American Cinematographer - April 2016 - 69
◗ Rebel With a Camera
from someone I considered a great
master and a great teacher - not only
as a cinematographer and director, but
as a human being. The idea that he took
the time to sit down and watch the
movies - and watch them carefully -
that would have been enough. But to
take it a step further and have the interest to want to talk about it, it was
momentous for me. It's always a rare
and beautiful occasion when you can sit
down with another freak who can talk
about lighting for four hours. I was
looking forward to that - with him,
especially.
Javier Aguirresarobe, ASC,
AEC: I retain an unforgettable memory
of the master photographer, Haskell
Wexler. It dates back to 1985. I was
taking my first steps in the profession,
and Haskell was a jury member at the
San Sebastian Film Festival, where, by
coincidence, he saw one of my movies
in the non-official section: Golfo de
Vizcaya. He wanted to meet me, and so
it was, Haskell, my maestro, my virtual
mentor, that faraway day some 30 years
ago, was there in front of me, asking me
about my work on the set of that
modest production. An incredible
moment! With a notepad in hand, he
wanted to know how I constructed my
light. We had a memorable and
wonderful conversation that ended
with, 'I'll see you again whenever you
want in Malibu.'
Frederic Goodich, ASC: I was
privileged to know Haskell as a guiding
light - an uncompromising, restless
giant of a radical thinker and doer, a
force to be reckoned with - for more
than half my life. During a panel at the
American Documentary Film Festival
in Palms Springs in March 2015,
Haskell spoke eloquently of his
commitment to conveying 'truth' as he
saw it: 'My general philosophy is that
"life, the movie," is with us whether it is
called documentary or whether it's
called fiction. As storytellers, we have to
function with some moral, some human
thing. "How" we do has to be connected
http://www.dmglumiere.com
Table of Contents for the Digital Edition of American Cinematographer - April 2016
Contents
American Cinematographer - April 2016 - Cover1
American Cinematographer - April 2016 - Cover2
American Cinematographer - April 2016 - 1
American Cinematographer - April 2016 - 2
American Cinematographer - April 2016 - Contents
American Cinematographer - April 2016 - 4
American Cinematographer - April 2016 - 5
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American Cinematographer - April 2016 - 64a
American Cinematographer - April 2016 - 64b
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American Cinematographer - April 2016 - Cover3
American Cinematographer - April 2016 - Cover4
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