American Cinematographer - February 2018 - 65

during the summer hiatus between
seasons, Caso shot his first feature, 84
Charlie MoPic, writer-director Patrick S.
Duncan's critically acclaimed Vietnam
story.
Caso was promoted to cinematographer for the entire last season of Tour of
Duty, and he officially changed his union
status to director of photography. He credits the show's gaffer, longtime lighting
wizard Richard Sands, with helping him
further develop his personal lighting
philosophy. "The thing that every director
of photography must have is a philosophy
of lighting," Caso stresses, "something
based on their own life's experience and
how they perceive their world through
light and shadow. Mine is basically to recreate natural light, but with the conceit of
keeping the source light simple whenever
possible and never confusing where the key
light is on an actor's face."
The cinematographer also remains
judicious in his use of camera movement.
"Choosing to move the camera should be a
creative choice for a reason, not some trick
to maintain an audience's interest," he says.
"If the material is good, then having faith
in the image as a storytelling element
allows a filmmaker to have trust in composition - something lost in much of today's
media, with the incessant need to have
motion over material. Strong tableau shots
can have as much or more power than a
camera 'mowing the lawn' back and forth
for no apparent reason other than to
produce motion for its own sake."
➣

Top, left and right: Caso works on location in Kenya for the telefilm Face to Face, shot by Charles
Correll, ASC. Middle: The cinematographer stands atop a glacier while on location in Norway for
the TV miniseries Frankenstein. Bottom: While shooting in Moscow for Master Spy: The Robert
Hanssen Story, Caso takes a spot-meter reading near the Kremlin.

www.ascmag.com

February 2018

65



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Table of Contents for the Digital Edition of American Cinematographer - February 2018

Contents
American Cinematographer - February 2018 - Sponsor
American Cinematographer - February 2018 - Cover1
American Cinematographer - February 2018 - Cover2
American Cinematographer - February 2018 - 1
American Cinematographer - February 2018 - 2
American Cinematographer - February 2018 - Contents
American Cinematographer - February 2018 - 4
American Cinematographer - February 2018 - 5
American Cinematographer - February 2018 - 6
American Cinematographer - February 2018 - 7
American Cinematographer - February 2018 - 8
American Cinematographer - February 2018 - 9
American Cinematographer - February 2018 - 10
American Cinematographer - February 2018 - 11
American Cinematographer - February 2018 - 12
American Cinematographer - February 2018 - 13
American Cinematographer - February 2018 - 14
American Cinematographer - February 2018 - 15
American Cinematographer - February 2018 - 16
American Cinematographer - February 2018 - 17
American Cinematographer - February 2018 - 18
American Cinematographer - February 2018 - 19
American Cinematographer - February 2018 - 20
American Cinematographer - February 2018 - 21
American Cinematographer - February 2018 - 22
American Cinematographer - February 2018 - 23
American Cinematographer - February 2018 - 24
American Cinematographer - February 2018 - 25
American Cinematographer - February 2018 - 26
American Cinematographer - February 2018 - 27
American Cinematographer - February 2018 - 28
American Cinematographer - February 2018 - 29
American Cinematographer - February 2018 - 30
American Cinematographer - February 2018 - 31
American Cinematographer - February 2018 - 32
American Cinematographer - February 2018 - 32a
American Cinematographer - February 2018 - 32b
American Cinematographer - February 2018 - 33
American Cinematographer - February 2018 - 34
American Cinematographer - February 2018 - 35
American Cinematographer - February 2018 - 36
American Cinematographer - February 2018 - 37
American Cinematographer - February 2018 - 38
American Cinematographer - February 2018 - 39
American Cinematographer - February 2018 - 40
American Cinematographer - February 2018 - 41
American Cinematographer - February 2018 - 42
American Cinematographer - February 2018 - 43
American Cinematographer - February 2018 - 44
American Cinematographer - February 2018 - 45
American Cinematographer - February 2018 - 46
American Cinematographer - February 2018 - 47
American Cinematographer - February 2018 - 48
American Cinematographer - February 2018 - 49
American Cinematographer - February 2018 - 50
American Cinematographer - February 2018 - 50a
American Cinematographer - February 2018 - 50b
American Cinematographer - February 2018 - 51
American Cinematographer - February 2018 - 52
American Cinematographer - February 2018 - 53
American Cinematographer - February 2018 - 54
American Cinematographer - February 2018 - 55
American Cinematographer - February 2018 - 56
American Cinematographer - February 2018 - 57
American Cinematographer - February 2018 - 58
American Cinematographer - February 2018 - 59
American Cinematographer - February 2018 - 60
American Cinematographer - February 2018 - 61
American Cinematographer - February 2018 - 62
American Cinematographer - February 2018 - 63
American Cinematographer - February 2018 - 64
American Cinematographer - February 2018 - 65
American Cinematographer - February 2018 - 66
American Cinematographer - February 2018 - 67
American Cinematographer - February 2018 - 68
American Cinematographer - February 2018 - 69
American Cinematographer - February 2018 - 70
American Cinematographer - February 2018 - 71
American Cinematographer - February 2018 - 72
American Cinematographer - February 2018 - 73
American Cinematographer - February 2018 - 74
American Cinematographer - February 2018 - 75
American Cinematographer - February 2018 - 76
American Cinematographer - February 2018 - 77
American Cinematographer - February 2018 - 78
American Cinematographer - February 2018 - 79
American Cinematographer - February 2018 - 80
American Cinematographer - February 2018 - 81
American Cinematographer - February 2018 - 82
American Cinematographer - February 2018 - 83
American Cinematographer - February 2018 - 84
American Cinematographer - February 2018 - 85
American Cinematographer - February 2018 - 86
American Cinematographer - February 2018 - 87
American Cinematographer - February 2018 - 88
American Cinematographer - February 2018 - Cover3
American Cinematographer - February 2018 - Cover4
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