American Cinematographer - April 2015 - 66

◗

A Wider World

The crew readies an action sequence in which Tris attempts to save her mother.

already inside. As it was deemed too
costly to shoot on location with a real
train and extensive greenscreen effects,
the filmmakers opted to shoot the scene
onstage with rear-screen projection.

66

A-camera operator Thomas
Lappin describes the train set as "two
side-by-side railcar set pieces on
airbags," which were rigged by the
special-effects department to mimic the

train's movement. "The set was
surrounded by rear-screen projection
material that had location footage
projected on it," Lappin adds. "There
were 12 [of the Barco] DLP projectors
perfectly aligned behind the screens.
This setup allowed us to shoot handheld with almost no restrictions."
To create a sense of exterior light
flashing through the train car's perforated metal, the grip crew built large
soft boxes fitted with PRG OHM
DMX-controlled LED fixtures and
skinned with Light Grid Cloth. "The
OHM LED units have full dimming
range and can shift between several
preset color temperatures," Culliton
describes. "By moving a chase, or sometimes just a random 'piano key' effect
through the OHM boxes, we could
create a nice shifting ambience. We
could also have it shift more blue at
times to feel like patches of open sky."
Ballhaus adds, "There is the sky,
the sun, and the light that bounces off



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American Cinematographer - April 2015

Table of Contents for the Digital Edition of American Cinematographer - April 2015

Contents
American Cinematographer - April 2015 - Intro
American Cinematographer - April 2015 - Cover1
American Cinematographer - April 2015 - Cover2
American Cinematographer - April 2015 - 1
American Cinematographer - April 2015 - 2
American Cinematographer - April 2015 - Contents
American Cinematographer - April 2015 - 4
American Cinematographer - April 2015 - 5
American Cinematographer - April 2015 - 6
American Cinematographer - April 2015 - 7
American Cinematographer - April 2015 - 8
American Cinematographer - April 2015 - 9
American Cinematographer - April 2015 - 10
American Cinematographer - April 2015 - 11
American Cinematographer - April 2015 - 12
American Cinematographer - April 2015 - 13
American Cinematographer - April 2015 - 14
American Cinematographer - April 2015 - 15
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American Cinematographer - April 2015 - 17
American Cinematographer - April 2015 - 18
American Cinematographer - April 2015 - 19
American Cinematographer - April 2015 - 20
American Cinematographer - April 2015 - 21
American Cinematographer - April 2015 - 22
American Cinematographer - April 2015 - 23
American Cinematographer - April 2015 - 24
American Cinematographer - April 2015 - 25
American Cinematographer - April 2015 - 26
American Cinematographer - April 2015 - 27
American Cinematographer - April 2015 - 28
American Cinematographer - April 2015 - 29
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American Cinematographer - April 2015 - 31
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American Cinematographer - April 2015 - 38
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American Cinematographer - April 2015 - 60
American Cinematographer - April 2015 - 61
American Cinematographer - April 2015 - 62
American Cinematographer - April 2015 - 63
American Cinematographer - April 2015 - 64
American Cinematographer - April 2015 - I1
American Cinematographer - April 2015 - I2
American Cinematographer - April 2015 - I3
American Cinematographer - April 2015 - I4
American Cinematographer - April 2015 - I5
American Cinematographer - April 2015 - I6
American Cinematographer - April 2015 - I7
American Cinematographer - April 2015 - I8
American Cinematographer - April 2015 - 65
American Cinematographer - April 2015 - 66
American Cinematographer - April 2015 - 67
American Cinematographer - April 2015 - 68
American Cinematographer - April 2015 - 69
American Cinematographer - April 2015 - 70
American Cinematographer - April 2015 - 71
American Cinematographer - April 2015 - 72
American Cinematographer - April 2015 - 73
American Cinematographer - April 2015 - 74
American Cinematographer - April 2015 - 75
American Cinematographer - April 2015 - 76
American Cinematographer - April 2015 - 77
American Cinematographer - April 2015 - 78
American Cinematographer - April 2015 - 79
American Cinematographer - April 2015 - 80
American Cinematographer - April 2015 - 81
American Cinematographer - April 2015 - 82
American Cinematographer - April 2015 - 83
American Cinematographer - April 2015 - 84
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American Cinematographer - April 2015 - 119
American Cinematographer - April 2015 - 120
American Cinematographer - April 2015 - Cover3
American Cinematographer - April 2015 - Cover4
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