American Cinematographer - February 2014 - 20

by a Litepanels 1x1 LED and two daylightbalanced 4x4 Kino Flos gelled with Plus
Green. A 4K HMI Par was pushed through a
6'x6' frame of tracing paper or bounced off
a white 8'x4' polystyrene to provide the
moon-motivated side keylight. A flame bar
provided the firelight and was augmented
with 500-watt China balls, a tungstenbalanced 4x4 Kino gelled with 1⁄2 CTO, and
two bounced 1Ks on flicker boxes. "That
gave us at least 180 degrees of free movement," Bolter points out. "I couldn't make
big sweeping changes to our shots because
we were on a tight schedule. It was only
tweaks here and there."
The final grade was performed at
The Mill London by colorist Houmam Abdallah, who worked on a FilmLight Baselight
from a sizzle reel provided by Bolter. "Once I
wrap a feature or a short film, I'll usually take
a 'greatest hits' of the rushes and start to
play with the grade," the cinematographer
says. "I'm quite a fan of soft vignettes that
draw the eye a little more to the center of
the image, and I also like to do an imperceptible gradient to make one side darker or
lighter. The Body ended up looking different
than my sizzle reel, but not greatly. Houmam
pushed the colors and gave us something
sharper and more contrasty." The final deliverable was a 2K DCP.
After premiering at FrightFest in
London, The Body made its U.S. debut at
Fantastic Fest in Austin, Texas. "We were
also thrilled to win the Méliès d'Argent [for
Best Short Film] at Sitges," adds Bolter. ●

Top: Maggie
(Hannah
Tointon) and
other revelers
accompany the
Man into the
woods, where
he must dispose
of the body.
Middle: The
filmmakers light
the scene inside
the van. Bottom:
Davis and Bolter
confer on
location.

20

February 2014

American Cinematographer



American Cinematographer - February 2014

Table of Contents for the Digital Edition of American Cinematographer - February 2014

Table of Contents
American Cinematographer - February 2014 - Cover1
American Cinematographer - February 2014 - Cover2
American Cinematographer - February 2014 - 1
American Cinematographer - February 2014 - 2
American Cinematographer - February 2014 - Table of Contents
American Cinematographer - February 2014 - 4
American Cinematographer - February 2014 - 5
American Cinematographer - February 2014 - 6
American Cinematographer - February 2014 - 7
American Cinematographer - February 2014 - 8
American Cinematographer - February 2014 - 9
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American Cinematographer - February 2014 - 11
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American Cinematographer - February 2014 - 17
American Cinematographer - February 2014 - 18
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American Cinematographer - February 2014 - 20
American Cinematographer - February 2014 - 21
American Cinematographer - February 2014 - 22
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American Cinematographer - February 2014 - 25
American Cinematographer - February 2014 - 26
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American Cinematographer - February 2014 - 28
American Cinematographer - February 2014 - 29
American Cinematographer - February 2014 - 30
American Cinematographer - February 2014 - 31
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American Cinematographer - February 2014 - 33
American Cinematographer - February 2014 - 34
American Cinematographer - February 2014 - 35
American Cinematographer - February 2014 - 36
American Cinematographer - February 2014 - 37
American Cinematographer - February 2014 - 38
American Cinematographer - February 2014 - 39
American Cinematographer - February 2014 - 40
American Cinematographer - February 2014 - 41
American Cinematographer - February 2014 - 42
American Cinematographer - February 2014 - 43
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American Cinematographer - February 2014 - 45
American Cinematographer - February 2014 - 46
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American Cinematographer - February 2014 - 49
American Cinematographer - February 2014 - 50
American Cinematographer - February 2014 - 51
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American Cinematographer - February 2014 - 53
American Cinematographer - February 2014 - 54
American Cinematographer - February 2014 - 55
American Cinematographer - February 2014 - 56
American Cinematographer - February 2014 - 57
American Cinematographer - February 2014 - 58
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American Cinematographer - February 2014 - 60
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American Cinematographer - February 2014 - 62
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American Cinematographer - February 2014 - Cover3
American Cinematographer - February 2014 - Cover4
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