American Cinematographer - February 2015 - 44

◗

Times of Strife
Young
employed a mix
of approaches,
including
handheld (top)
and
Technocranesupported
cameras
(bottom), to
capture Selma's
demonstration
scenes.

Bradford Young: I find myself
growing up, not only as a cinematographer, but as a human being. When we
did Middle of Nowhere, I found myself
understanding how important love is in
our everyday lives. Selma helped me
understand how important selflessness is.
You also said that Selma was the
most photographically challenging film
you've ever done.
Young: Ava is a maverick filmmaker, but she's very precise - she's not
interested in making experimental films.
I knew we'd be doing quite a bit of
conventional coverage, and smack dab in
the middle we had the Bloody Sunday
scene, which the movie hinged on. I
knew we didn't have enough days or
resources and would have to be very
creative within our time constraints. That
was the technical challenge. But it was
also going to be spiritually challenging. It
was bittersweet. A lot of things Dr. King
was speaking about are [still] happening
to us now.
You've long had an interest in
lighting black faces and exploring the
full spectrum of color in the African
diaspora. In Selma, that dovetailed
nicely with Ava's interest in 'the
texture of people,' in bringing to the
fore King's collaborators and the thousands who marched to Montgomery.
44

February 2015

American Cinematographer



American Cinematographer - February 2015

Table of Contents for the Digital Edition of American Cinematographer - February 2015

Contents
American Cinematographer - February 2015 - Cover1
American Cinematographer - February 2015 - Cover2
American Cinematographer - February 2015 - 1
American Cinematographer - February 2015 - 2
American Cinematographer - February 2015 - Contents
American Cinematographer - February 2015 - 4
American Cinematographer - February 2015 - 5
American Cinematographer - February 2015 - 6
American Cinematographer - February 2015 - 7
American Cinematographer - February 2015 - 8
American Cinematographer - February 2015 - 9
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American Cinematographer - February 2015 - 12
American Cinematographer - February 2015 - 13
American Cinematographer - February 2015 - 14
American Cinematographer - February 2015 - 14a
American Cinematographer - February 2015 - 14b
American Cinematographer - February 2015 - 15
American Cinematographer - February 2015 - 16
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American Cinematographer - February 2015 - 20
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American Cinematographer - February 2015 - 41
American Cinematographer - February 2015 - 42
American Cinematographer - February 2015 - 43
American Cinematographer - February 2015 - 44
American Cinematographer - February 2015 - 45
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