American Cinematographer - January 2012 - 90

utilized 4x4 filters. Later, the MB-105 update used 4x5.65 filters. The latest version, the MB-114, is available in either a two-stage or three-stage version for 4x5.65 filters. The MB-114 features a 114mm clamp-on back and comes with four stepdown rings to 110mm, 105mm, 95mm and 80mm. The mattebox is compatible with most professional cinema lenses. For additional information, visit www.birnsandsawyer.com. Cooke Adds 135mm Lens Cooke Optics has added a 135mm lens to its 5/i Prime and Panchro lens sets. The 135mm for the 5/i set boasts a speed of T1.4 and the 5/i’s signature focus ring, which illuminates when required. The Panchro 135mm joins the smaller, lighterweight lens set and has a speed of T2.8. Both lenses are color-matched and calibrated to all existing Cooke lenses and feature built-in /i Technology, which Paradise FX Supports 3-D with Helios Rig Paradise FX has introduced the Helios 3-D stereo rig, whose wireless, selfcontained, advanced design and operational features support fast on-set deployment, streamlined post and cost-effective 3-D production. The Helios rig is suitable for all types of un-tethered camerawork, including handheld, Steadicam and studio applications. Helios also features a self-balancing design, whereby interaxial convergence controls move out from the center of the rig, preventing a weight shift from affecting Steadicam performance. Helios can also be quickly switched over from one shooting configuration to another. Helios is manufactured from rigid, lightweight magnesium and aluminum alloy. It is designed for use with Red Epic cameras, with future support planned for

Master Cinema Series, a line of products designed to give DSLR cameras a professional form factor. Having worked with DSLR systems for the past four years on an array of projects, Hurlbut approached Letus owner Hien Tu Le with a vision for an affordable line of accessories. As a result of their collaboration, Letus has prototyped and manufactured 16 individual components for the Master Cinema Series. The complete system allows users to effortlessly morph the camera’s form factor between four specific configurations: Studio Cam, Shoulder Cam, Man Cam and Action Cam. For additional information, visit http://mastercinemaseries.com.

provides cinematographers, camera operators and post teams with vital metadata, including lens setting, focusing distance, aperture, depth of field, hyperfocal distance and focal length in both metric and imperial measurements. For additional information, visit www.cookeoptics.com. Arri Alexa M and Sony F3 cameras. Paradise FX offers Helios with a range of matched lens pairs, including Arri Ultra Primes and Angenieux Compact Zooms. Using Preston G4 wireless controls, Helios’ interaxial range can be adjusted from 0" to 2", and convergence can be adjusted from 10" to infinity. The rig measures 18.5"x18.5"x8.5", with a mirror-box width of 15". Without cameras or accessories, the rig weighs 18 pounds. Helios can be deployed with Paradise FX’s Mercury metadata capture system. Files, time codes, associated lens and 3-D stereo information, such as interaxial and convergence metadata, can be offloaded for post or visual effects. Additionally, camera moves can be played back on set in the same way as a motion-control system. For additional information, visit www.paradisefx.com.

Birns & Sawyer Updates Clamp-On Mattebox Birns & Sawyer has released the MB114 clamp-on mattebox. The company’s popular tray-less, clamp-on mattebox was introduced more than a decade ago with the MB-95, which
90 January 2012

American Cinematographer


http://www.birnsandsawyer.com http://www.cookeoptics.com http://mastercinemaseries.com http://www.paradisefx.com

American Cinematographer - January 2012

Table of Contents for the Digital Edition of American Cinematographer - January 2012

