American Cinematographer - March 2014 - 37
A variety of fixtures
was used to light
1960s scenes in the
hotel's dining room
(top and lower
left), where
Moustafa meets
with the writer, and
lobby (lower right).
daylight and practicals, plus the occasional fill light." Night interiors were lit
only with practicals and tungsten units.
The hotel's servant quarters and
service areas, filmed in an empty building near the department-store location,
appear less inviting than the rest of the
hotel. Stockhausen incorporated fluorescent sources into his production
design for the kitchen and safe room,
whose lighting was accentuated by small
tungsten bounces. Gustave and Zero's
tiny bedrooms were lit with bare incandescent bulbs and China balls. "Adam
did extensive research on the lighting
fixtures of the time, and we tried to be as
historically accurate as possible in what
appears onscreen," says Yeoman. "We
www.theasc.com
mainly used tungsten lights supplemented by HMIs and Kinos."
The production transformed
other locations in and around Görlitz
into mini soundstages. A shuttered
concert venue, the Stadthalle, makes
several appearances in the film, each
time masquerading as a different location. One room in the venue serves as
March 2014
37
http://www.theasc.com
American Cinematographer - March 2014
Table of Contents for the Digital Edition of American Cinematographer - March 2014
Table of Contents
American Cinematographer - March 2014 - Cover1
American Cinematographer - March 2014 - Cover2
American Cinematographer - March 2014 - 1
American Cinematographer - March 2014 - 2
American Cinematographer - March 2014 - Table of Contents
American Cinematographer - March 2014 - 4
American Cinematographer - March 2014 - 5
American Cinematographer - March 2014 - 6
American Cinematographer - March 2014 - 7
American Cinematographer - March 2014 - 8
American Cinematographer - March 2014 - 9
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American Cinematographer - March 2014 - 21
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American Cinematographer - March 2014 - 28
American Cinematographer - March 2014 - 29
American Cinematographer - March 2014 - 30
American Cinematographer - March 2014 - 31
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American Cinematographer - March 2014 - 33
American Cinematographer - March 2014 - 34
American Cinematographer - March 2014 - 35
American Cinematographer - March 2014 - 36
American Cinematographer - March 2014 - 37
American Cinematographer - March 2014 - 38
American Cinematographer - March 2014 - 39
American Cinematographer - March 2014 - 40
American Cinematographer - March 2014 - 41
American Cinematographer - March 2014 - 42
American Cinematographer - March 2014 - 43
American Cinematographer - March 2014 - 44
American Cinematographer - March 2014 - 45
American Cinematographer - March 2014 - 46
American Cinematographer - March 2014 - 47
American Cinematographer - March 2014 - 48
American Cinematographer - March 2014 - 49
American Cinematographer - March 2014 - 50
American Cinematographer - March 2014 - 51
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American Cinematographer - March 2014 - 53
American Cinematographer - March 2014 - 54
American Cinematographer - March 2014 - 55
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American Cinematographer - March 2014 - 79
American Cinematographer - March 2014 - 80
American Cinematographer - March 2014 - Cover3
American Cinematographer - March 2014 - Cover4
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