American Cinematographer - February 2009 - (Page 73) Clairmont Renting v3 MOE Lenses Clairmont Camera is now renting Vision III Imaging’s v3 MOE (Moving Optical Element) lenses. Available in 24mm, 35mm, 50mm, 85mm and 135mm focal lengths, the lenses capture different points of view relative to the plane of focus, thereby adding realism, depth and shape to scenes and subjects. Compatible with any industrystandard PL-mount film or digital camera, the lenses incorporate patented Panavision Adds Phantom to Rentals Panavision has announced an agreement with Abel Cine Tech and Vision Research for acquisition of Phantom HD high-speed digital cameras. The contract makes Phantom HD cameras and custom accessories available for rent in a complete Panavised package along with Panavision’s inventory of optics, including anamorphic lenses. Abel Cine Tech, the exclusive North American agent for Vision Research’s Phantom HD and 65, supplies the camera systems, technical support and training to Panavision. Peter Abel, president of Abel Cine Tech, notes, “Our strategic relationship with Panavision moves Phantom HD into an arena we have eagerly sought since the camera’s inception. With their experience and unique position in the market, we couldn’t hope for a more accomplished partner than Panavision to make this objective a reality.” Each Panavised Phantom HD camera system will include two new products, the 512 GB CineMag flash storage magazine and the CineStation download station. These products speed production and enhance workflow both on and off the set. Panavision is the first to supply this full system (two CineMags and one CineStation) to each Phantom HD package. For more information, visit www.panavision.com, www.abel cine.com or www.visionresearch.com. EX3 Gets Pro35 Adapter P+S Technik has introduced a ½" Pro35 lens adapter designed specifically for Sony’s PMW-EX3 camcorder, offering users the ability to use professional PL-mount 35mm cinema lenses with the EX3’s B4 mount. With the adapter, users can enjoy the same depth of field, focal lengths and angles of view found in 35mm film cameras. ZGC, Inc., the exclusive North American distributor for P+S Technik, offers the ½" Pro35 in a package that also includes a support kit with bridge, two extension handles, two regular handles and a battery. P+S Technik recently received a GTC Award for it Pro35 family of image converters. For more information, visit www.pstechnik.de or www.zgc.com. v3 parallax scanning technology. The lens iris rotates in a simple circle, with the amplitude (distance off center) and frequency (cycles per second) adjustable by the camera operator. (The normal frequency for shooting at 24 fps is 4.3 cycles per second; this can easily be adjusted for off-speed shooting.) Clairmont’s rental package also includes the lens controller and cabling. For more information, visit www.clair mont.com or www.inv3.com. Redrock Micro Offers dSLR Kits Capitalizing on the high-quality video afforded by a number of digital SLR cameras, Redrock Micro now offers a variety of accessories designed to transform the cameras into productionready cinema solutions. Redrock Micro’s dSLR accessory line includes a 15mm support system, a follow-focus with 35mm lens gearing for accurate and repeatable focusing, a swing-away mattebox for light manageAmerican Cinematographer 73 http://www.pstechnik.de http://www.zgc.com http://www.clairmont.com http://www.clairmont.com http://www.inv3.com http://www.panavision.com http://www.abelcine.com http://www.abelcine.com http://www.visionresearch.com
Table of Contents Feed for the Digital Edition of American Cinematographer - February 2009 American Cinematographer - February 2009 Contents Editor's Note Short Takes: Circus Production Slate: The International Reverte 2 Worlds in 3 Dimensions Dead Reckoning Embracing Anamorphic Citizen of the World Post Focus: Restoring Manhatta New Products & Services International Marketplace Classified Ads Ad Index Clubhouse News ASC Close-Up: Peter Suschitzky American Cinematographer - February 2009 American Cinematographer - February 2009 - American Cinematographer - February 2009 (Page Cover1) American Cinematographer - February 2009 - American Cinematographer - February 2009 (Page Cover2) American Cinematographer - February 2009 - American Cinematographer - February 2009 (Page 1) American Cinematographer - February 2009 - American Cinematographer - February 2009 (Page 2) American Cinematographer - February 2009 - Contents (Page 3) American Cinematographer - February 2009 - Contents (Page 4) American Cinematographer - February 2009 - Contents (Page 5) American Cinematographer - February 2009 - Contents (Page 6) American Cinematographer - February 2009 - Contents (Page 7) American Cinematographer - February 2009 - Editor's Note (Page 8) American Cinematographer - February 2009 - Editor's Note (Page 9) American Cinematographer - February 2009 - Short Takes: Circus (Page 10) American Cinematographer - February 2009 - Short Takes: Circus (Page 11) American Cinematographer - February 2009 - Short Takes: Circus (Page 12) American Cinematographer - February 2009 - Short Takes: Circus (Page 13) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 14) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 15) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 16) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 17) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 18) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 19) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 20) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 21) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 22) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 23) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 24) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 25) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 26) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 27) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 28) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 29) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 30) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 31) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 32) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 33) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 34) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 35) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 36) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 37) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 38) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 39) American Cinematographer - February 2009 - Dead Reckoning (Page 40) American Cinematographer - February 2009 - Dead Reckoning (Page 41) American Cinematographer - February 2009 - Dead Reckoning (Page 42) American Cinematographer - February 2009 - Dead Reckoning (Page 43) American Cinematographer - February 2009 - Dead Reckoning (Page 44) American Cinematographer - February 2009 - Dead Reckoning (Page 45) American Cinematographer - February 2009 - Dead Reckoning (Page 46) American Cinematographer - February 2009 - Dead Reckoning (Page 47) American Cinematographer - February 2009 - Dead Reckoning (Page 48) American Cinematographer - February 2009 - Dead Reckoning (Page 49) American Cinematographer - February 2009 - Dead Reckoning (Page 50) American Cinematographer - February 2009 - Dead Reckoning (Page 51) American Cinematographer - February 2009 - Embracing Anamorphic (Page 52) American Cinematographer - February 2009 - Embracing Anamorphic (Page 53) American Cinematographer - February 2009 - Embracing Anamorphic (Page 54) American Cinematographer - February 2009 - Embracing Anamorphic (Page 55) American Cinematographer - February 2009 - Embracing Anamorphic (Page 56) American Cinematographer - February 2009 - Embracing Anamorphic (Page 57) American Cinematographer - February 2009 - Embracing Anamorphic (Page 58) American Cinematographer - February 2009 - Embracing Anamorphic (Page 59) American Cinematographer - February 2009 - Citizen of the World (Page 60) American Cinematographer - February 2009 - Citizen of the World (Page 61) American Cinematographer - February 2009 - Citizen of the World (Page 62) American Cinematographer - February 2009 - Citizen of the World (Page 63) American Cinematographer - February 2009 - Citizen of the World (Page 64) American Cinematographer - February 2009 - Citizen of the World (Page 65) American Cinematographer - February 2009 - Citizen of the World (Page 66) American Cinematographer - February 2009 - Citizen of the World (Page 67) American Cinematographer - February 2009 - Post Focus: Restoring Manhatta (Page 68) American Cinematographer - February 2009 - Post Focus: Restoring Manhatta (Page 69) American Cinematographer - February 2009 - Post Focus: Restoring Manhatta (Page 70) American Cinematographer - February 2009 - Post Focus: Restoring Manhatta (Page 71) American Cinematographer - February 2009 - New Products & Services (Page 72) American Cinematographer - February 2009 - New Products & Services (Page 73) American Cinematographer - February 2009 - New Products & Services (Page 74) American Cinematographer - February 2009 - New Products & Services (Page 75) American Cinematographer - February 2009 - New Products & Services (Page 76) American Cinematographer - February 2009 - New Products & Services (Page 77) American Cinematographer - February 2009 - New Products & Services (Page 78) American Cinematographer - February 2009 - New Products & Services (Page 79) American Cinematographer - February 2009 - New Products & Services (Page 80) American Cinematographer - February 2009 - New Products & Services (Page 81) American Cinematographer - February 2009 - International Marketplace (Page 82) American Cinematographer - February 2009 - Classified Ads (Page 83) American Cinematographer - February 2009 - Ad Index (Page 84) American Cinematographer - February 2009 - Ad Index (Page 85) American Cinematographer - February 2009 - Clubhouse News (Page 86) American Cinematographer - February 2009 - Clubhouse News (Page 87) American Cinematographer - February 2009 - ASC Close-Up: Peter Suschitzky (Page 88) American Cinematographer - February 2009 - ASC Close-Up: Peter Suschitzky (Page Cover3) American Cinematographer - February 2009 - ASC Close-Up: Peter Suschitzky (Page Cover4)
For optimal viewing of this digital publication, please enable JavaScript and then refresh the page. If you would like to try to load the digital publication without using Flash Player detection, please click here.