American Cinematographer - March 2016 - 68

Cool, Calm and in Control

Peterson on the set of the television series Jane the Virgin.

Peterson admits that for the first few
years, his shyness kept him from attending most events. That all changed when
he married Carol Daniels, a pioneering
stuntwoman whom he met on set.
"Marrying Carol is the best decision I ever made," Peterson says, beaming. "We just celebrated our 10th
anniversary." With a laugh, he adds, "We
are a blended family; we each brought
two cats to the marriage." Daniels
acknowledges that she is a very positive
68

March 2016

person. "The glass is always half-full,
and I guess I taught that to Lowell."
ASC President Richard Crudo
contends, "Under Lowell's reserved
exterior is quite a lively individual. He
has a quick wit, and an ability to look at
a situation and very quickly sum it up in
devastatingly funny terms." Past ASC
President Michael Goi notes that organizations like the ASC can't operate
without committed volunteers like
Peterson. "Lowell
chairs
the
American Cinematographer

Membership Committee and, until this
year, he also oversaw our annual awards
show."
Daryn Okada, ASC graciously
took over the Awards Committee chairmanship after Daniels fractured her
pelvis. Beyond his respect for Peterson's
work, Okada notes, "it's also cool
because you can have a conversation
with him. He is like an encyclopedia -
not just about television, but also
movies."
Despite his longtime passion for
cinema, Peterson has chosen to remain
in television and is deeply committed to
all aspects of the medium, having served
on the Television Academy's Board of
Governors for eight years, alongside his
ASC colleague Ken Zunder.
"One of the benefits of working
on a TV series is that you are there week
after week and can forge relationships
with the performers while they are
developing characters over what could
be years," submits Peterson. "To me, that
makes television unique and not just a
low-budget movie. The actors are working on their characters over an entire
season, and it's enjoyable to be with
them and help them. Audiences have a
built-in desire to see what is going to
happen with the characters. It's a different phenomenon from the big screen.
"There is also a camaraderie on
the set that is different from being on
features," he muses. "We are an extended
family. And by working on shows that
are shot in Los Angeles, I have been able
to keep my crews together with their
families, which is great." Noting that
Hollywood's erstwhile studio system
engendered similar conditions, he adds,
"I have always wished that I had been
around then. Maybe what I'm doing in
television is the closest you can get to
that today."
●

Jane the Virgin photos by Rory Knepp and Paul Fischer.

◗



Table of Contents for the Digital Edition of American Cinematographer - March 2016

Table of Contents
American Cinematographer - March 2016 - Intro
American Cinematographer - March 2016 - Cover1
American Cinematographer - March 2016 - Cover2
American Cinematographer - March 2016 - 1
American Cinematographer - March 2016 - 2
American Cinematographer - March 2016 - Table of Contents
American Cinematographer - March 2016 - 4
American Cinematographer - March 2016 - 5
American Cinematographer - March 2016 - 6
American Cinematographer - March 2016 - 7
American Cinematographer - March 2016 - 8
American Cinematographer - March 2016 - 9
American Cinematographer - March 2016 - 10
American Cinematographer - March 2016 - 11
American Cinematographer - March 2016 - 12
American Cinematographer - March 2016 - 13
American Cinematographer - March 2016 - 14
American Cinematographer - March 2016 - 15
American Cinematographer - March 2016 - 16
American Cinematographer - March 2016 - 17
American Cinematographer - March 2016 - 18
American Cinematographer - March 2016 - 19
American Cinematographer - March 2016 - 20
American Cinematographer - March 2016 - 21
American Cinematographer - March 2016 - 22
American Cinematographer - March 2016 - 23
American Cinematographer - March 2016 - 24
American Cinematographer - March 2016 - 25
American Cinematographer - March 2016 - 26
American Cinematographer - March 2016 - 27
American Cinematographer - March 2016 - 28
American Cinematographer - March 2016 - 29
American Cinematographer - March 2016 - 30
American Cinematographer - March 2016 - 31
American Cinematographer - March 2016 - 32
American Cinematographer - March 2016 - 33
American Cinematographer - March 2016 - 34
American Cinematographer - March 2016 - 35
American Cinematographer - March 2016 - 36
American Cinematographer - March 2016 - 37
American Cinematographer - March 2016 - 38
American Cinematographer - March 2016 - 39
American Cinematographer - March 2016 - 40
American Cinematographer - March 2016 - 41
American Cinematographer - March 2016 - 42
American Cinematographer - March 2016 - 43
American Cinematographer - March 2016 - 44
American Cinematographer - March 2016 - 45
American Cinematographer - March 2016 - 46
American Cinematographer - March 2016 - 47
American Cinematographer - March 2016 - 48
American Cinematographer - March 2016 - 49
American Cinematographer - March 2016 - 50
American Cinematographer - March 2016 - 51
American Cinematographer - March 2016 - 52
American Cinematographer - March 2016 - 53
American Cinematographer - March 2016 - 54
American Cinematographer - March 2016 - 55
American Cinematographer - March 2016 - 56
American Cinematographer - March 2016 - 57
American Cinematographer - March 2016 - 58
American Cinematographer - March 2016 - 59
American Cinematographer - March 2016 - 60
American Cinematographer - March 2016 - 61
American Cinematographer - March 2016 - 62
American Cinematographer - March 2016 - 63
American Cinematographer - March 2016 - 64
American Cinematographer - March 2016 - 65
American Cinematographer - March 2016 - 66
American Cinematographer - March 2016 - 67
American Cinematographer - March 2016 - 68
American Cinematographer - March 2016 - 69
American Cinematographer - March 2016 - 70
American Cinematographer - March 2016 - 71
American Cinematographer - March 2016 - 72
American Cinematographer - March 2016 - 73
American Cinematographer - March 2016 - 74
American Cinematographer - March 2016 - 75
American Cinematographer - March 2016 - 76
American Cinematographer - March 2016 - 77
American Cinematographer - March 2016 - 78
American Cinematographer - March 2016 - 79
American Cinematographer - March 2016 - 80
American Cinematographer - March 2016 - 81
American Cinematographer - March 2016 - 82
American Cinematographer - March 2016 - 83
American Cinematographer - March 2016 - 84
American Cinematographer - March 2016 - 85
American Cinematographer - March 2016 - 86
American Cinematographer - March 2016 - 87
American Cinematographer - March 2016 - 88
American Cinematographer - March 2016 - Cover3
American Cinematographer - March 2016 - Cover4
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