American Cinematographer - April 2011 - 30
◗
Wicked World
Right: This frame grab shows surveillancecamera views of Hanna’s surprise attack on her captors. Below: In another frame grab, Hanna finds her way to a tunnel that runs beneath the CIA complex.
all the light sources are natural or quite simple, like homemade candles and kerosene lamps. The windows of Hanna and Erik’s cottage are covered with fur, not glass. The palette is soft, natural tones, with browns, blues and grays.” Principal photography began with these scenes, which were filmed over two weeks in Kuusamo, Finland, where temperatures could reach -35°C (-31°F). “I like physically challenging
30 April 2011
films, especially when the locations are so beautiful, raw and dramatic,” says Küchler. “In our location, the ice bends the tops of the trees over so they look like lollipops or a Tim Burton-style landscape.” The temperatures made it a challenge to achieve some of the fluid, mobile camerawork Wright and Küchler had in mind. “My key grip, Adrian McCarthy, had a very difficult
American Cinematographer
job,” says the cinematographer. “It was so cold that when the camera was on tracks, the rubber wheels would freeze to the tracks within 20 seconds, so Adrian had to keep the dolly constantly moving. “For one particular shot, we put Vicki [Kreips] in a stand of trees and circled around her,” he continues. “Adrian put in a circular track, but the snow was about 4 feet deep, and he had to push the dolly around and around. I got carried away looking through the lens, and I kept saying, ‘Faster! Faster!’ After a little while, he was going slower and slower, and I said, ‘What’s wrong?’ I looked back and saw this panting figure. It was the first time he ever cursed at me!” That shot ultimately ended up on the cutting-room floor. “If I really like the shot, it’s going to end up on the cutting-room floor — that’s the rule,” Küchler notes wryly. The production used a locally sourced grip package and “some excellent local grips” in Finland, says McCarthy. The cranes included a GF-8 and a 30' Technocrane adapted for use in extremely cold temperatures, right down to a base equipped with skis.
American Cinematographer - April 2011
Table of Contents for the Digital Edition of American Cinematographer - April 2011
American Cinematographer - April 2011
Contents
Editor’s Note
President’s Desk
Short Takes: “Faeries”
Production Slate: Jane Eyre • Battle: Los Angeles
Wicked World
A Woman on the Verge
Optical Filtration and 3-D
Sundance 2011: Spirited Images
Post Focus: Red Riding Hood
Tricks of the Trade: Unfettering a Digital Shoot
Filmmakers’ Forum: The Image Interchange Framework
New Products & Services
International Marketplace
Classified Ads/Ad Index
Clubhouse News
ASC Close-Up: Dennis Muren
American Cinematographer - April 2011 - American Cinematographer - April 2011
American Cinematographer - April 2011 - Cover2
American Cinematographer - April 2011 - 1
American Cinematographer - April 2011 - 2
American Cinematographer - April 2011 - Contents
American Cinematographer - April 2011 - 4
American Cinematographer - April 2011 - 5
American Cinematographer - April 2011 - 6
American Cinematographer - April 2011 - 7
