American Cinematographer - February 2009 - (Page 86) Clubhouse News Slumdog Golden at Camerimage Director of photography Anthony Dod Mantle, BSC, DFF was awarded the Golden Frog for his work on Slumdog Millionaire (AC Dec. ’08) at the 2008 Camerimage Festival in Lodz, Poland. The jury comprised still photographer Ryszard Horowitz, editor Steven Rosenblum and cinematographers Gabriel Beristain, ASC, BSC; Stephen Goldblatt, ASC, BSC; Juan Ruiz-Anchia, ASC; John Toll, ASC; Pierre Lhomme, AFC; Nicola Pecorini; and Nigel Walters, BSC. The jury awarded the Silver Frog to César Charlone, ABC, for Blindness (AC Sept. ’08), and the Bronze Frog to Rainer Klausmann, BVK, for The Baader Meinhof Complex. The 16 films in competition this year also included 33 Scenes from Life, shot by Michal Englert; Changeling, shot by Tom Stern, ASC, AFC (AC Nov. ’08); Doubt, shot by Roger Deakins, ASC, BSC; The Duchess, shot by Gyula Pados, HSC (AC Sept. ’08); Elite Squad, shot by Lula Carvalho; For My Father, shot by Carl F. Koschnick, BVK; Four Nights With Anna, shot by Adam Sikora; Gomorrah, shot by Marco Onorato, AIC; Go With Peace, Jamil, shot by Aske Alexander Foss; The Hurt Locker, shot by Barry Ackroyd, BSC; La Rabia, shot by Sol Lopatin; Tulpan, shot by Jolanta Dylewska; and A Woman in Berlin, shot by Benedict Neuenfels, BVK. AC contributor Benjamin Bergery moderated two master classes during the festival, one featuring Lhomme and Bruno Delbonnel, AFC, the other featuring Society members Stern, Ellen Kuras and Kramer Morgenthau. Also, Deakins participated in a lighting workshop. For more information, visit www.pluscamerimage.pl. Hofmann Appointed Education Director Sergio Vela, president of Mexico’s National Counsel for the Culture and the Arts, has appointed Henner Hofmann, ASC, AMC to a four-year term as general director of the Centro de Capacitación Cinematográfica, located in Mexico City. Hofmann, who helped found the AMC and served as that organization’s president from 1992-2001, was selected from a final pool of nine candidates. ceremony in December. The goal of WIFTS is to recognize women who have distinguished themselves in their respective fields. Awards were also presented to actress Alfre Woodard, producer Gale Anne Hurd, film distributor Adrienne Fancey, and musician and humanitarian Ada Ho. Primes Goes Camping Robert Primes, ASC participated in a three-day VariCamp alongside director/cinematographer Suny Behar and digital-imaging supervisor Nick Theodorakis in December. The hands-on workshop covered all aspects of the Panasonic VariCam cameras, including the new 2700 and 3700 models. Burdett, Levinson Join New LaserPacific Division ASC associate members Ron Burdett and Lou Levinson have been appointed to LaserPacific’s new digital motion-picture mastering and remastering division. Burdett will serve as general manager, and Levinson will serve as the supervising colorist. “Ron Burdett brings incredible perspective and experience to the task of creating motion-picture masters — he has been a post-industry pioneer for more than 25 years,” says Brian Burr, LaserPacific’s CEO. “While technology will be an important component of our service delivery … having an expert such as Lou Levinson guide our creative hand as we make technology decisions will truly put the focus on our customers’ products.” I Photo by Linda Carfagno. No Subtitles Honored in Santa Fe No Subtitles Necessary: Laszlo and Vilmos, directed by James Chressanthis, ASC (AC Sept. ’08), won the Best Documentary Film Award at the Santa Fe Film Festival in December. Vilmos Zsigmond, ASC (pictured), one of the film’s subjects, received a Luminaria Lifetime Achievement Award at the ceremony. Vincent Lauded Amelia Vincent, ASC was honored with a Women’s International Film and Television Showcase award at the organization’s inaugural awards 86 February 2009 http://www.pluscamerimage.pl
Table of Contents Feed for the Digital Edition of American Cinematographer - February 2009 American Cinematographer - February 2009 Contents Editor's Note Short Takes: Circus Production Slate: The International Reverte 2 Worlds in 3 Dimensions Dead Reckoning Embracing Anamorphic Citizen of the World Post Focus: Restoring Manhatta New Products & Services International Marketplace Classified Ads Ad Index Clubhouse News ASC Close-Up: Peter Suschitzky American Cinematographer - February 2009 American Cinematographer - February 2009 - American Cinematographer - February 2009 (Page Cover1) American Cinematographer - February 2009 - American Cinematographer - February 2009 (Page Cover2) American Cinematographer - February 2009 - American Cinematographer - February 2009 (Page 1) American Cinematographer - February 2009 - American Cinematographer - February 2009 (Page 2) American Cinematographer - February 2009 - Contents (Page 3) American Cinematographer - February 2009 - Contents (Page 4) American Cinematographer - February 2009 - Contents (Page 5) American Cinematographer - February 2009 - Contents (Page 6) American Cinematographer - February 2009 - Contents (Page 7) American Cinematographer - February 2009 - Editor's Note (Page 8) American Cinematographer - February 2009 - Editor's Note (Page 9) American Cinematographer - February 2009 - Short Takes: Circus (Page 10) American Cinematographer - February 2009 - Short Takes: Circus (Page 11) American Cinematographer - February 2009 - Short Takes: Circus (Page 12) American