American Cinematographer - March 2009 - (Page 7) the perfect red for less green. 0.8 BT-LH2550 D-Cinema 0.6 Adobe EBU 0.4 0.2 0.0 0.0 0.2 0.4 0.6 0.8 wider color gamut Now, color matching doesn’t have to be a guessing game. The new, affordable, 25.5-inch, native 1920 x 1200 BT-LH2550 LCD production monitor greatly expands the range of colors you can view onscreen – beyond the NTSC standard. The LH2550 delivers vivid, true-to-life color accuracy for a wide range of projects — from print to digital graphics to HD video. It displays exquisite detail and offers six color space settings – SMPTE, EBU, ITU-R BT.709, Adobe 2.2, Adobe 1.8 and D-Cinema – for project-specific color matching. Invaluable production tools include waveform monitor and vectorscope functions. The LH2550 ensures you have perfect color every time for far less than premium-priced reference monitors. For more information, visit us at: www.panasonic.com/productiontough when it counts © 2009 Panasonic Broadcast http://www.panasonic.com/productiontough http://www.panasonic.com/productiontough
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