American Cinematographer - April 2011 - Editor’s Note
American Cinematographer - April 2011 - 9
American Cinematographer - April 2011 - President’s Desk
American Cinematographer - April 2011 - 11
American Cinematographer - April 2011 - Short Takes: “Faeries”
American Cinematographer - April 2011 - 13
American Cinematographer - April 2011 - 14
American Cinematographer - April 2011 - 15
American Cinematographer - April 2011 - Production Slate: Jane Eyre • Battle: Los Angeles
American Cinematographer - April 2011 - 17
American Cinematographer - April 2011 - 18
American Cinematographer - April 2011 - 19
American Cinematographer - April 2011 - 20
American Cinematographer - April 2011 - 21
American Cinematographer - April 2011 - 22
American Cinematographer - April 2011 - 23
American Cinematographer - April 2011 - 24
American Cinematographer - April 2011 - 25
American Cinematographer - April 2011 - Wicked World
American Cinematographer - April 2011 - 27
American Cinematographer - April 2011 - 28
American Cinematographer - April 2011 - 29
American Cinematographer - April 2011 - 30
American Cinematographer - April 2011 - 30a
American Cinematographer - April 2011 - 30b
American Cinematographer - April 2011 - 31
American Cinematographer - April 2011 - 32
American Cinematographer - April 2011 - 33
American Cinematographer - April 2011 - 34
American Cinematographer - April 2011 - 35
American Cinematographer - April 2011 - 36
American Cinematographer - April 2011 - 37
American Cinematographer - April 2011 - 38
American Cinematographer - April 2011 - 39
American Cinematographer - April 2011 - 40
American Cinematographer - April 2011 - 41
American Cinematographer - April 2011 - A Woman on the Verge
American Cinematographer - April 2011 - 43
American Cinematographer - April 2011 - 44
American Cinematographer - April 2011 - 45
American Cinematographer - April 2011 - 46
American Cinematographer - April 2011 - 47
American Cinematographer - April 2011 - 48
American Cinematographer - April 2011 - 49
American Cinematographer - April 2011 - 50
American Cinematographer - April 2011 - 51
American Cinematographer - April 2011 - Optical Filtration and 3-D
American Cinematographer - April 2011 - 53
American Cinematographer - April 2011 - 54
American Cinematographer - April 2011 - 55
American Cinematographer - April 2011 - 56
American Cinematographer - April 2011 - 57
American Cinematographer - April 2011 - 58
American Cinematographer - April 2011 - 59
American Cinematographer - April 2011 - 60
American Cinematographer - April 2011 - 61
American Cinematographer - April 2011 - Sundance 2011: Spirited Images
American Cinematographer - April 2011 - 63
American Cinematographer - April 2011 - 64
American Cinematographer - April 2011 - 65
American Cinematographer - April 2011 - 66
American Cinematographer - April 2011 - 67
American Cinematographer - April 2011 - 68
American Cinematographer - April 2011 - 69
American Cinematographer - April 2011 - 70
American Cinematographer - April 2011 - 71
American Cinematographer - April 2011 - 72
American Cinematographer - April 2011 - 73
American Cinematographer - April 2011 - 74
American Cinematographer - April 2011 - 75
