American Cinematographer - January 2014 - 38

AMC_0114_p036_p049_a_feature 11/23/13 4:45 PM Page 38

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Folk Implosion

Davis is saddled
with a friend's cat
after he
accidentally lets it
out of the
apartment.

the grip package, but Delbonnel
declined. "I told Mitch, 'I'm not Roger
Deakins; I don't want that,'" recalls the
cinematographer. "Then, during the
first week of shooting, Joel or Ethan
would say, 'Bruno, what if we moved the
camera a little bit this way?' And we
38

January 2014

would have to re-lay the dolly track.
After a week of that, I told Mitch that I
finally understood, and yes, we should
add a jib arm!
"Roger and Mitch have created a
system that is very flexible and saves
time," continues Delbonnel. "You don't
American Cinematographer

have to measure the track down to the
millimeter because you can reframe very
easily with the jib arm. Also, the jib
gives you a 6-meter [19'] range, so you
can go farther than the track, which we
often did."
"We broke the remote head out
at least once a day - the Coen brothers
are used to it because Roger's always on
the remote and on the jib arm," says
Lillian. "We also use the jib to keep
actors from having to walk on the
tracks. And you can do compound
moves; you're not stuck in one direction.
The jib also keeps the dolly and operator away from the lighting."
Delbonnel and the Coens share a
fondness for wide-angle primes. "We
shot most of this film with the 21mm
and 27mm," says the cinematographer.
"The Coens told me some of their films
were almost entirely shot with the
27mm." Delbonnel adds that the 40mm
and 50mm primes were used for car
scenes "because they were more practical" in that setting. The mise en scène is



American Cinematographer - January 2014

Table of Contents for the Digital Edition of American Cinematographer - January 2014

Table of Contents
American Cinematographer - January 2014 - Cover1
American Cinematographer - January 2014 - Cover2
American Cinematographer - January 2014 - 1
American Cinematographer - January 2014 - 2
American Cinematographer - January 2014 - Table of Contents
American Cinematographer - January 2014 - 4
American Cinematographer - January 2014 - 5
American Cinematographer - January 2014 - 6
American Cinematographer - January 2014 - 7
American Cinematographer - January 2014 - 8
American Cinematographer - January 2014 - 9
American Cinematographer - January 2014 - 10
American Cinematographer - January 2014 - 11
American Cinematographer - January 2014 - 12
American Cinematographer - January 2014 - 13
American Cinematographer - January 2014 - 14
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American Cinematographer - January 2014 - 16
American Cinematographer - January 2014 - 17
American Cinematographer - January 2014 - 18
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American Cinematographer - January 2014 - 20
American Cinematographer - January 2014 - 21
American Cinematographer - January 2014 - 22
American Cinematographer - January 2014 - 23
American Cinematographer - January 2014 - 24
American Cinematographer - January 2014 - 25
American Cinematographer - January 2014 - 26
American Cinematographer - January 2014 - 27
American Cinematographer - January 2014 - 28
American Cinematographer - January 2014 - 29
American Cinematographer - January 2014 - 30
American Cinematographer - January 2014 - 31
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American Cinematographer - January 2014 - 35
American Cinematographer - January 2014 - 36
American Cinematographer - January 2014 - 37
American Cinematographer - January 2014 - 38
American Cinematographer - January 2014 - 39
American Cinematographer - January 2014 - 40
American Cinematographer - January 2014 - 41
American Cinematographer - January 2014 - 42
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American Cinematographer - January 2014 - 44
American Cinematographer - January 2014 - 45
American Cinematographer - January 2014 - 46
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American Cinematographer - January 2014 - 50
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American Cinematographer - January 2014 - 55
American Cinematographer - January 2014 - 56
American Cinematographer - January 2014 - 57
American Cinematographer - January 2014 - 58
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American Cinematographer - January 2014 - 60
American Cinematographer - January 2014 - 61
American Cinematographer - January 2014 - 62
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American Cinematographer - January 2014 - 65
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American Cinematographer - January 2014 - 70
American Cinematographer - January 2014 - 71
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American Cinematographer - January 2014 - 73
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American Cinematographer - January 2014 - 93
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American Cinematographer - January 2014 - 96
American Cinematographer - January 2014 - Cover3
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