American Cinematographer - January 2012 - 64

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Lord of War

Marcus confronts his archenemy, Tullus Aufidius (Gerard Butler), leader of the Volscians.

and Iraq, video clips culled from location scouts and documentaries, and animated storyboards that were narrated by Fiennes and Redgrave (performing monologues from the script). “Creating those storyboards was really my first experience in the way of directing and getting a toehold on the film,” says Fiennes. Ackroyd says he prefers to get most of the talking out of the way in preproduction. “I like to have the confidence of the director, and I knew that with Ralph directing and acting in the film, he had to be able to trust that I’d give him what he wanted. With most directors, you reach a point where he doesn’t have to tell you exactly what it is he’s trying to get from the scene. Sometimes that’s almost impossible to express, anyway.” The filmmakers considered shooting on 16mm, 35mm and highdefinition video, but ultimately opted to film on 2-perf Super 35mm with brand-new Aaton Penelope cameras. Ackroyd observes, “The usual issues with 2-perf are that you get more hairs in the gate, something the Penelope is
64 January 2012

brilliant at avoiding, and you get flares off the hard gate, which you can see a few times in our film. But we could justify that in our style — the camera is

“The film has two sides — it bursts into movement in the battle zones, and then there are the more formal confrontations.”
typically active.” Most of Coriolanus was shot on location, with the Serbian capital of Belgrade standing in for Rome and the Mediterranean port of Kotor in Montenegro doubling for the Volscian
American Cinematographer

city of Antium. The filmmakers took advantage of Belgrade’s widely varying topography — from the classical design of the House of the National Assembly to the post-war blokovi housing projects — to differentiate the worlds of the patricians and the commoners. The film opens with a scene that establishes Marcius as an enemy of the people — he all but spits upon a starving, angry mob that’s trying to break into a grain depot — and then segues to his natural environment: the battlefield. This scene, the battle of Corioles, was shot in Pancevo, a Serbian municipality that still bears the scorch marks of a devastating 1999 NATO airstrike. Marcius and his troops are deployed in Corioles to halt a Volscian attack on Roman territory. The filmmakers traveled light, shooting sequentially over the course of three days with two cameras handheld by Ackroyd (A-camera operator) and Svetomir Pajic-Kivi (B-camera and Steadicam operator). Angenieux Optimo 17-80mm zoom lenses were used for the fast-moving action beats, with Ackroyd’s longtime 1st AC, Oliver



American Cinematographer - January 2012

Table of Contents for the Digital Edition of American Cinematographer - January 2012

