American Cinematographer - March 2009 - (Page 53)

“I’m very proud of being born Chinese, but I am deeply grateful to have been adopted by this great country. I love America — this is from my heart. And it’s such an honor to be in this prestigious society, the ASC. The members are not only loyal to each other, but also very thoughtful about future generations. I think it’s very important to care about those coming up. We should give them as much as possible. “I never expected to be honored with the ASC Award, and it was very fulfilling to receive such an acknowledgement from the people I worked with. My life has been one miracle after another, and this award was one more miracle to me.” I Two shots from The Sand Pebbles. Left: 1st ADs Ridgeway “Reggie” Callows and Liu. Right: 1st AC Roger Sherman (left), 2nd AC Kenneth Peach Jr. and Liu enjoy a break on the set. 53 http://www.kinoflo.com http://www.kinoflo.com Table of Contents for the Digital Edition of American Cinematographer - March 2009American Cinematographer - March 2009ContentsEditor’s NoteLettersShort Takes: Clap Your Brains OffProduction Slate: GomorrahProduction Slate: Tokyo SonataCutting-Edge CameraworkA Life Full of MiraclesA Very Active MemberPost Focus: Alien TrespassFilmmaker’s Forum: Peter Sova, ASCNew Products & ServicesInternational MarketplaceClassified AdsAd IndexClubhouse NewsASC Close-Up: Peter WunstorfAmerican Cinematographer - March 2009American Cinematographer - March 2009 - American Cinematographer - March 2009 (Page Cover1)American Cinematographer - March 2009 - American Cinematographer - March 2009 (Page Cover2)American Cinematographer - March 2009 - American Cinematographer - March 2009 (Page 1)American Cinematographer - March 2009 - American Cinematographer - March 2009 (Page 2)American Cinematographer - March 2009 - Contents (Page 3)American Cinematographer - March 2009 - Contents (Page 4)American Cinematographer - March 2009 - Contents (Page 5)American Cinematographer - March 2009 - Contents (Page 6)American Cinematographer - March 2009 - Contents (Page 7)American Cinematographer - March 2009 - Editor’s Note (Page 8)American Cinematographer - March 2009 - Editor’s Note (Page 9)American Cinematographer - March 2009 - Letters (Page 10)American Cinematographer - March 2009 - Letters (Page 11)American Cinematographer - March 2009 - Short Takes: Clap Your Brains Off (Page 12)American Cinematographer - March 2009 - Short Takes: Clap Your Brains Off (Page 13)American Cinematographer - March 2009 - Short Takes: Clap Your Brains Off (Page 14)American Cinematographer - March 2009 - Short Takes: Clap Your Brains Off (Page 15)American Cinematographer - March 2009 - Short Takes: Clap Your Brains Off (Page 16)American Cinematographer - March 2009 - Short Takes: Clap Your Brains Off (Page 17)American Cinematographer - March 2009 - Production Slate: Tokyo Sonata (Page 18)American Cinematographer - March 2009 - Production Slate: Tokyo Sonata (Page 19)American Cinematographer - March 2009 - Production Slate: Tokyo Sonata (Page 20)American Cinematographer - March 2009 - Production Slate: Tokyo Sonata (Page 21)American Cinematographer - March 2009 - Production Slate: Tokyo Sonata (Page 22)American Cinematographer - March 2009 - Production Slate: Tokyo Sonata (Page 23)American Cinematographer - March 2009 - Production Slate: Tokyo Sonata (Page 24)American Cinematographer - March 2009 - Production Slate: Tokyo Sonata (Page 25)American Cinematographer - March 2009 - Production Slate: Tokyo Sonata (Page 26)American Cinematographer - March 2009 - Production Slate: Tokyo Sonata (Page 27)American Cinematographer - March 2009 - Production Slate: Tokyo Sonata (Page 28)American Cinematographer - March 2009 - Production Slate: Tokyo Sonata (Page 29)American Cinematographer - March 2009 - Cutting-Edge Camerawork (Page 30)American Cinematographer - March 2009 - Cutting-Edge Camerawork (Page 31)American Cinematographer - March 2009 - Cutting-Edge Camerawork (Page 32)American Cinematographer - March 2009 - Cutting-Edge Camerawork (Page 33)American Cinematographer - March 2009 - Cutting-Edge Camerawork (Page 34)American Cinematographer - March 2009 - Cutting-Edge Camerawork (Page 35)American Cinematographer - March 2009 - Cutting-Edge Camerawork (Page 36)American Cinematographer - March 2009 - Cutting-Edge Camerawork (Page 37)American Cinematographer - March 2009 - Cutting-Edge Camerawork (Page 38)American Cinematographer - March 2009 - Cutting-Edge Camerawork (Page 39)American Cinematographer - March 2009 - Cutting-Edge Camerawork (Page 40)American Cinematographer - March 2009 - Cutting-Edge Camerawork (Page 41)American Cinematographer - March 2009 - Cutting-Edge Camerawork (Page 42)American Cinematographer - March 2009 - Cutting-Edge Camerawork (Page 43)American Cinematographer - March 2009 - Cutting-Edge Camerawork (Page 44)American Cinematographer - March 2009 - Cutting-Edge Camerawork (Page 45)American Cinematographer - March 2009 - A Life Full of Miracles (Page 46)American Cinematographer - March 2009 - A Life Full of Miracles (Page 47)American Cinematographer - March 2009 - A Life Full of Miracles (Page 48)American Cinematographer - March 2009 - A Life Full of Miracles (Page 49)American Cinematographer - March 2009 - A Life Full of Miracles (Page 50)American Cinematographer - March 2009 - A Life Full of Miracles (Page 51)American Cinematographer - March 2009 - A Life Full of Miracles (Page 52)American Cinematographer - March 2009 - A Life Full of Miracles (Page 53)American Cinematographer - March 2009 - A Life Full of Miracles (Page 54)American Cinematographer - March 2009 - A Life Full of Miracles (Page 55)American Cinematographer - March 2009 - A Very Active Member (Page 56)American Cinematographer - March 2009 - A Very Active Member (Page 57)American Cinematographer - March 2009 - A Very Active Member (Page 58)American Cinematographer - March 2009 - A Very Active Member (Page 59)American Cinematographer - March 2009 - A Very Active Member (Page 60)American Cinematographer - March 2009 - A Very Active Member (Page 61)American Cinematographer - March 2009 - A Very Active Member (Page 62)American Cinematographer - March 2009 - A Very Active Member (Page 63)American Cinematographer - March 2009 - Post Focus: Alien Trespass (Page 64)American Cinematographer - March 2009 - Post Focus: Alien Trespass (Page 65)American Cinematographer - March 2009 - Post Focus: Alien Trespass (Page 66)American Cinematographer - March 2009 - Post Focus: Alien Trespass (Page 67)American Cinematographer - March 2009 - Filmmaker’s Forum: Peter Sova, ASC (Page 68)American Cinematographer - March 2009 - Filmmaker’s Forum: Peter Sova, ASC (Page 69)American Cinematographer - March 2009 - Filmmaker’s Forum: Peter Sova, ASC (Page 70)American Cinematographer - March 2009 - Filmmaker’s Forum: Peter Sova, ASC (Page 71)American Cinematographer - March 2009 - New Products & Services (Page 72)American Cinematographer - March 2009 - New Products & Services (Page 73)American Cinematographer - March 2009 - New Products & Services (Page 74)American Cinematographer - March 2009 - New Products & Services (Page 75)American Cinematographer - March 2009 - New Products & Services (Page 76)American Cinematographer - March 2009 - New Products & Services (Page 77)American Cinematographer - March 2009 - New Products & Services (Page 78)American Cinematographer - March 2009 - New Products & Services (Page 79)American Cinematographer - March 2009 - International Marketplace (Page 80)American Cinematographer - March 2009 - Classified Ads (Page 81)American Cinematographer - March 2009 - Ad Index (Page 82)American Cinematographer - March 2009 - Clubhouse News (Page 83)American Cinematographer - March 2009 - ASC Close-Up: Peter Wunstorf (Page 84)American Cinematographer - March 2009 - ASC Close-Up: Peter Wunstorf (Page Cover3)American Cinematographer - March 2009 - ASC Close-Up: Peter Wunstorf (Page Cover4)http://www.nxtbook.com/nxtbooks/ac/ac1209http://www.nxtbook.com/nxtbooks/ac/ac1109_v2http://www.nxtbook.com/nxtbooks/ac/ac1109http://www.nxtbook.com/nxtbooks/ac/ac1009_v2http://www.nxtbook.com/nxtbooks/ac/ac1009http://www.nxtbook.com/nxtbooks/ac/ac0909http://www.nxtbook.com/nxtbooks/ac/ac0809http://www.nxtbook.com/nxtbooks/ac/ac0709http://www.nxtbook.com/nxtbooks/ac/ac0609http://www.nxtbook.com/nxtbooks/ac/ac0509http://www.nxtbook.com/nxtbooks/ac/ac0409http://www.nxtbook.com/nxtbooks/ac/ac0309http://www.nxtbook.com/nxtbooks/ac/ac0209http://www.nxtbook.com/nxtbooks/ac/ac0109http://www.nxtbook.com/nxtbooks/ac/ac1208http://www.nxtbook.com/nxtbooks/ac/ac1108http://www.nxtbook.com/nxtbooks/ac/ac1008http://www.nxtbook.com/nxtbooks/ac/ac0908http://www.nxtbook.com/nxtbooks/ac/ac0808http://www.nxtbook.com/nxtbooks/ac/ac0708http://www.nxtbook.com/nxtbooks/ac/ac0608http://www.nxtbook.com/nxtbooks/ac/ac0508http://www.nxtbook.com/nxtbooks/ac/ac0408http://www.nxtbook.com/nxtbooks/ac/ac0308http://www.nxtbook.com/nxtbooks/ac/ac0208http://www.nxtbook.com/nxtbooks/ac/ac0108http://www.nxtbook.com/nxtbooks/ac/ac1207http://www.nxtbook.com/nxtbooks/ac/ac1107http://www.nxtbook.com/nxtbooks/ac/ac1007http://www.nxtbook.com/nxtbooks/ac/ac0907http://www.nxtbook.com/nxtbooks/ac/ac0807http://www.nxtbook.com/nxtbooks/ac/ac0807donotusehttp://www.nxtbook.com/nxtbooks/ac/ac0707http://www.nxtbook.com/nxtbooks/ac/ac0607http://www.nxtbook.com/nxtbooks/ac/ac0507http://www.nxtbook.com/nxtbooks/ac/ac0207http://www.nxtbookMEDIA.com

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