American Cinematographer - February 2017 - 62
◗
Masterful Vision
Haagensen operates and Lachman studies the scene for
Haynes' upcoming feature Wonderstruck.
rather than see it destroyed; it's currently
sitting in storage in the hope that
"someone will come to their senses and
open a lab in New York again,"
Lachman explains.
62
His fondness for celluloid, he
says, isn't only based on its ability to
capture more detail or more dynamic
range than digital images - those
battles are less relevant every year.
Instead, he says, "I find working in film
with exposure that defines grain structure, and the way colors render through
microscopic RGB layers, conveys a
sense of depth and emotions to the
images."
For the types of filmmaking
Lachman most enjoys, and from an
artistic point of view, the industry's push
toward higher resolution and greater
dynamic range is misguided. Haynes, a
kindred spirit, opines, "There is a kind
of emotional purity about the [film]
medium. We adore celluloid and its
imperfections, and that's why we 'downgraded' to 16mm on Mildred Pierce and
Carol."
The Lifetime Achievement
Award from the ASC affirms once
more that Lachman - the New Jersey
native with a passport for global cinema
- has indeed found a home among his
fellow directors of photography. He was
invited into membership in the ASC in
1994, and about the Society, he
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Table of Contents for the Digital Edition of American Cinematographer - February 2017
Contents
American Cinematographer - February 2017 - Cover1
American Cinematographer - February 2017 - Cover2
American Cinematographer - February 2017 - 1
American Cinematographer - February 2017 - 2
American Cinematographer - February 2017 - Contents
American Cinematographer - February 2017 - 4
American Cinematographer - February 2017 - 5
American Cinematographer - February 2017 - 6
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American Cinematographer - February 2017 - A
American Cinematographer - February 2017 - B
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American Cinematographer - February 2017 - 53
American Cinematographer - February 2017 - I1
American Cinematographer - February 2017 - I2
American Cinematographer - February 2017 - I3
American Cinematographer - February 2017 - I4
American Cinematographer - February 2017 - I5
American Cinematographer - February 2017 - I6
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