American Cinematographer - February 2016 - 34

Top: Former Jedi padawan Ahsoka Tano (Ashley Eckstein) wields her dual lightsabers for
the nascent Rebel Alliance. Bottom: The rebels are hounded by the Fifth Brother (Philip
Anthony-Rodriguez) and Seventh Sister (Sarah Michelle Gellar), two members of the
shadowy, Jedi-hunting Inquisitorius.

image, Wells laughs and explains, "People
call me 'Swells,' so Joel took that. It's basically a heavy vignette; usually we throw it
on the top and bottom of the screen to
help pull the center out. It's not like we
invented an optical technique; it's just
when he says it, I know the shape, the
feathering and the aggressiveness of the
vignette."
The Nucoda is also used to add
34

February 2016

simulated film grain to the animated image,
which works in concert with edge dithering
that's applied during rendering to break up
high-contrast edges. "Usually in CG, you'll
have these crisp edges, but if you edgedither all the high-contrast lines and then
put grain on top of [the image] in post, you
get this film look," Aron explains.
Wells adds, "Joel's instinct is to not
keep everything 'CG perfect,' where you
American Cinematographer

know it came from a computer. We also do
a lot of highlight blooming and other things
to soften and gnarl up the image a little bit
before it goes out, so it has a 'feel.'"
With his dailies session looming -
after he's already postponed it once so as to
not have to cut short this interview - Aron
racks focus to his collaborators. "I can't
speak enough about the team that I work
with," he stresses. "There's no individual
who really pushes this show in any direction - other than Filoni, and even then
he'll say that we couldn't do what we do
without being that team."
In turn, Filoni offers, "I think Joel
and Chris and Sean would all agree that we
were very fortunate to have George Lucas
himself instruct us along the way. He
always used to tell me that he spent so
much time working with us so that one day
we could do it without him - and I always
thought he was joking, and then that day
came. But my team and I embraced the
opportunity. I mean, it's the proper apprentice path, right? You eventually have to
take these steps on your own, and I think
we've taken them well."
●



Table of Contents for the Digital Edition of American Cinematographer - February 2016

Contents
American Cinematographer - February 2016 - Intro
American Cinematographer - February 2016 - Cover1
American Cinematographer - February 2016 - Cover2
American Cinematographer - February 2016 - 1
American Cinematographer - February 2016 - 2
American Cinematographer - February 2016 - Contents
American Cinematographer - February 2016 - 4
American Cinematographer - February 2016 - 5
American Cinematographer - February 2016 - 6
American Cinematographer - February 2016 - 7
American Cinematographer - February 2016 - 8
American Cinematographer - February 2016 - 9
American Cinematographer - February 2016 - 10
American Cinematographer - February 2016 - 11
American Cinematographer - February 2016 - 12
American Cinematographer - February 2016 - 13
American Cinematographer - February 2016 - 14
American Cinematographer - February 2016 - 15
American Cinematographer - February 2016 - 16
American Cinematographer - February 2016 - 17
American Cinematographer - February 2016 - 18
American Cinematographer - February 2016 - 19
American Cinematographer - February 2016 - 20
American Cinematographer - February 2016 - 21
American Cinematographer - February 2016 - 22
American Cinematographer - February 2016 - 23
American Cinematographer - February 2016 - 24
American Cinematographer - February 2016 - 25
American Cinematographer - February 2016 - 26
American Cinematographer - February 2016 - 27
American Cinematographer - February 2016 - 28
American Cinematographer - February 2016 - 29
American Cinematographer - February 2016 - 30
American Cinematographer - February 2016 - 31
American Cinematographer - February 2016 - 32
American Cinematographer - February 2016 - 33
American Cinematographer - February 2016 - 34
American Cinematographer - February 2016 - 35
American Cinematographer - February 2016 - 36
American Cinematographer - February 2016 - 37
American Cinematographer - February 2016 - 38
American Cinematographer - February 2016 - 39
American Cinematographer - February 2016 - 40
American Cinematographer - February 2016 - 41
American Cinematographer - February 2016 - 42
American Cinematographer - February 2016 - 43
American Cinematographer - February 2016 - 44
American Cinematographer - February 2016 - 45
American Cinematographer - February 2016 - 46
American Cinematographer - February 2016 - 47
American Cinematographer - February 2016 - 48
American Cinematographer - February 2016 - 49
American Cinematographer - February 2016 - 50
American Cinematographer - February 2016 - 51
American Cinematographer - February 2016 - 52
American Cinematographer - February 2016 - 53
American Cinematographer - February 2016 - 54
American Cinematographer - February 2016 - 55
American Cinematographer - February 2016 - 56
American Cinematographer - February 2016 - 57
American Cinematographer - February 2016 - 58
American Cinematographer - February 2016 - 59
American Cinematographer - February 2016 - 60
American Cinematographer - February 2016 - 61
American Cinematographer - February 2016 - 62
American Cinematographer - February 2016 - 63
American Cinematographer - February 2016 - 64
American Cinematographer - February 2016 - 65
American Cinematographer - February 2016 - 66
American Cinematographer - February 2016 - 67
American Cinematographer - February 2016 - 68
American Cinematographer - February 2016 - 69
American Cinematographer - February 2016 - 70
American Cinematographer - February 2016 - 71
American Cinematographer - February 2016 - 72
American Cinematographer - February 2016 - 73
American Cinematographer - February 2016 - 74
American Cinematographer - February 2016 - 75
American Cinematographer - February 2016 - 76
American Cinematographer - February 2016 - 77
American Cinematographer - February 2016 - 78
American Cinematographer - February 2016 - 79
American Cinematographer - February 2016 - 80
American Cinematographer - February 2016 - 81
American Cinematographer - February 2016 - 82
American Cinematographer - February 2016 - 83
American Cinematographer - February 2016 - 84
American Cinematographer - February 2016 - 85
American Cinematographer - February 2016 - 86
American Cinematographer - February 2016 - 87
American Cinematographer - February 2016 - 88
American Cinematographer - February 2016 - 89
American Cinematographer - February 2016 - 90
American Cinematographer - February 2016 - 91
American Cinematographer - February 2016 - 92
American Cinematographer - February 2016 - 93
American Cinematographer - February 2016 - 94
American Cinematographer - February 2016 - 95
American Cinematographer - February 2016 - 96
American Cinematographer - February 2016 - Cover3
American Cinematographer - February 2016 - Cover4
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