American Cinematographer - April 2011 - 76
American Cinematographer - April 2011 - 77
American Cinematographer - April 2011 - Post Focus: Red Riding Hood
American Cinematographer - April 2011 - 79
American Cinematographer - April 2011 - 80
American Cinematographer - April 2011 - 81
American Cinematographer - April 2011 - Tricks of the Trade: Unfettering a Digital Shoot
American Cinematographer - April 2011 - 83
American Cinematographer - April 2011 - 84
American Cinematographer - April 2011 - 85
American Cinematographer - April 2011 - Filmmakers’ Forum: The Image Interchange Framework
American Cinematographer - April 2011 - 87
American Cinematographer - April 2011 - 88
American Cinematographer - April 2011 - 89
American Cinematographer - April 2011 - New Products & Services
American Cinematographer - April 2011 - 91
American Cinematographer - April 2011 - 92
American Cinematographer - April 2011 - 93
American Cinematographer - April 2011 - 94
American Cinematographer - April 2011 - 95
American Cinematographer - April 2011 - 96
American Cinematographer - April 2011 - 97
American Cinematographer - April 2011 - International Marketplace
American Cinematographer - April 2011 - 99
American Cinematographer - April 2011 - Classified Ads/Ad Index
American Cinematographer - April 2011 - 101
American Cinematographer - April 2011 - Clubhouse News
American Cinematographer - April 2011 - 103
American Cinematographer - April 2011 - ASC Close-Up: Dennis Muren
American Cinematographer - April 2011 - Cover3
American Cinematographer - April 2011 - Cover4
American Cinematographer - April 2011 - Cover5
https://www.nxtbook.com/nxtbooks/ac/ac1218_v2
https://www.nxtbook.com/nxtbooks/ac/ac1118_v2
https://www.nxtbook.com/nxtbooks/ac/ac1018_v2
https://www.nxtbook.com/nxtbooks/ac/ac0918_v2
https://www.nxtbook.com/nxtbooks/ac/ac0818_v2
https://www.nxtbook.com/nxtbooks/ac/ac0718_v2
https://www.nxtbook.com/nxtbooks/ac/ac0618_v2
https://www.nxtbook.com/nxtbooks/ac/ac0518_v2
https://www.nxtbook.com/nxtbooks/ac/ac0418_v2
https://www.nxtbook.com/nxtbooks/ac/ac0318_v2
https://www.nxtbook.com/nxtbooks/ac/ac0218_v2
https://www.nxtbook.com/nxtbooks/ac/ac0118_v2
https://www.nxtbook.com/nxtbooks/ac/ac1217_v2
https://www.nxtbook.com/nxtbooks/ac/ac1117_v2
https://www.nxtbook.com/nxtbooks/ac/ac1017_v2
https://www.nxtbook.com/nxtbooks/ac/ac0917_v2
https://www.nxtbook.com/nxtbooks/ac/ac0817_v2
https://www.nxtbook.com/nxtbooks/ac/ac0717_v2
https://www.nxtbook.com/nxtbooks/ac/ac0617_v2
https://www.nxtbook.com/nxtbooks/ac/ac0517_v2
https://www.nxtbook.com/nxtbooks/ac/ac0417_v2
https://www.nxtbook.com/nxtbooks/ac/ac0317_v2
https://www.nxtbook.com/nxtbooks/ac/ac0217_v2
https://www.nxtbook.com/nxtbooks/ac/ac0117_v2
https://www.nxtbook.com/nxtbooks/ac/ac1216_v2
https://www.nxtbook.com/nxtbooks/ac/ac1116_v2
https://www.nxtbook.com/nxtbooks/ac/ac1016_v2
https://www.nxtbook.com/nxtbooks/ac/ac0916_v2
https://www.nxtbook.com/nxtbooks/ac/ac0816_v2
https://www.nxtbook.com/nxtbooks/ac/ac0716_v2
https://www.nxtbook.com/nxtbooks/ac/ac0616_v2
https://www.nxtbook.com/nxtbooks/ac/ac0516_v2
https://www.nxtbook.com/nxtbooks/ac/ac0416_v2
https://www.nxtbook.com/nxtbooks/ac/ac0316_v2
https://www.nxtbook.com/nxtbooks/ac/ac0216_v2
