American Cinematographer - February 2014 - 41

The production used QTake HD
for video assist. A look-up table
Papamichael created with Berkowitz
was fed to the cinematographer's 17"
HD OLED monitor, from which he lit
and operated. "The LUT had a higher
contrast setting, with deep blacks," says
Papamichael. Clooney and Heslov,
meanwhile, shared a 17" TVLogic
LCD monitor, and Berkowitz had a 24"
OLED, from which Papamichael got
feedback regarding focus and lighting.
Papamichael notes that Clooney typically did not check his screen when
appearing in a scene, leaving it instead
to the cinematographer and Heslov to
confirm whether a take was good.
Several scenes were shot in
burned and abandoned mines that
offered no source of illumination. For
those, Papamichael relied mostly on
period practicals fitted with stronger
bulbs, including work lights, militaryissue flashlights and lanterns the actors
held. These were sometimes augmented
with what Sanchez calls the "Fish
Light," small Chimeras fitted with
three 250-watt Soft White ECA
Photofloods bulbs and an egg-crate
grid, or 500-watt Jem Balls, which were
used handheld and moved in sync with
the actors. The crew also carried white
cards so the actors could bounce their
practicals into them. "They all became
pretty good at lighting themselves,"
Papamichael observes. For large mine
caverns shot onstage at Babelsberg, a
general low-key ambience was created
with Nine-light Maxi-Brutes bouncing
off several 12'x12' UltraBounces flown
overhead.
A night sequence showing Claire
racing on her bicycle in pursuit of Nazis
leaving Paris with a train full of stolen
art was more involved, but still,
Papamichael strove to keep things
simple. "My big night-exterior lighting
setups usually have one large source, and
then I use whatever practicals are in the
shot," he says. "Typically, we'd strategically place streetlamps provided by the
art department and augment them with
small sources to create individual pools
of light. I have a very naturalistic



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American Cinematographer - February 2014

Table of Contents for the Digital Edition of American Cinematographer - February 2014

Table of Contents
American Cinematographer - February 2014 - Cover1
American Cinematographer - February 2014 - Cover2
American Cinematographer - February 2014 - 1
American Cinematographer - February 2014 - 2
American Cinematographer - February 2014 - Table of Contents
American Cinematographer - February 2014 - 4
American Cinematographer - February 2014 - 5
American Cinematographer - February 2014 - 6
American Cinematographer - February 2014 - 7
American Cinematographer - February 2014 - 8
American Cinematographer - February 2014 - 9
American Cinematographer - February 2014 - 10
American Cinematographer - February 2014 - 11
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American Cinematographer - February 2014 - 14
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American Cinematographer - February 2014 - 16
American Cinematographer - February 2014 - 17
American Cinematographer - February 2014 - 18
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American Cinematographer - February 2014 - 20
American Cinematographer - February 2014 - 21
American Cinematographer - February 2014 - 22
American Cinematographer - February 2014 - 23
American Cinematographer - February 2014 - 24
American Cinematographer - February 2014 - 25
American Cinematographer - February 2014 - 26
American Cinematographer - February 2014 - 27
American Cinematographer - February 2014 - 28
American Cinematographer - February 2014 - 29
American Cinematographer - February 2014 - 30
American Cinematographer - February 2014 - 31
American Cinematographer - February 2014 - 32
American Cinematographer - February 2014 - 33
American Cinematographer - February 2014 - 34
American Cinematographer - February 2014 - 35
American Cinematographer - February 2014 - 36
American Cinematographer - February 2014 - 37
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American Cinematographer - February 2014 - 39
American Cinematographer - February 2014 - 40
American Cinematographer - February 2014 - 41
American Cinematographer - February 2014 - 42
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American Cinematographer - February 2014 - 53
American Cinematographer - February 2014 - 54
American Cinematographer - February 2014 - 55
American Cinematographer - February 2014 - 56
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American Cinematographer - February 2014 - 58
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American Cinematographer - February 2014 - 60
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American Cinematographer - February 2014 - 92
American Cinematographer - February 2014 - Cover3
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