American Cinematographer - March 2013 - 36
◗
Trials by Fire
shots look like they don’t match,” says
Wiegand. “So we either find ways of
doing things at similar focal lengths on
both cameras or, if we’re on a wider lens
close to the actors’ faces, we’ll have the
other camera on the longer lens getting
shots like silhouettes in the smoke.
“We use lots and lots of white
smoke on set because it’s safer to work
in than black smoke,” she adds. “We’re
conservative about black smoke on set
and add what’s needed in post.”
Occasionally, a complex scene
involves bracketing and composites. For
instance, in a dramatic moment in the
pilot, a floor collapses in a burning
building and two firefighters fall
through it. Using a locked-off camera,
the filmmakers ran separate passes,
sometimes at multiple exposures, for the
falling stuntmen, flaming beams and
falling debris. “We used a slightly wider
lens than we needed for the final shot so
we could push in and put a little handheld motion on it,” says Nachmanoff.
“Then, we composited them all
together and balanced out the exposure
so it looked right.”
Most often, however, Wiegand
controls the exposure as the scene
unfolds in a double-fisted maneuver on
remote iris controls. “I have my own
setup where I work off two 251⁄2-inch
monitors and a dual waveform system,”
says the cinematographer, who does not
use a digital-imaging technician on the
show. “In my hands I have both iris
controls. We have this aesthetic of
following the characters, and sometimes
it involves following them from outside
to inside, or from inside the fire truck to
a sunny exterior. I’m often doing a fivestop iris rack in one shot, and because
we have characters with different skin
tones, I’ll often have to ride the iris just
to make sure I get enough detail on
everyone’s faces.”
Despite the complexity of the
action, sometimes the best solutions are
low-tech. For the episode “Rear View
Mirror,” the team was stymied by one
scene that felt dramatically flat. In it, Lt.
Matthew Casey ( Jesse Spencer) and
two residents are trapped in an eighth-
Fire and
rescue
personnel from
Chicago
Firehouse 51
respond to
a call.
36
March 2013
American Cinematographer
American Cinematographer - March 2013
Table of Contents for the Digital Edition of American Cinematographer - March 2013
American Cinematographer - March 2013
Contents
Editor’s Note
President’s Desk
Short Takes: Die Antwoord’s “I Fink U Freeky”
Production Slate: Lore
Trials by Fire
Strong Foundations
Tech Savvy
New Products & Services
International Marketplace
Classified Ads
Ad Index
In Memoriam: Charles Austin, ASC • Alfred Taylor, ASC
ASC Membership Roster
Clubhouse News
ASC Close-Up: Russell Carpenter
American Cinematographer - March 2013 - American Cinematographer - March 2013
American Cinematographer - March 2013 - Cover2
American Cinematographer - March 2013 - 1
American Cinematographer - March 2013 - 2
American Cinematographer - March 2013 - Contents
American Cinematographer - March 2013 - 4
American Cinematographer - March 2013 - 5
American Cinematographer - March 2013 - 6
American Cinematographer - March 2013 - 7
American Cinematographer - March 2013 - 8
American Cinematographer - March 2013 - 9
American Cinematographer - March 2013 - Editor’s Note
American Cinematographer - March 2013 - 11
American Cinematographer - March 2013 - President’s Desk
American Cinematographer - March 2013 - 13
American Cinematographer - March 2013 - Short Takes: Die Antwoord’s “I Fink U Freeky”
American Cinematographer - March 2013 - 15
American Cinematographer - March 2013 - 16
American Cinematographer - March 2013 - 17
American Cinematographer - March 2013 - 18
American Cinematographer - March 2013 - 19
American Cinematographer - March 2013 - Production Slate: Lore
American Cinematographer - March 2013 - 21
American Cinematographer - March 2013 - 22
American Cinematographer - March 2013 - 23
American Cinematographer - March 2013 - 24
American Cinematographer - March 2013 - 25
American Cinematographer - March 2013 - 26
American Cinematographer - March 2013 - 27
American Cinematographer - March 2013 - Trials by Fire
American Cinematographer - March 2013 - 29
American Cinematographer - March 2013 - 30
American Cinematographer - March 2013 - 31
American Cinematographer - March 2013 - 32
American Cinematographer - March 2013 - 33
American Cinematographer - March 2013 - 34
American Cinematographer - March 2013 - 35
American Cinematographer - March 2013 - 36
American Cinematographer - March 2013 - 37
American Cinematographer - March 2013 - 38
American Cinematographer - March 2013 - 39
American Cinematographer - March 2013 - Strong Foundations
American Cinematographer - March 2013 - 41
American Cinematographer - March 2013 - 42
American Cinematographer - March 2013 - 43
American Cinematographer - March 2013 - 44
American Cinematographer - March 2013 - 45
American Cinematographer - March 2013 - 46
American Cinematographer - March 2013 - 47
American Cinematographer - March 2013 - 48
American Cinematographer - March 2013 - 49
American Cinematographer - March 2013 - Tech Savvy
American Cinematographer - March 2013 - 51
American Cinematographer - March 2013 - 52
American Cinematographer - March 2013 - 53
American Cinematographer - March 2013 - 54
American Cinematographer - March 2013 - 55
American Cinematographer - March 2013 - New Products & Services
American Cinematographer - March 2013 - 57
American Cinematographer - March 2013 - 58
American Cinematographer - March 2013 - 59
American Cinematographer - March 2013 - 60
American Cinematographer - March 2013 - 61
American Cinematographer - March 2013 - 62
American Cinematographer - March 2013 - 63
American Cinematographer - March 2013 - 64
American Cinematographer - March 2013 - Classified Ads
American Cinematographer - March 2013 - Ad Index
American Cinematographer - March 2013 - 67
American Cinematographer - March 2013 - 68
American Cinematographer - March 2013 - In Memoriam: Charles Austin, ASC • Alfred Taylor, ASC
American Cinematographer - March 2013 - 70
American Cinematographer - March 2013 - 71
American Cinematographer - March 2013 - ASC Membership Roster
American Cinematographer - March 2013 - 73
American Cinematographer - March 2013 - Clubhouse News
American Cinematographer - March 2013 - 75
American Cinematographer - March 2013 - ASC Close-Up: Russell Carpenter
American Cinematographer - March 2013 - Cover3
American Cinematographer - March 2013 - Cover4
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