No Filter AC goes on location with cinematographer Patrick Alexander Stewart to observe his updated techniques for the ninth season of HBO's Curb Your Enthusiasm. By Andrew Fish *|* W e leave the car in the Rose Bowl parking lot and take a shuttle down a winding, tree-lined road to the American Red Cross, whose Pasadena chapter is housed at the historic Cravens Estate. Completed in 1930 and modeled after a Parisian chateau, the mansion features a drawing room that's a perfect stand-in for the admissions office of Pemberton Academy, where Larry David is in the midst of finagling a spot for his girlfriend's son at the elite boarding school. He proceeds to derail the conversation with his musings over which end of the couch to sit on, and 80 January 2018 nearly kills the deal when his response to how serious he is about his girlfriend careens into a longwinded tacit admission that he might not actually be all that committed. It's his request of the administrators to let a maintenance professional - whom Larry owes a favor - and his family use the school's pool over the weekend, however, that ultimately does him in. It's Season 9 of HBO's Curb Your Enthusiasm - and at the invitation of cinematographer Patrick Alexander Stewart, AC observes as the button-pushing, cringe-inducing hilarity plays out. Once the administrators (Carlease Burke and Fred American Cinematographer