American Cinematographer - January 2012
Contents
Editor’s Note
President’s Desk
Short Takes: String Theory
Production Slate: The Descendants • ASC Awards Preview • HPA Awards
Cold Case
Animal Instincts
Lord of War
Go with the Flow
New Products & Services
International Marketplace
Classified Ads
Ad Index
Clubhouse News
ASC Close-Up: Rodrigo Prieto
American Cinematographer - January 2012 - American Cinematographer - January 2012
American Cinematographer - January 2012 - Cover2
American Cinematographer - January 2012 - 1
American Cinematographer - January 2012 - 2
American Cinematographer - January 2012 - Contents
American Cinematographer - January 2012 - 4
American Cinematographer - January 2012 - 5
American Cinematographer - January 2012 - 6
American Cinematographer - January 2012 - 7
American Cinematographer - January 2012 - Editor’s Note
American Cinematographer - January 2012 - 9
American Cinematographer - January 2012 - President’s Desk
American Cinematographer - January 2012 - 11
American Cinematographer - January 2012 - Short Takes: String Theory
American Cinematographer - January 2012 - 13
American Cinematographer - January 2012 - 14
American Cinematographer - January 2012 - 15
American Cinematographer - January 2012 - 16
American Cinematographer - January 2012 - 17
American Cinematographer - January 2012 - 18
American Cinematographer - January 2012 - 19
American Cinematographer - January 2012 - Production Slate: The Descendants • ASC Awards Preview • HPA Awards
American Cinematographer - January 2012 - 21
American Cinematographer - January 2012 - 22
American Cinematographer - January 2012 - 23
American Cinematographer - January 2012 - 24
American Cinematographer - January 2012 - 25
American Cinematographer - January 2012 - 26
American Cinematographer - January 2012 - 27
American Cinematographer - January 2012 - 28
American Cinematographer - January 2012 - 29
American Cinematographer - January 2012 - 30
American Cinematographer - January 2012 - 31
American Cinematographer - January 2012 - Cold Case
American Cinematographer - January 2012 - 33
American Cinematographer - January 2012 - 34
American Cinematographer - January 2012 - 35
American Cinematographer - January 2012 - 36
American Cinematographer - January 2012 - 37
American Cinematographer - January 2012 - 38
American Cinematographer - January 2012 - 39
American Cinematographer - January 2012 - 40
American Cinematographer - January 2012 - 41
American Cinematographer - January 2012 - 42
American Cinematographer - January 2012 - 43
American Cinematographer - January 2012 - 44
American Cinematographer - January 2012 - 45
American Cinematographer - January 2012 - 46
American Cinematographer - January 2012 - 47
American Cinematographer - January 2012 - Animal Instincts
American Cinematographer - January 2012 - 49
American Cinematographer - January 2012 - 50
American Cinematographer - January 2012 - 51
American Cinematographer - January 2012 - 52
American Cinematographer - January 2012 - 53
American Cinematographer - January 2012 - 54
American Cinematographer - January 2012 - 55
American Cinematographer - January 2012 - 56
American Cinematographer - January 2012 - 57
American Cinematographer - January 2012 - 58
American Cinematographer - January 2012 - 59
American Cinematographer - January 2012 - 60
American Cinematographer - January 2012 - 61
American Cinematographer - January 2012 - Lord of War
American Cinematographer - January 2012 - 63
American Cinematographer - January 2012 - 64
American Cinematographer - January 2012 - 65
American Cinematographer - January 2012 - 66
American Cinematographer - January 2012 - 67
American Cinematographer - January 2012 - 68
American Cinematographer - January 2012 - 69
American Cinematographer - January 2012 - 70
American Cinematographer - January 2012 - 71
American Cinematographer - January 2012 - 72
American Cinematographer - January 2012 - 73
American Cinematographer - January 2012 - Go with the Flow
American Cinematographer - January 2012 - 75
American Cinematographer - January 2012 - 76
American Cinematographer - January 2012 - 77
American Cinematographer - January 2012 - 78
American Cinematographer - January 2012 - 79
American Cinematographer - January 2012 - 80
American Cinematographer - January 2012 - 81
American Cinematographer - January 2012 - 82
American Cinematographer - January 2012 - 83
American Cinematographer - January 2012 - 84
American Cinematographer - January 2012 - 85
American Cinematographer - January 2012 - 86
American Cinematographer - January 2012 - 87
American Cinematographer - January 2012 - New Products & Services
American Cinematographer - January 2012 - 89
American Cinematographer - January 2012 - 90
American Cinematographer - January 2012 - 91
American Cinematographer - January 2012 - 92
American Cinematographer - January 2012 - 93
American Cinematographer - January 2012 - 94
American Cinematographer - January 2012 - 95
American Cinematographer - January 2012 - 96
American Cinematographer - January 2012 - 97
American Cinematographer - January 2012 - International Marketplace
American Cinematographer - January 2012 - Classified Ads
American Cinematographer - January 2012 - Ad Index
American Cinematographer - January 2012 - 101
American Cinematographer - January 2012 - Clubhouse News
American Cinematographer - January 2012 - 103
American Cinematographer - January 2012 - ASC Close-Up: Rodrigo Prieto
American Cinematographer - January 2012 - Cover3
American Cinematographer - January 2012 - Cover4
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