American Cinematographer - February 2017 - 78

Energy
and

Instinct

Presidents Award honoree
Nancy Schreiber, ASC
chooses art before gear and
steadfastly supports the
next generation
of filmmakers.

"I

By Patricia Thomson
*|*

like being physically active, which is why I'm so
glad I didn't become a psychologist. I would not
have been able to sit still," says Nancy Schreiber,
ASC, over tea in her New York loft. This year's
winner of the ASC's Presidents Award is indeed
crackling with energy. Yesterday she flew in from Los
Angeles, where she keeps another flat; today she
spontaneously joined the anti-Trump demonstrators
marching past her building; and tomorrow she flies to
Poland for Camerimage, where she'll participate in
the Forum on Diversity in Cinematography
- which will include a screening of the trailer for
Women of Light, a documentary about women cinematographers in which she is featured.
That energy is reflected in her filmography,
with more than 100 credits as director of photography, plus another 40 as operator, gaffer and electrician. But between the lines are her essential traits:
grit, which enabled her to bushwhack her way into a
predominately male field, and a desire to help others,
especially women treading the same path. As a film
electrician, Schreiber was the first female gaffer in
New York's NABET Local 15, and she was the
fourth woman in the ASC and served on its board for
seven years. She has mentored countless students and
sponsored aspiring ASC and ICG members. "I've
made it my mission to support these qualified women
and get them in," she says. It's a personal mandate
that has earned her Women in Film's Kodak Vision
Award, ICG's Kodak Cinematography Mentor of
the Year honor, and the gratitude of many women
and men.
And Schreiber wasn't kidding about that
psychology career. In high school, she recalls, "I was
working with underprivileged kids in the inner city of
Detroit and thought I'd be a social worker." She
majored in psychology at the University of Michigan,
but her minor was art history - a natural fit, with her
mother being a docent at the Detroit Institute of
78

February 2017

American Cinematographer



Table of Contents for the Digital Edition of American Cinematographer - February 2017

Contents
American Cinematographer - February 2017 - Cover1
American Cinematographer - February 2017 - Cover2
American Cinematographer - February 2017 - 1
American Cinematographer - February 2017 - 2
American Cinematographer - February 2017 - Contents
American Cinematographer - February 2017 - 4
American Cinematographer - February 2017 - 5
American Cinematographer - February 2017 - 6
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American Cinematographer - February 2017 - 36
American Cinematographer - February 2017 - A
American Cinematographer - February 2017 - B
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American Cinematographer - February 2017 - 53
American Cinematographer - February 2017 - I1
American Cinematographer - February 2017 - I2
American Cinematographer - February 2017 - I3
American Cinematographer - February 2017 - I4
American Cinematographer - February 2017 - I5
American Cinematographer - February 2017 - I6
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