaum, ASC was born into filmmaking. While studying theater arts at California State University-Hayward, he took a course that set him down the path toward cinematography. He enrolled inthe University of Southern California’s School of Cinema and Television, and upon graduating he found work at Filmart, a smallproduction company andcamera-rental facility. While working at Filmart, hejoined the union as a loader, and he quickly climbed the ranks to first assistant. After operating for such cinematographers as Woody Omens, ASC and Dean
American Cinematographer
Semler, ASC, ACS, Maibaum was promoted to director of photography on the series Parker Lewis Can’t Lose . His recent credits include the series My Boys, Samantha Who? and Sons of Anarchy and the pilot for Intercept. HPA Hosts Reference-Monitor Symposium The Hollywood Post Alliance recently hosted a Reference-Monitor Symposium at the Walt Disney Studios in Burbank, Calif. Theevent was conceived by a blue-ribbon group of industry professionals, including ASC members Curtis Clark and Steven Poster and ASC associates Lou Levinson, Josh Pines and Jan Yarbrough. The symposium included a full day of demonstrations and presentations. Poster participated in “Myth Busting: Monitoring On Set”; Pines participated in “Myth Busting: Digital Cinema”; Levinson and ASC associates Howard Lukk and Leon Silverman participated in “ 101 Dalmatians: A Case Study of Monitoring in ACES”; and Clark contributed to the panel discussion “What’s Coming Next?” “This event has brought together a group of some of the most insightful professionals working in our industry today to address an issue that has not been addressed in this way before,” said Silverman, president of the HPA and the general manager of digital studio for Walt Disney Studios. “As display technology has changed and evolved, the need to understand how best to display and view our content for the various delivery platforms is an increasing challenge for industry professionals. This event is a unique opportunity for our industry to literally see what we are doing with new eyes.” Kuras Shares Emerging Visions Ellen Kuras, ASC was selected to participate in the recent “Emerging Visions” program co-presented by The Film Society of Lincoln Center and the Independent Filmmaker Project. The one-day event, which
New ASC members Patrick Cady (top) and Larry Fong (bottom).
Cady, Fong, Maibaum Join Society The ASC recently welcomed Patrick Cady, Larry Fong and Paul Maibaum into its ranks of active members. Patrick Cady, ASC grew up near Buffalo, N.Y., and attended Ithaca College, where he earned a bachelor’s degree in still photography and motion-picture production. After workingas a camera intern for Roger Deakins, ASC,BSC on Passion Fish, Cady enrolled in New York University’s graduate film program. Upon completing his MFA, Cady
102 January 2012
Photo of Clubhouse by Isidore Mankofsky, ASC; lighting by Donald M. Morgan, ASC. Fong photo by Françcois Duhamel, SMPSP. Michos photo by Alan Thatcher.
American Cinematographer - January 2012
Table of Contents for the Digital Edition of American Cinematographer - January 2012
American Cinematographer - January 2012
Contents
Editor’s Note
President’s Desk
Short Takes: String Theory
Production Slate: The Descendants • ASC Awards Preview • HPA Awards
Cold Case
Animal Instincts
Lord of War
Go with the Flow
New Products & Services
International Marketplace
Classified Ads
Ad Index
Clubhouse News
ASC Close-Up: Rodrigo Prieto
American Cinematographer - January 2012 - American Cinematographer - January 2012
American Cinematographer - January 2012 - Cover2
American Cinematographer - January 2012 - 1
American Cinematographer - January 2012 - 2
American Cinematographer - January 2012 - Contents
American Cinematographer - January 2012 - 4
American Cinematographer - January 2012 - 5
American Cinematographer - January 2012 - 6
American Cinematographer - January 2012 - 7
American Cinematographer - January 2012 - Editor’s Note
American Cinematographer - January 2012 - 9
American Cinematographer - January 2012 - President’s Desk
American Cinematographer - January 2012 - 11
American Cinematographer - January 2012 - Short Takes: String Theory
American Cinematographer - January 2012 - 13
American Cinematographer - January 2012 - 14
American Cinematographer - January 2012 - 15
American Cinematographer - January 2012 - 16
American Cinematographer - January 2012 - 17
American Cinematographer - January 2012 - 18
American Cinematographer - January 2012 - 19
American Cinematographer - January 2012 - Production Slate: The Descendants • ASC Awards Preview • HPA Awards
American Cinematographer - January 2012 - 21
American Cinematographer - January 2012 - 22
American Cinematographer - January 2012 - 23
American Cinematographer - January 2012 - 24
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American Cinematographer - January 2012 - 30
American Cinematographer - January 2012 - 31
American Cinematographer - January 2012 - Cold Case
American Cinematographer - January 2012 - 33
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American Cinematographer - January 2012 - 43
American Cinematographer - January 2012 - 44
American Cinematographer - January 2012 - 45
American Cinematographer - January 2012 - 46
American Cinematographer - January 2012 - 47
American Cinematographer - January 2012 - Animal Instincts
American Cinematographer - January 2012 - 49
American Cinematographer - January 2012 - 50
American Cinematographer - January 2012 - 51
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American Cinematographer - January 2012 - 58
American Cinematographer - January 2012 - 59
American Cinematographer - January 2012 - 60
American Cinematographer - January 2012 - 61
American Cinematographer - January 2012 - Lord of War
American Cinematographer - January 2012 - 63
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American Cinematographer - January 2012 - 71
American Cinematographer - January 2012 - 72
American Cinematographer - January 2012 - 73
American Cinematographer - January 2012 - Go with the Flow
American Cinematographer - January 2012 - 75
American Cinematographer - January 2012 - 76
American Cinematographer - January 2012 - 77
American Cinematographer - January 2012 - 78
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American Cinematographer - January 2012 - 85
American Cinematographer - January 2012 - 86
American Cinematographer - January 2012 - 87
American Cinematographer - January 2012 - New Products & Services
American Cinematographer - January 2012 - 89
American Cinematographer - January 2012 - 90
American Cinematographer - January 2012 - 91
American Cinematographer - January 2012 - 92
American Cinematographer - January 2012 - 93
American Cinematographer - January 2012 - 94
American Cinematographer - January 2012 - 95
American Cinematographer - January 2012 - 96
American Cinematographer - January 2012 - 97
American Cinematographer - January 2012 - International Marketplace
American Cinematographer - January 2012 - Classified Ads
American Cinematographer - January 2012 - Ad Index
American Cinematographer - January 2012 - 101
American Cinematographer - January 2012 - Clubhouse News
American Cinematographer - January 2012 - 103
American Cinematographer - January 2012 - ASC Close-Up: Rodrigo Prieto
American Cinematographer - January 2012 - Cover3
American Cinematographer - January 2012 - Cover4
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