https://www.nxtbook.com/nxtbooks/ac/ac0116_v2
https://www.nxtbook.com/nxtbooks/ac/ac1215_v2
https://www.nxtbook.com/nxtbooks/ac/ac1115_v2
https://www.nxtbook.com/nxtbooks/ac/ac1015_v2
https://www.nxtbook.com/nxtbooks/ac/ac0915_v2
https://www.nxtbook.com/nxtbooks/ac/ac0815_v2
https://www.nxtbook.com/nxtbooks/ac/ac0715_v2
https://www.nxtbook.com/nxtbooks/ac/ac0615_v2
https://www.nxtbook.com/nxtbooks/ac/ac0515_v2
https://www.nxtbook.com/nxtbooks/ac/ac0415_v2
https://www.nxtbook.com/nxtbooks/ac/ac0315_v2
https://www.nxtbook.com/nxtbooks/ac/ac0215_v2
https://www.nxtbook.com/nxtbooks/ac/ac0115_v2
https://www.nxtbook.com/nxtbooks/ac/ac1214
https://www.nxtbook.com/nxtbooks/ac/ac1114
https://www.nxtbook.com/nxtbooks/ac/ac1014
https://www.nxtbook.com/nxtbooks/ac/ac0914
https://www.nxtbook.com/nxtbooks/ac/ac0814
https://www.nxtbook.com/nxtbooks/ac/ac0714
https://www.nxtbook.com/nxtbooks/ac/ac0614
https://www.nxtbook.com/nxtbooks/ac/ac0514
https://www.nxtbook.com/nxtbooks/ac/ac0414
https://www.nxtbook.com/nxtbooks/ac/ac0314
https://www.nxtbook.com/nxtbooks/ac/ac0214
https://www.nxtbook.com/nxtbooks/ac/ac0114
https://www.nxtbook.com/nxtbooks/ac/ac1213
https://www.nxtbook.com/nxtbooks/ac/ac1113
https://www.nxtbook.com/nxtbooks/ac/ac1013
https://www.nxtbook.com/nxtbooks/ac/ac0913
https://www.nxtbook.com/nxtbooks/ac/ac0813
https://www.nxtbook.com/nxtbooks/ac/ac0713
https://www.nxtbook.com/nxtbooks/ac/ac0613
https://www.nxtbook.com/nxtbooks/ac/ac0513
https://www.nxtbook.com/nxtbooks/ac/ac0413
https://www.nxtbook.com/nxtbooks/ac/ac0313
https://www.nxtbook.com/nxtbooks/ac/ac0213
https://www.nxtbook.com/nxtbooks/ac/ac0113
https://www.nxtbook.com/nxtbooks/ac/ac1212
https://www.nxtbook.com/nxtbooks/ac/ac1112
https://www.nxtbook.com/nxtbooks/ac/ac1012
https://www.nxtbook.com/nxtbooks/ac/ac0912
https://www.nxtbook.com/nxtbooks/ac/ac0812
https://www.nxtbook.com/nxtbooks/ac/ac0712
https://www.nxtbook.com/nxtbooks/ac/ac0612
https://www.nxtbook.com/nxtbooks/ac/ac0512
https://www.nxtbook.com/nxtbooks/ac/ac0412
https://www.nxtbook.com/nxtbooks/ac/ac0312
https://www.nxtbook.com/nxtbooks/ac/ac0212
https://www.nxtbook.com/nxtbooks/ac/ac0112
https://www.nxtbook.com/nxtbooks/ac/ac1211
https://www.nxtbook.com/nxtbooks/ac/ac1111
https://www.nxtbook.com/nxtbooks/ac/ac1011
https://www.nxtbook.com/nxtbooks/ac/ac0911
https://www.nxtbook.com/nxtbooks/ac/ac0811
https://www.nxtbook.com/nxtbooks/ac/ac0711
https://www.nxtbook.com/nxtbooks/ac/ac0611
https://www.nxtbook.com/nxtbooks/ac/ac0511
https://www.nxtbook.com/nxtbooks/ac/ac0411
https://www.nxtbook.com/nxtbooks/ac/ac0311
https://www.nxtbook.com/nxtbooks/ac/ac0211
https://www.nxtbook.com/nxtbooks/ac/ac0111
https://www.nxtbook.com/nxtbooks/ac/ac1210
https://www.nxtbook.com/nxtbooks/ac/ac1110
https://www.nxtbook.com/nxtbooks/ac/ac1010
https://www.nxtbook.com/nxtbooks/ac/ac0910
https://www.nxtbook.com/nxtbooks/ac/ac0810
https://www.nxtbook.com/nxtbooks/ac/ac0710
https://www.nxtbook.com/nxtbooks/ac/ac0610
https://www.nxtbook.com/nxtbooks/ac/ac0510
https://www.nxtbook.com/nxtbooks/ac/ac0410
https://www.nxtbook.com/nxtbooks/ac/ac0310
https://www.nxtbook.com/nxtbooks/ac/ac0210
https://www.nxtbook.com/nxtbooks/ac/ac0110
https://www.nxtbookmedia.com