American Cinematographer - January 2012
Contents
Editor’s Note
President’s Desk
Short Takes: String Theory
Production Slate: The Descendants • ASC Awards Preview • HPA Awards
Cold Case
Animal Instincts
Lord of War
Go with the Flow
New Products & Services
International Marketplace
Classified Ads
Ad Index
Clubhouse News
ASC Close-Up: Rodrigo Prieto
American Cinematographer - January 2012 - American Cinematographer - January 2012
American Cinematographer - January 2012 - Cover2
American Cinematographer - January 2012 - 1
American Cinematographer - January 2012 - 2
American Cinematographer - January 2012 - Contents
American Cinematographer - January 2012 - 4
American Cinematographer - January 2012 - 5
American Cinematographer - January 2012 - 6
American Cinematographer - January 2012 - 7
American Cinematographer - January 2012 - Editor’s Note
American Cinematographer - January 2012 - 9
American Cinematographer - January 2012 - President’s Desk
American Cinematographer - January 2012 - 11
American Cinematographer - January 2012 - Short Takes: String Theory
American Cinematographer - January 2012 - 13
American Cinematographer - January 2012 - 14
American Cinematographer - January 2012 - 15
American Cinematographer - January 2012 - 16
American Cinematographer - January 2012 - 17
American Cinematographer - January 2012 - 18
American Cinematographer - January 2012 - 19
American Cinematographer - January 2012 - Production Slate: The Descendants • ASC Awards Preview • HPA Awards
American Cinematographer - January 2012 - 21
American Cinematographer - January 2012 - 22
American Cinematographer - January 2012 - 23
American Cinematographer - January 2012 - 24
American Cinematographer - January 2012 - 25
American Cinematographer - January 2012 - 26
American Cinematographer - January 2012 - 27
American Cinematographer - January 2012 - 28
American Cinematographer - January 2012 - 29
American Cinematographer - January 2012 - 30
American Cinematographer - January 2012 - 31
American Cinematographer - January 2012 - Cold Case
American Cinematographer - January 2012 - 33
American Cinematographer - January 2012 - 34
American Cinematographer - January 2012 - 35
American Cinematographer - January 2012 - 36
American Cinematographer - January 2012 - 37
American Cinematographer - January 2012 - 38
American Cinematographer - January 2012 - 39
American Cinematographer - January 2012 - 40
American Cinematographer - January 2012 - 41
American Cinematographer - January 2012 - 42
American Cinematographer - January 2012 - 43
American Cinematographer - January 2012 - 44
American Cinematographer - January 2012 - 45
American Cinematographer - January 2012 - 46
American Cinematographer - January 2012 - 47
American Cinematographer - January 2012 - Animal Instincts
American Cinematographer - January 2012 - 49
American Cinematographer - January 2012 - 50
American Cinematographer - January 2012 - 51
American Cinematographer - January 2012 - 52
American Cinematographer - January 2012 - 53
American Cinematographer - January 2012 - 54
American Cinematographer - January 2012 - 55
American Cinematographer - January 2012 - 56
American Cinematographer - January 2012 - 57
American Cinematographer - January 2012 - 58
American Cinematographer - January 2012 - 59
American Cinematographer - January 2012 - 60
American Cinematographer - January 2012 - 61
American Cinematographer - January 2012 - Lord of War
American Cinematographer - January 2012 - 63
American Cinematographer - January 2012 - 64
American Cinematographer - January 2012 - 65
American Cinematographer - January 2012 - 66
American Cinematographer - January 2012 - 67
American Cinematographer - January 2012 - 68
American Cinematographer - January 2012 - 69
American Cinematographer - January 2012 - 70
American Cinematographer - January 2012 - 71
American Cinematographer - January 2012 - 72
American Cinematographer - January 2012 - 73
American Cinematographer - January 2012 - Go with the Flow
American Cinematographer - January 2012 - 75
American Cinematographer - January 2012 - 76
American Cinematographer - January 2012 - 77
American Cinematographer - January 2012 - 78
American Cinematographer - January 2012 - 79
American Cinematographer - January 2012 - 80
American Cinematographer - January 2012 - 81
American Cinematographer - January 2012 - 82
American Cinematographer - January 2012 - 83
American Cinematographer - January 2012 - 84
American Cinematographer - January 2012 - 85
American Cinematographer - January 2012 - 86
American Cinematographer - January 2012 - 87
American Cinematographer - January 2012 - New Products & Services
American Cinematographer - January 2012 - 89
American Cinematographer - January 2012 - 90
American Cinematographer - January 2012 - 91
American Cinematographer - January 2012 - 92
American Cinematographer - January 2012 - 93
American Cinematographer - January 2012 - 94
American Cinematographer - January 2012 - 95
American Cinematographer - January 2012 - 96
American Cinematographer - January 2012 - 97
American Cinematographer - January 2012 - International Marketplace
American Cinematographer - January 2012 - Classified Ads
American Cinematographer - January 2012 - Ad Index
American Cinematographer - January 2012 - 101
American Cinematographer - January 2012 - Clubhouse News
American Cinematographer - January 2012 - 103
American Cinematographer - January 2012 - ASC Close-Up: Rodrigo Prieto
American Cinematographer - January 2012 - Cover3
American Cinematographer - January 2012 - Cover4
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