American Cinematographer - February 2009 - (Page 74) The Scanner Elite is Egripment’s follow-up to the successful Scanner System, which was introduced in 1997. The Elite is longer (21'), reaches higher (24') and carries a larger payload (up to 100 pounds) than the original Scanner. Nevertheless, the Scanner Elite remains a compact crane system that can be operated either by one person handling all controls at the rear of the arm or by two people, with separate crane and camera operators. For more information, visit www.egripment.com. ment and easy lens changes, a shoulder mount and handgrips for steady handheld use, and a support cage for enhanced stability and low-angle shots. The accessories are available in a dSLR Cinema Bundle or a dSLR Field Cinema Bundle; Redrock’s modular design allows users to add more pieces as they see fit. For more information, visit www.redrockmicro.com. Egripment Extends Crane Line Egripment Support Systems has expanded its product line with the TDT and Scanner Elite crane systems. The TDT Remote Crane System combines a lightweight remote camera crane and remote head in a single product. Portions of the remote head are built into the front section of the arm, and the controls at the back of the crane are built as a part of the weight bucket. The system is available in 20' (TDT 6) and 30' (TDT 9) configurations, each of which can support up to a 44pound load. a minimum reach of 9' to a maximum of 24'. The arm travels at speeds of up to 5' per second, and a soft-stop feature guarantees an automatic smooth stop every time. Units come standard with a Mitchell-mount adapter and can easily accommodate most remote heads in either an under- or over-slung configuration. Adjustable weights ensure jib arm balance with all popular head/camera combinations. A smaller version — the Techno-Jib 15, with a maximum reach of 16' — is also available. For more information, visit www.telescopicjib.com. Telescopic Introduces Techno-Jib 24 North Hollywood-based Telescopic LLC has introduced the TechnoJib 24 telescoping jib arm. The device can instantly extend or retract, enabling innovative shots otherwise achievable only with a telescoping crane. A single operator can control diverse camera movements and operations (including zoom and focus as well as telescoping the jib arm) through a customizable user interface. Controls and a viewing monitor mount easily on either side of the arm and can be positioned for optimal viewing and user convenience. The Techno-Jib can also be fitted with a remote head for operation with conventional hand wheels. The Techno-Jib 24 extends from Panasonic Unveils Portable Recorder Panasonic has introduced the solid-state AG-HPG20 P2 Portable recorder/player, which supports the 10bit AVC-Intra codec as well as formats ranging from DVCPro HD to DV and serves as a master-quality deck for fast file-based recording. The HPG20 allows users to play and review P2 cards on its 3.5" LCD screen, manage clip files and metadata, record content from a wide range of cameras via its HD-SDI input, and backup data onto hard disk drives. Featuring two P2 card slots, the HPG20’s solidstate design holds up to the demands of field operation while weighing only 2.5 pounds. Recording and playback formats 74 February 2009 http://www.egripment.com http://www.telescopicjib.com http://www.redrockmicro.com
Table of Contents Feed for the Digital Edition of American Cinematographer - February 2009 American Cinematographer - February 2009 Contents Editor's Note Short Takes: Circus Production Slate: The International Reverte 2 Worlds in 3 Dimensions Dead Reckoning Embracing Anamorphic Citizen of the World Post Focus: Restoring Manhatta New Products & Services International Marketplace Classified Ads Ad Index Clubhouse News ASC Close-Up: Peter Suschitzky American Cinematographer - February 2009 American Cinematographer - February 2009 - American Cinematographer - February 2009 (Page Cover1) American Cinematographer - February 2009 - American Cinematographer - February 2009 (Page Cover2) American Cinematographer - February 2009 - American Cinematographer - February 2009 (Page 1) American Cinematographer - February 2009 - American Cinematographer - February 2009 (Page 2) American Cinematographer - February 2009 - Contents (Page 3) American Cinematographer - February 2009 - Contents (Page 4) American Cinematographer - February 2009 - Contents (Page 5) American Cinematographer - February 2009 - Contents (Page 6) American Cinematographer - February 2009 - Contents (Page 7) American Cinematographer - February 2009 - Editor's Note (Page 8) American Cinematographer - February 2009 - Editor's Note (Page 9) American Cinematographer - February 2009 - Short Takes: Circus (Page 10) American Cinematographer - February 2009 - Short Takes: Circus (Page 11) American Cinematographer - February 2009 - Short Takes: Circus (Page 12) American Cinematographer - February 2009 - Short Takes: Circus (Page 13) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 14) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 15) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 16) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 17) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 18) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 19) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 20) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 21) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 22) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 23) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 24) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 25) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 26) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 27) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 28) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 29) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 30) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 31) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 32) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 33) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 34) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 35) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 36) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 37) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 38) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 39) American Cinematographer - February 2009 - Dead Reckoning (Page 40) American Cinematographer - February 2009 - Dead Reckoning (Page 41) American Cinematographer - February 2009 - Dead Reckoning (Page 42) American Cinematographer - February 2009 - Dead Reckoning (Page 43) American Cinematographer - February 2009 - Dead Reckoning (Page 44) American Cinematographer - February 2009 - Dead Reckoning (Page 45) American Cinematographer - February 2009 - Dead Reckoning (Page 46) American Cinematographer - February 2009 - Dead Reckoning (Page 47) American Cinematographer - February 2009 - Dead Reckoning (Page 48) American Cinematographer - February 2009 - Dead Reckoning (Page 49) American Cinematographer - February 2009 - Dead Reckoning (Page 50) American Cinematographer - February 2009 - Dead Reckoning (Page 51) American Cinematographer - February 2009 - Embracing Anamorphic (Page 52) American Cinematographer - February 2009 - Embracing Anamorphic (Page 53) American Cinematographer - February 2009 - Embracing Anamorphic (Page 54) American Cinematographer - February 2009 - Embracing Anamorphic (Page 55) American Cinematographer - February 2009 - Embracing Anamorphic (Page 56) American Cinematographer - February 2009 - Embracing Anamorphic (Page 57) American Cinematographer - February 2009 - Embracing Anamorphic (Page 58) American Cinematographer - February 2009 - Embracing Anamorphic (Page 59) American Cinematographer - February 2009 - Citizen of the World (Page 60) American Cinematographer - February 2009 - Citizen of the World (Page 61) American Cinematographer - February 2009 - Citizen of the World (Page 62) American Cinematographer - February 2009 - Citizen of the World (Page 63) American Cinematographer - February 2009 - Citizen of the World (Page 64) American Cinematographer - February 2009 - Citizen of the World (Page 65) American Cinematographer - February 2009 - Citizen of the World (Page 66) American Cinematographer - February 2009 - Citizen of the World (Page 67) American Cinematographer - February 2009 - Post Focus: Restoring Manhatta (Page 68) American Cinematographer - February 2009 - Post Focus: Restoring Manhatta (Page 69) American Cinematographer - February 2009 - Post Focus: Restoring Manhatta (Page 70) American Cinematographer - February 2009 - Post Focus: Restoring Manhatta (Page 71) American Cinematographer - February 2009 - New Products & Services (Page 72) American Cinematographer - February 2009 - New Products & Services (Page 73) American Cinematographer - February 2009 - New Products & Services (Page 74) American Cinematographer - February 2009 - New Products & Services (Page 75) American Cinematographer - February 2009 - New Products & Services (Page 76) American Cinematographer - February 2009 - New Products & Services (Page 77) American Cinematographer - February 2009 - New Products & Services (Page 78) American Cinematographer - February 2009 - New Products & Services (Page 79) American Cinematographer - February 2009 - New Products & Services (Page 80) American Cinematographer - February 2009 - New Products & Services (Page 81) American Cinematographer - February 2009 - International Marketplace (Page 82) American Cinematographer - February 2009 - Classified Ads (Page 83) American Cinematographer - February 2009 - Ad Index (Page 84) American Cinematographer - February 2009 - Ad Index (Page 85) American Cinematographer - February 2009 - Clubhouse News (Page 86) American Cinematographer - February 2009 - Clubhouse News (Page 87) American Cinematographer - February 2009 - ASC Close-Up: Peter Suschitzky (Page 88) American Cinematographer - February 2009 - ASC Close-Up: Peter Suschitzky (Page Cover3) American Cinematographer - February 2009 - ASC Close-Up: Peter Suschitzky (Page Cover4)
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