American Cinematographer - April 2015 - 60

◗

A Wider World
Top: Jack Kang
(Daniel Dae
Kim, left),
representative
for Candor,
meets with
Four and Tris.
Middle: Visual
effects were
utilized to extend
sets and unite
Chicago skylines
with Atlanta
locations.
Bottom: Director
Robert Schwentke
and Kim go over
a scene while
Woodley and
James take
a break.

added possibilities of using this tool
once he knew that we were not compromising control of the framing."
As Ballhaus explains, a number of
other tools were also used to underscore
Insurgent's action, including "lots of
Technocrane work," a Libra head
mounted on a Grip Trix motorized
dolly "to let us track in front of the
actors for running shots," and a KFX
Technology Aurora remote head, which
was frequently placed on a jib arm to
position the camera into small spaces or
to execute moves where dolly track
might otherwise get into the shot.
In keeping with the notion of
"action that's very closely tied to our
characters and attempts to utilize actors
in the sequences as much as possible," as
he says, Ballhaus also called on Atlantabased low-altitude aerial specialists
Yonder Blue Films, who provided a
remote-controlled multi-rotor drone
the filmmakers referred to as the "octocopter." The drone was employed to
capture low-level close-up aerial shots
with perspectives that would not be
possible with a traditional helicopter.
(Traditional helicopters were used,
however, to capture visual-effects plates,
skylines and backgrounds during a
second-unit shoot in Chicago, overseen
by visual-effects supervisor/2nd-unit
60

April 2015

American Cinematographer



Table of Contents for the Digital Edition of American Cinematographer - April 2015

Contents
American Cinematographer - April 2015 - Intro
American Cinematographer - April 2015 - Cover1
American Cinematographer - April 2015 - Cover2
American Cinematographer - April 2015 - 1
American Cinematographer - April 2015 - 2
American Cinematographer - April 2015 - Contents
American Cinematographer - April 2015 - 4
American Cinematographer - April 2015 - 5
American Cinematographer - April 2015 - 6
American Cinematographer - April 2015 - 7
American Cinematographer - April 2015 - 8
American Cinematographer - April 2015 - 9
American Cinematographer - April 2015 - 10
American Cinematographer - April 2015 - 11
American Cinematographer - April 2015 - 12
American Cinematographer - April 2015 - 13
American Cinematographer - April 2015 - 14
American Cinematographer - April 2015 - 15
American Cinematographer - April 2015 - 16
American Cinematographer - April 2015 - 17
American Cinematographer - April 2015 - 18
American Cinematographer - April 2015 - 19
American Cinematographer - April 2015 - 20
American Cinematographer - April 2015 - 21
American Cinematographer - April 2015 - 22
American Cinematographer - April 2015 - 23
American Cinematographer - April 2015 - 24
American Cinematographer - April 2015 - 25
American Cinematographer - April 2015 - 26
American Cinematographer - April 2015 - 27
American Cinematographer - April 2015 - 28
American Cinematographer - April 2015 - 29
American Cinematographer - April 2015 - 30
American Cinematographer - April 2015 - 31
American Cinematographer - April 2015 - 32
American Cinematographer - April 2015 - 33
American Cinematographer - April 2015 - 34
American Cinematographer - April 2015 - 35
American Cinematographer - April 2015 - 36
American Cinematographer - April 2015 - 37
American Cinematographer - April 2015 - 38
American Cinematographer - April 2015 - 39
American Cinematographer - April 2015 - 40
American Cinematographer - April 2015 - 41
American Cinematographer - April 2015 - 42
American Cinematographer - April 2015 - 43
American Cinematographer - April 2015 - 44
American Cinematographer - April 2015 - 45
American Cinematographer - April 2015 - 46
American Cinematographer - April 2015 - 47
American Cinematographer - April 2015 - 48
American Cinematographer - April 2015 - 49
American Cinematographer - April 2015 - 50
American Cinematographer - April 2015 - 51
American Cinematographer - April 2015 - 52
American Cinematographer - April 2015 - 53
American Cinematographer - April 2015 - 54
American Cinematographer - April 2015 - 55
American Cinematographer - April 2015 - 56
American Cinematographer - April 2015 - 57
American Cinematographer - April 2015 - 58
American Cinematographer - April 2015 - 59
American Cinematographer - April 2015 - 60
American Cinematographer - April 2015 - 61
American Cinematographer - April 2015 - 62
American Cinematographer - April 2015 - 63
American Cinematographer - April 2015 - 64
American Cinematographer - April 2015 - I1
American Cinematographer - April 2015 - I2
American Cinematographer - April 2015 - I3
American Cinematographer - April 2015 - I4
American Cinematographer - April 2015 - I5
American Cinematographer - April 2015 - I6
American Cinematographer - April 2015 - I7
American Cinematographer - April 2015 - I8
American Cinematographer - April 2015 - 65
American Cinematographer - April 2015 - 66
American Cinematographer - April 2015 - 67
American Cinematographer - April 2015 - 68
American Cinematographer - April 2015 - 69
American Cinematographer - April 2015 - 70
American Cinematographer - April 2015 - 71
American Cinematographer - April 2015 - 72
American Cinematographer - April 2015 - 73
American Cinematographer - April 2015 - 74
American Cinematographer - April 2015 - 75
American Cinematographer - April 2015 - 76
American Cinematographer - April 2015 - 77
American Cinematographer - April 2015 - 78
American Cinematographer - April 2015 - 79
American Cinematographer - April 2015 - 80
American Cinematographer - April 2015 - 81
American Cinematographer - April 2015 - 82
American Cinematographer - April 2015 - 83
American Cinematographer - April 2015 - 84
American Cinematographer - April 2015 - 85
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American Cinematographer - April 2015 - 90
American Cinematographer - April 2015 - 91
American Cinematographer - April 2015 - 92
American Cinematographer - April 2015 - 93
American Cinematographer - April 2015 - 94
American Cinematographer - April 2015 - 95
American Cinematographer - April 2015 - 96
American Cinematographer - April 2015 - 97
American Cinematographer - April 2015 - 98
American Cinematographer - April 2015 - 99
American Cinematographer - April 2015 - 100
American Cinematographer - April 2015 - 101
American Cinematographer - April 2015 - 102
American Cinematographer - April 2015 - 103
American Cinematographer - April 2015 - 104
American Cinematographer - April 2015 - 105
American Cinematographer - April 2015 - 106
American Cinematographer - April 2015 - 107
American Cinematographer - April 2015 - 108
American Cinematographer - April 2015 - 109
American Cinematographer - April 2015 - 110
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American Cinematographer - April 2015 - 116
American Cinematographer - April 2015 - 117
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American Cinematographer - April 2015 - 119
American Cinematographer - April 2015 - 120
American Cinematographer - April 2015 - Cover3
American Cinematographer - April 2015 - Cover4
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