American Cinematographer - January 2017 - 57

Unit photography by Dale Robinette. Additional photos by Linus Sandgren, FSF. All images courtesy of Lionsgate.

Opposite and this
page, top:
Sebastian (Ryan
Gosling) and Mia
(Emma Stone)
find romance
against the
hardscrabble
backdrop of the
Los Angeles
showbiz scene in
the musical La La
Land. Below:
Cinematographer
Linus Sandgren,
FSF measures the
light on set.

for a mutual attraction to emerge from
beneath their bickering repartee, and it's
brought to life in the song-and-dance
number "A Lovely Night." Romance
blooms but gets complicated as R&B
singer Keith ( John Legend) persuades
Sebastian to join his touring band the
Messengers, and Mia makes one last
play to jump-start her thespian dream.
She and Sebastian come to realize that
given the demands of their career goals
and budding relationship, something's
gotta give.
Chazelle, 30 at the time of filming, proved to be one of the industry's
most exciting young talents with 2014's
Academy Award-winning Whiplash
(shot by Sharone Meir; AC Nov. '14) -
also a music-themed project, though in
essence a psychological drama. For La
La Land he teamed with director of
photography Linus Sandgren, FSF,
appreciating the latter's work with director David O. Russell on American Hustle
(AC Jan. '14) and Joy. They hit it off in
their initial meeting.
"Damien is a strong storyteller,
and he's very clear when he describes his
vision," recalls Sandgren on the line
from London, where he is shooting
Lasse Hallström's period fantasy The

Nutcracker. "Damien is also a director
with a big, romantic heart. I especially
fell for his sincere love for classic cinema
filmmaking, and for the original music
for the film [by Justin Hurwitz, Benj
Pasek and Justin Paul] that he played for
me. I was surprised by the melancholic
theme, and could immediately sense
how this would impact the emotions of
the story and make it a very different
[kind of ] musical."
In a separate interview, Chazelle
says, "One of the things I love most
about Linus is that he has an old soul.
www.theasc.com

He's in love with analog filmmaking,
celluloid, Technicolor and old lenses,
and yet he has this youthful energy and
a tech-savvy brain that's all about finding new ways to do things. That epitomizes where I want this movie to live.
I'm trying to hark back to certain old
traditions but hopefully show you something you haven't seen before."
The director screened musicals
for the crew to get them into the
intended spirit. He cites influences from
1930s-1960s Hollywood, noting, "That
tradition of musicals composed directly
January 2017

57


http://www.theasc.com

Table of Contents for the Digital Edition of American Cinematographer - January 2017

Contents
American Cinematographer - January 2017 - Cover1
American Cinematographer - January 2017 - Cover2
American Cinematographer - January 2017 - 1
American Cinematographer - January 2017 - 2
American Cinematographer - January 2017 - Contents
American Cinematographer - January 2017 - 4
American Cinematographer - January 2017 - 5
American Cinematographer - January 2017 - 6
American Cinematographer - January 2017 - 7
American Cinematographer - January 2017 - 8
American Cinematographer - January 2017 - 9
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American Cinematographer - January 2017 - 11
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American Cinematographer - January 2017 - 14
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American Cinematographer - January 2017 - 17
American Cinematographer - January 2017 - 18
American Cinematographer - January 2017 - 19
American Cinematographer - January 2017 - 20
American Cinematographer - January 2017 - 21
American Cinematographer - January 2017 - 22
American Cinematographer - January 2017 - 23
American Cinematographer - January 2017 - 24
American Cinematographer - January 2017 - 25
American Cinematographer - January 2017 - 26
American Cinematographer - January 2017 - 27
American Cinematographer - January 2017 - 28
American Cinematographer - January 2017 - 29
American Cinematographer - January 2017 - 30
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American Cinematographer - January 2017 - 33
American Cinematographer - January 2017 - 34
American Cinematographer - January 2017 - 35
American Cinematographer - January 2017 - 36
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American Cinematographer - January 2017 - 40
American Cinematographer - January 2017 - 41
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American Cinematographer - January 2017 - 45
American Cinematographer - January 2017 - 46
American Cinematographer - January 2017 - 47
American Cinematographer - January 2017 - 48
American Cinematographer - January 2017 - 48a
American Cinematographer - January 2017 - 48b
American Cinematographer - January 2017 - 49
American Cinematographer - January 2017 - 50
American Cinematographer - January 2017 - 51
American Cinematographer - January 2017 - 52
American Cinematographer - January 2017 - 53
American Cinematographer - January 2017 - 54
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American Cinematographer - January 2017 - 56
American Cinematographer - January 2017 - 57
American Cinematographer - January 2017 - 58
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American Cinematographer - January 2017 - 108
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