American Cinematographer - April 2016 - 58

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Rebel With a Camera

much about what's going on as anything
verbal in that scene.
You see how visually aware he was
- he was always able to show us what
he was interested in, with those kinds of
details. I would advise young filmmakers
to just pay close attention to what
Haskell is showing you. Look at his relationships between people. Look at when
he chooses to play an entire scene in
close-up. Look at when he is referencing
different people in a scene within the
same frame. In Who's Afraid of Virginia
Woolf?, there is a scene played in multiple shots over shoulders of different
people in the same room talking to each
other. He uses focus selectively to guide
us through the scene, directing us to the
most emotionally powerful interpretation, often not focusing on the speaker.
He did that in his documentary work all
the time.

Top left: Wexler
on set for The
Thomas Crown
Affair. Top right:
Director Hal
Ashby and
Wexler on set for
Bound for Glory.
Middle: Wexler
supervises an
over-the-shoulder
shot of David
Carradine on the
Bound for Glory
set. Bottom:
Wexler dons a
mask for a duststorm scene in
Bound for Glory.

John Bailey, ASC: Haskell's 60year career, wielding the camera as an
instrument of societal and political
change, is uncontested - just the way
he would have liked it. In a business
where many fear to stick up their heads
too high, Haskell stood on a ladder to be
sure to be seen. You loved him or hated
him, but even his most grudging opponents cannot deny the revolution he
created in cinematic style, beginning
with his in-your-face and unflattering
- but-oh-so-appropriate - cinematography on Who's Afraid of Virginia
58

April 2016

American Cinematographer



Table of Contents for the Digital Edition of American Cinematographer - April 2016

Contents
American Cinematographer - April 2016 - Cover1
American Cinematographer - April 2016 - Cover2
American Cinematographer - April 2016 - 1
American Cinematographer - April 2016 - 2
American Cinematographer - April 2016 - Contents
American Cinematographer - April 2016 - 4
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American Cinematographer - April 2016 - 64a
American Cinematographer - April 2016 - 64b
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