American Cinematographer - January 2015 - 85

Images courtesy of Capture Imaging.

more amazing entertainment experience.
Congratulations to all of our nominees
tonight for your excellent work, and to all of
us for making postproduction something
worth dedicating our lives to."
Awards for Outstanding Editing
were presented to Christopher Rouse, ACE,
for Captain Phillips; Skip Macdonald, ACE,
for Breaking Bad, "Felina"; and Doobie
White of Therapy Studios, for Nissan Juke,
"Trigger."
Winning the Awards for Outstanding Sound were Glenn Freemantle of Sound
24, Skip Lievsay of Warner Bros. Sound, and
Christopher Benstead and Niv Adiri of
Warner Bros. De Lane Lea, for Gravity; Axel
Geddes of Pixar Animation Studios, and
Tom Myers, Gary Summers, Michael Silvers
and Dustin Cawood of Skywalker Sound,
for Toy Story of Terror!; and Anthony Moore
and Tom Joyce of Factory, for Honda
Europe, "Inner Beauty."
Outstanding Visual Effects Awards
were presented to Joe Letteri, Dan
Lemmon, Erik Winquist, Keith Miller and
Paul Story of Weta Digital, for Dawn of the
Planet of the Apes; Joe Bauer of Fire and
Blood Productions, Sven Martin of
Pixomondo, Jörn Grosshans of Mackevision,
Thomas Schelesny of Scanline VFX, and
Matthew Rouleau of Rodeo FX, for Game
of Thrones, "The Children"; and Benjamin
Walsh, Dominik Bauch and Brian Burke of
Method Studios, for GE, "Childlike Imagination."
ASC members Dean Cundey and
Christopher Baffa presented the awards for
Outstanding Color Grading to ASC associate Steven J. Scott of Technicolor, for Gravity; ASC associate David Cole of Modern
VideoFilm, for the Reign pilot; and Siggy
Ferstl of Company 3, for Doosan, "Heavy
Industries."
"The evolution of color on a project
is an interesting journey," said Baffa. "It
begins with the cinematographer, who
establishes the look, but that look must ultimately pass through the hands of the
colorist, [who] then becomes a bridge
between the technology and the artistry of
the visual image." Cundey described the
colorist as "the cinematographer's friend
and collaborator" who must navigate the
terrain of artistic preferences "yet come up
with a beautiful storytelling image. And

Top left: Pines thanks the post community for adopting the ASC CDL. Top right: Reisner remarks
on the significance of the ASC's achievement. Middle: HPA President and ASC associate member
Leon Silverman addresses the packed house. Bottom: Christopher Baffa, ASC and Dean Cundey,
ASC present the award for Outstanding Color Grading.
www.theasc.com

January 2015

85


http://www.theasc.com

Table of Contents for the Digital Edition of American Cinematographer - January 2015

Contents
American Cinematographer - January 2015 - Intro
American Cinematographer - January 2015 - Cover1
American Cinematographer - January 2015 - Cover2
American Cinematographer - January 2015 - 1
American Cinematographer - January 2015 - 2
American Cinematographer - January 2015 - Contents
American Cinematographer - January 2015 - 4
American Cinematographer - January 2015 - 5
American Cinematographer - January 2015 - 6
American Cinematographer - January 2015 - 7
American Cinematographer - January 2015 - 8
American Cinematographer - January 2015 - 9
American Cinematographer - January 2015 - 10
American Cinematographer - January 2015 - 11
American Cinematographer - January 2015 - 12
American Cinematographer - January 2015 - 13
American Cinematographer - January 2015 - 14
American Cinematographer - January 2015 - 15
American Cinematographer - January 2015 - 16
American Cinematographer - January 2015 - 17
American Cinematographer - January 2015 - 18
American Cinematographer - January 2015 - 19
American Cinematographer - January 2015 - 20
American Cinematographer - January 2015 - 21
American Cinematographer - January 2015 - 22
American Cinematographer - January 2015 - 23
American Cinematographer - January 2015 - 24
American Cinematographer - January 2015 - 25
American Cinematographer - January 2015 - 26
American Cinematographer - January 2015 - 27
American Cinematographer - January 2015 - 28
American Cinematographer - January 2015 - 29
American Cinematographer - January 2015 - 30
American Cinematographer - January 2015 - 31
American Cinematographer - January 2015 - 32
American Cinematographer - January 2015 - 33
American Cinematographer - January 2015 - 34
American Cinematographer - January 2015 - 35
American Cinematographer - January 2015 - 36
American Cinematographer - January 2015 - 37
American Cinematographer - January 2015 - 38
American Cinematographer - January 2015 - 39
American Cinematographer - January 2015 - 40
American Cinematographer - January 2015 - 41
American Cinematographer - January 2015 - 42
American Cinematographer - January 2015 - 43
American Cinematographer - January 2015 - 44
American Cinematographer - January 2015 - 45
American Cinematographer - January 2015 - 46
American Cinematographer - January 2015 - 47
American Cinematographer - January 2015 - 48
American Cinematographer - January 2015 - K1
American Cinematographer - January 2015 - K2
American Cinematographer - January 2015 - K3
American Cinematographer - January 2015 - K4
American Cinematographer - January 2015 - K5
American Cinematographer - January 2015 - K6
American Cinematographer - January 2015 - K7
American Cinematographer - January 2015 - K8
American Cinematographer - January 2015 - K9
American Cinematographer - January 2015 - K10
American Cinematographer - January 2015 - K11
American Cinematographer - January 2015 - K12
American Cinematographer - January 2015 - 49
American Cinematographer - January 2015 - 50
American Cinematographer - January 2015 - 51
American Cinematographer - January 2015 - 52
American Cinematographer - January 2015 - 53
American Cinematographer - January 2015 - 54
American Cinematographer - January 2015 - 55
American Cinematographer - January 2015 - 56
American Cinematographer - January 2015 - 57
American Cinematographer - January 2015 - 58
American Cinematographer - January 2015 - 59
American Cinematographer - January 2015 - 60
American Cinematographer - January 2015 - 61
American Cinematographer - January 2015 - 62
American Cinematographer - January 2015 - 63
American Cinematographer - January 2015 - 64
American Cinematographer - January 2015 - 65
American Cinematographer - January 2015 - 66
American Cinematographer - January 2015 - 67
American Cinematographer - January 2015 - 68
American Cinematographer - January 2015 - 69
American Cinematographer - January 2015 - 70
American Cinematographer - January 2015 - 71
American Cinematographer - January 2015 - 72
American Cinematographer - January 2015 - 73
American Cinematographer - January 2015 - 74
American Cinematographer - January 2015 - 75
American Cinematographer - January 2015 - 76
American Cinematographer - January 2015 - 77
American Cinematographer - January 2015 - 78
American Cinematographer - January 2015 - 79
American Cinematographer - January 2015 - 80
American Cinematographer - January 2015 - 81
American Cinematographer - January 2015 - 82
American Cinematographer - January 2015 - 83
American Cinematographer - January 2015 - 84
American Cinematographer - January 2015 - 85
American Cinematographer - January 2015 - 86
American Cinematographer - January 2015 - 87
American Cinematographer - January 2015 - 88
American Cinematographer - January 2015 - 89
American Cinematographer - January 2015 - 90
American Cinematographer - January 2015 - 91
American Cinematographer - January 2015 - 92
American Cinematographer - January 2015 - 93
American Cinematographer - January 2015 - 94
American Cinematographer - January 2015 - 95
American Cinematographer - January 2015 - 96
American Cinematographer - January 2015 - Cover3
American Cinematographer - January 2015 - Cover4
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