American Cinematographer - April 2012 - 34
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Vice at the Vatican
Right: Rodrigo’s mistress, Giulia Farnese (Lotte Verbeek), tries to mask her emotions in the second season’s first episode. Below: Cesare Borgia (François Arnaud, right) grows increasingly jealous of his older brother Juan (David Oakes), who enjoys his status as their father’s favorite son.
Renaissance paintings and frescoes into the look of the show was recognizing the differences made by the passage of time. “There was a scene in a church that we tried to light entirely with candles,” Sarossy recalls. “As we were shooting, it was getting progressively
34 April 2012
darker. I wondered if there was something wrong with the camera or generator, but it became clear that it was actually the smoke given off by the candles. It made me realize how much pollution must have been in the air at the time, and how our collective impresAmerican Cinematographer
sion of Renaissance artwork is affected by the aging of those artworks. There are so many instances of paintings being restored and shocking people with how colorful and bright they originally were. So in terms of a look, we had to decide between colorful and bright or the grime of centuries. Ultimately, we tried to strike a happy balance between the two.” Smoke was an effective tool for achieving that balance: it was historically appropriate, it could be adjusted for each scene, and it helped obscure some details in the sets. Sarossy explains, “A lot of the Vatican apartments had frescoes, which we had to recreate with photo murals in the background. Neil was worried about whether they would work, so he was eager to use smoke in order to help mitigate the clarity of the [image]. As it turned out, they actually read quite well, but smoke became established as an ever-present factor. We used it to soften things and prevent too much examination of elements like the frescoes. You can control the amount of visibility and contrast by the degree to which you
American Cinematographer - April 2012
Table of Contents for the Digital Edition of American Cinematographer - April 2012
American Cinematographer - April 2012
Contents
Editor’s Note
President’s Desk
Short Takes: Polaris campaign
Production Slate: Footnote • 4:44 Last Day on Earth
Vice at the Vatican
Back to School
Sundance Standouts
Filmmakers’ Forum: Haskell Wexler, ASC
New Products & Services
International Marketplace
Classified Ads
Ad Index
Clubhouse News
ASC Close-Up: Alar Kivilo
American Cinematographer - April 2012 - American Cinematographer - April 2012
American Cinematographer - April 2012 - Cover2
American Cinematographer - April 2012 - 1
American Cinematographer - April 2012 - 2
American Cinematographer - April 2012 - Contents
American Cinematographer - April 2012 - 4
American Cinematographer - April 2012 - 5
American Cinematographer - April 2012 - 6
American Cinematographer - April 2012 - 7
American Cinematographer - April 2012 - Editor’s Note
American Cinematographer - April 2012 - 9
American Cinematographer - April 2012 - President’s Desk
American Cinematographer - April 2012 - 11
American Cinematographer - April 2012 - Short Takes: Polaris campaign
American Cinematographer - April 2012 - 13
American Cinematographer - April 2012 - 14
American Cinematographer - April 2012 - 15
American Cinematographer - April 2012 - 16
American Cinematographer - April 2012 - 17
American Cinematographer - April 2012 - Production Slate: Footnote • 4:44 Last Day on Earth
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American Cinematographer - April 2012 - 31
American Cinematographer - April 2012 - Vice at the Vatican
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American Cinematographer - April 2012 - 43
American Cinematographer - April 2012 - Back to School
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American Cinematographer - April 2012 - 63
American Cinematographer - April 2012 - Sundance Standouts
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American Cinematographer - April 2012 - Filmmakers’ Forum: Haskell Wexler, ASC
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American Cinematographer - April 2012 - 84
American Cinematographer - April 2012 - 85
American Cinematographer - April 2012 - 86
American Cinematographer - April 2012 - 87
American Cinematographer - April 2012 - New Products & Services
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American Cinematographer - April 2012 - 100
American Cinematographer - April 2012 - 101
American Cinematographer - April 2012 - International Marketplace
American Cinematographer - April 2012 - Classified Ads
American Cinematographer - April 2012 - Ad Index
American Cinematographer - April 2012 - 105
American Cinematographer - April 2012 - Clubhouse News
American Cinematographer - April 2012 - 107
American Cinematographer - April 2012 - ASC Close-Up: Alar Kivilo
American Cinematographer - April 2012 - Cover3
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