American Cinematographer - April 2015 - 16

For Little Favour, we opted to shoot
full frame and then crop to our desired
2.40:1 aspect ratio. With the camera's
mechanical shutter set to 45 degrees, we
captured Sony Raw Lite at 25 fps to 256GB
SRMemory cards.
The film called for a lighting style
with a large amount of backlight, which
can result in unwanted flares if you diffuse
optically. So, with digital-imaging technician
Pablo Garcia (who also served as the film's
final colorist), I decided to add some softening and diffusion digitally. In certain
instances, though, I also used a Schneider
True-Streak Blue filter, which creates quite
an interesting flare on the highlights in the
frame and also added a degree of cosmetic
softening. (We looked at adding these
flares digitally, but found an unconvincing
lack of interaction with the flare when the
camera was in motion.)
For the film's finale, we shot in
Elstree Studios' Stage 1, which served as an
abandoned warehouse where Ace and Lyla
are held by Logan's gang. The scene
contains a lot of action, including a
gunfight, which we captured from a 30'
Technocrane and a Steadicam shooting 360
degrees. Working closely with production
designer Russell De Rozario, we rigged
practicals along the walls to give us background highlights. It was vital that we keep
our light off the walls to help disguise the
➣
fact that we were on a soundstage.

Top: For the film's
finale, Stage 1 at
Elstree Studios
served as the
abandoned
warehouse where
Ace and Lyla (Paris
Monroe) are held by
Logan (Nick Moran)
and his gang.
Middle: Friend lines
up a shot. Bottom:
The flame from a
lighter serves to
introduce Ace's
commanding officer
(Colin Salmon)
in the short's
opening scene.

16

April 2015

American Cinematographer



Table of Contents for the Digital Edition of American Cinematographer - April 2015

Contents
American Cinematographer - April 2015 - Intro
American Cinematographer - April 2015 - Cover1
American Cinematographer - April 2015 - Cover2
American Cinematographer - April 2015 - 1
American Cinematographer - April 2015 - 2
American Cinematographer - April 2015 - Contents
American Cinematographer - April 2015 - 4
American Cinematographer - April 2015 - 5
American Cinematographer - April 2015 - 6
American Cinematographer - April 2015 - 7
American Cinematographer - April 2015 - 8
American Cinematographer - April 2015 - 9
American Cinematographer - April 2015 - 10
American Cinematographer - April 2015 - 11
American Cinematographer - April 2015 - 12
American Cinematographer - April 2015 - 13
American Cinematographer - April 2015 - 14
American Cinematographer - April 2015 - 15
American Cinematographer - April 2015 - 16
American Cinematographer - April 2015 - 17
American Cinematographer - April 2015 - 18
American Cinematographer - April 2015 - 19
American Cinematographer - April 2015 - 20
American Cinematographer - April 2015 - 21
American Cinematographer - April 2015 - 22
American Cinematographer - April 2015 - 23
American Cinematographer - April 2015 - 24
American Cinematographer - April 2015 - 25
American Cinematographer - April 2015 - 26
American Cinematographer - April 2015 - 27
American Cinematographer - April 2015 - 28
American Cinematographer - April 2015 - 29
American Cinematographer - April 2015 - 30
American Cinematographer - April 2015 - 31
American Cinematographer - April 2015 - 32
American Cinematographer - April 2015 - 33
American Cinematographer - April 2015 - 34
American Cinematographer - April 2015 - 35
American Cinematographer - April 2015 - 36
American Cinematographer - April 2015 - 37
American Cinematographer - April 2015 - 38
American Cinematographer - April 2015 - 39
American Cinematographer - April 2015 - 40
American Cinematographer - April 2015 - 41
American Cinematographer - April 2015 - 42
American Cinematographer - April 2015 - 43
American Cinematographer - April 2015 - 44
American Cinematographer - April 2015 - 45
American Cinematographer - April 2015 - 46
American Cinematographer - April 2015 - 47
American Cinematographer - April 2015 - 48
American Cinematographer - April 2015 - 49
American Cinematographer - April 2015 - 50
American Cinematographer - April 2015 - 51
American Cinematographer - April 2015 - 52
American Cinematographer - April 2015 - 53
American Cinematographer - April 2015 - 54
American Cinematographer - April 2015 - 55
American Cinematographer - April 2015 - 56
American Cinematographer - April 2015 - 57
American Cinematographer - April 2015 - 58
American Cinematographer - April 2015 - 59
American Cinematographer - April 2015 - 60
American Cinematographer - April 2015 - 61
American Cinematographer - April 2015 - 62
American Cinematographer - April 2015 - 63
American Cinematographer - April 2015 - 64
American Cinematographer - April 2015 - I1
American Cinematographer - April 2015 - I2
American Cinematographer - April 2015 - I3
American Cinematographer - April 2015 - I4
American Cinematographer - April 2015 - I5
American Cinematographer - April 2015 - I6
American Cinematographer - April 2015 - I7
American Cinematographer - April 2015 - I8
American Cinematographer - April 2015 - 65
American Cinematographer - April 2015 - 66
American Cinematographer - April 2015 - 67
American Cinematographer - April 2015 - 68
American Cinematographer - April 2015 - 69
American Cinematographer - April 2015 - 70
American Cinematographer - April 2015 - 71
American Cinematographer - April 2015 - 72
American Cinematographer - April 2015 - 73
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American Cinematographer - April 2015 - 76
American Cinematographer - April 2015 - 77
American Cinematographer - April 2015 - 78
American Cinematographer - April 2015 - 79
American Cinematographer - April 2015 - 80
American Cinematographer - April 2015 - 81
American Cinematographer - April 2015 - 82
American Cinematographer - April 2015 - 83
American Cinematographer - April 2015 - 84
American Cinematographer - April 2015 - 85
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American Cinematographer - April 2015 - 94
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American Cinematographer - April 2015 - 97
American Cinematographer - April 2015 - 98
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American Cinematographer - April 2015 - 100
American Cinematographer - April 2015 - 101
American Cinematographer - April 2015 - 102
American Cinematographer - April 2015 - 103
American Cinematographer - April 2015 - 104
American Cinematographer - April 2015 - 105
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American Cinematographer - April 2015 - 107
American Cinematographer - April 2015 - 108
American Cinematographer - April 2015 - 109
American Cinematographer - April 2015 - 110
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American Cinematographer - April 2015 - 116
American Cinematographer - April 2015 - 117
American Cinematographer - April 2015 - 118
American Cinematographer - April 2015 - 119
American Cinematographer - April 2015 - 120
American Cinematographer - April 2015 - Cover3
American Cinematographer - April 2015 - Cover4
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