Cinematographer - February 2009 - Short Takes: Circus (Page 13) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 14) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 15) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 16) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 17) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 18) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 19) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 20) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 21) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 22) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 23) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 24) American Cinematographer - February 2009 - Production Slate: The International Reverte (Page 25) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 26) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 27) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 28) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 29) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 30) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 31) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 32) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 33) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 34) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 35) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 36) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 37) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 38) American Cinematographer - February 2009 - 2 Worlds in 3 Dimensions (Page 39) American Cinematographer - February 2009 - Dead Reckoning (Page 40) American Cinematographer - February 2009 - Dead Reckoning (Page 41) American Cinematographer - February 2009 - Dead Reckoning (Page 42) American Cinematographer - February 2009 - Dead Reckoning (Page 43) American Cinematographer - February 2009 - Dead Reckoning (Page 44) American Cinematographer - February 2009 - Dead Reckoning (Page 45) American Cinematographer - February 2009 - Dead Reckoning (Page 46) American Cinematographer - February 2009 - Dead Reckoning (Page 47) American Cinematographer - February 2009 - Dead Reckoning (Page 48) American Cinematographer - February 2009 - Dead Reckoning (Page 49) American Cinematographer - February 2009 - Dead Reckoning (Page 50) American Cinematographer - February 2009 - Dead Reckoning (Page 51) American Cinematographer - February 2009 - Embracing Anamorphic (Page 52) American Cinematographer - February 2009 - Embracing Anamorphic (Page 53) American Cinematographer - February 2009 - Embracing Anamorphic (Page 54) American Cinematographer - February 2009 - Embracing Anamorphic (Page 55) American Cinematographer - February 2009 - Embracing Anamorphic (Page 56) American Cinematographer - February 2009 - Embracing Anamorphic (Page 57) American Cinematographer - February 2009 - Embracing Anamorphic (Page 58) American Cinematographer - February 2009 - Embracing Anamorphic (Page 59) American Cinematographer - February 2009 - Citizen of the World (Page 60) American Cinematographer - February 2009 - Citizen of the World (Page 61) American Cinematographer - February 2009 - Citizen of the World (Page 62) American Cinematographer - February 2009 - Citizen of the World (Page 63) American Cinematographer - February 2009 - Citizen of the World (Page 64) American Cinematographer - February 2009 - Citizen of the World (Page 65) American Cinematographer - February 2009 - Citizen of the World (Page 66) American Cinematographer - February 2009 - Citizen of the World (Page 67) American Cinematographer - February 2009 - Post Focus: Restoring Manhatta (Page 68) American Cinematographer - February 2009 - Post Focus: Restoring Manhatta (Page 69) American Cinematographer - February 2009 - Post Focus: Restoring Manhatta (Page 70) American Cinematographer - February 2009 - Post Focus: Restoring Manhatta (Page 71) American Cinematographer - February 2009 - New Products & Services (Page 72) American Cinematographer - February 2009 - New Products & Services (Page 73) American Cinematographer - February 2009 - New Products & Services (Page 74) American Cinematographer - February 2009 - New Products & Services (Page 75) American Cinematographer - February 2009 - New Products & Services (Page 76) American Cinematographer - February 2009 - New Products & Services (Page 77) American Cinematographer - February 2009 - New Products & Services (Page 78) American Cinematographer - February 2009 - New Products & Services (Page 79) American Cinematographer - February 2009 - New Products & Services (Page 80) American Cinematographer - February 2009 - New Products & Services (Page 81) American Cinematographer - February 2009 - International Marketplace (Page 82) American Cinematographer - February 2009 - Classified Ads (Page 83) American Cinematographer - February 2009 - Ad Index (Page 84) American Cinematographer - February 2009 - Ad Index (Page 85) American Cinematographer - February 2009 - Clubhouse News (Page 86) American Cinematographer - February 2009 - Clubhouse News (Page 87) American Cinematographer - February 2009 - ASC Close-Up: Peter Suschitzky (Page 88) American Cinematographer - February 2009 - ASC Close-Up: Peter Suschitzky (Page Cover3) American Cinematographer - February 2009 - ASC Close-Up: Peter Suschitzky (Page Cover4)
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