American Cinematographer - April 2016 - 89
five groups of four lightweight 4'x4'
LED Blanket lights hung from a pipe
grid over the set, which provided light
from above with snap-on "egg crates" to
control light spill.
The battle comes to its conclusion
in an adjacent lobby with enormous
windows "and a ceiling so high it's
amazing we were able to pound in all the
light we did," says Fong. "The windows
were [approximately] 10 times the
height of an average window, so that
much more light was required." The
cinematographer used a battery of LRX
lights on Condor cranes to carry out the
task.
The color-grade process for
Dawn of Justice began with a Nikon
DSLR that Fong used to shoot lightingevaluation stills on set. At the end of
each day, he performed a basic color
grade on select stills and forwarded the
results to dailies colorist Dave Lee at
Deluxe's Company 3 in Los Angeles.
The 35mm and Imax camera negatives
were developed at FotoKem, the former
scanned at 2K resolution by Deluxe's
EFilm and the latter at 8K by FotoKem,
who then sent raw DPX files to
Company 3 for dailies. Dailies were
graded in Blackmagic Design's DaVinci
Resolve, and Deluxe provided dailiesviewing on location with its EC3 Star
Waggons trailer and eVue calibrated
viewing system. The final grade was
performed at 4K in Resolve by colorist
and ASC associate Stefan Sonnenfeld at
Company 3.
Fong is thrilled to have helped
bring some of the world's most iconic
superheroes to the screen. "It's what
drew me to the project," he says. "That,
and of course collaborating with Zack
once again. Working with him is an
exciting process. Being able to develop
looks and strategies, and making visuals
a priority - and having a director fight
alongside you for things like singlecamera coverage and shooting on film
- is a cinematographer's dream." ●
TECHNICAL SPECS
2.39:1, 1.43:1
Anamorphic 35mm,
5-perf 65mm, 15-perf Imax,
Digital Capture
Panavision Millennium XL2,
System 65; Arriflex 435,
Arri Alexa XT;
Imax MSM 9802, MKIII; GoPro;
Canon EOS 5D
Panavision C Series, E Series;
Zeiss; Hasselblad
Kodak Vision3 500T 5219
Digital Intermediate
89
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http://www.jlfisher.de
Table of Contents for the Digital Edition of American Cinematographer - April 2016
Contents
American Cinematographer - April 2016 - Cover1
American Cinematographer - April 2016 - Cover2
American Cinematographer - April 2016 - 1
American Cinematographer - April 2016 - 2
American Cinematographer - April 2016 - Contents
American Cinematographer - April 2016 - 4
American Cinematographer - April 2016 - 5
American Cinematographer - April 2016 - 6
American Cinematographer - April 2016 - 7
American Cinematographer - April 2016 - 8
American Cinematographer - April 2016 - 9
American Cinematographer - April 2016 - 10
American Cinematographer - April 2016 - 11
American Cinematographer - April 2016 - 12
American Cinematographer - April 2016 - 13
American Cinematographer - April 2016 - 14
American Cinematographer - April 2016 - 15
American Cinematographer - April 2016 - 16
American Cinematographer - April 2016 - 17
American Cinematographer - April 2016 - 18
American Cinematographer - April 2016 - 19
American Cinematographer - April 2016 - 20
American Cinematographer - April 2016 - 21
American Cinematographer - April 2016 - 22
American Cinematographer - April 2016 - 23
American Cinematographer - April 2016 - 24
American Cinematographer - April 2016 - 25
American Cinematographer - April 2016 - 26
American Cinematographer - April 2016 - 27
American Cinematographer - April 2016 - 28
American Cinematographer - April 2016 - 29
American Cinematographer - April 2016 - 30
American Cinematographer - April 2016 - 31
American Cinematographer - April 2016 - 32
American Cinematographer - April 2016 - 33
American Cinematographer - April 2016 - 34
American Cinematographer - April 2016 - 35
American Cinematographer - April 2016 - 36
American Cinematographer - April 2016 - 37
American Cinematographer - April 2016 - 38
American Cinematographer - April 2016 - 39
American Cinematographer - April 2016 - 40
American Cinematographer - April 2016 - 41
American Cinematographer - April 2016 - 42
American Cinematographer - April 2016 - 43
American Cinematographer - April 2016 - 44
American Cinematographer - April 2016 - 45
American Cinematographer - April 2016 - 46
American Cinematographer - April 2016 - 47
American Cinematographer - April 2016 - 48
American Cinematographer - April 2016 - 49
American Cinematographer - April 2016 - 50
American Cinematographer - April 2016 - 51
American Cinematographer - April 2016 - 52
American Cinematographer - April 2016 - 53
American Cinematographer - April 2016 - 54
American Cinematographer - April 2016 - 55
American Cinematographer - April 2016 - 56
American Cinematographer - April 2016 - 57
American Cinematographer - April 2016 - 58
American Cinematographer - April 2016 - 59
American Cinematographer - April 2016 - 60
American Cinematographer - April 2016 - 61
American Cinematographer - April 2016 - 62
American Cinematographer - April 2016 - 63
American Cinematographer - April 2016 - 64
American Cinematographer - April 2016 - 64a
American Cinematographer - April 2016 - 64b
American Cinematographer - April 2016 - 65
American Cinematographer - April 2016 - 66
American Cinematographer - April 2016 - 67
American Cinematographer - April 2016 - 68
American Cinematographer - April 2016 - 69
American Cinematographer - April 2016 - 70
American Cinematographer - April 2016 - 71
American Cinematographer - April 2016 - 72
American Cinematographer - April 2016 - 73
American Cinematographer - April 2016 - 74
American Cinematographer - April 2016 - 75
American Cinematographer - April 2016 - 76
American Cinematographer - April 2016 - 77
American Cinematographer - April 2016 - 78
American Cinematographer - April 2016 - 79
American Cinematographer - April 2016 - 80
American Cinematographer - April 2016 - 81
American Cinematographer - April 2016 - 82
American Cinematographer - April 2016 - 83
American Cinematographer - April 2016 - 84
American Cinematographer - April 2016 - 85
American Cinematographer - April 2016 - 86
American Cinematographer - April 2016 - 87
American Cinematographer - April 2016 - 88
American Cinematographer - April 2016 - 89
American Cinematographer - April 2016 - 90
American Cinematographer - April 2016 - 91
American Cinematographer - April 2016 - 92
American Cinematographer - April 2016 - 93
American Cinematographer - April 2016 - 94
American Cinematographer - April 2016 - 95
American Cinematographer - April 2016 - 96
American Cinematographer - April 2016 - 97
American Cinematographer - April 2016 - 98
American Cinematographer - April 2016 - 99
American Cinematographer - April 2016 - 100
American Cinematographer - April 2016 - 101
American Cinematographer - April 2016 - 102
American Cinematographer - April 2016 - 103
American Cinematographer - April 2016 - 104
American Cinematographer - April 2016 - 105
American Cinematographer - April 2016 - 106
American Cinematographer - April 2016 - 107
American Cinematographer - April 2016 - 108
American Cinematographer - April 2016 - 109
American Cinematographer - April 2016 - 110
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American Cinematographer - April 2016 - 113
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American Cinematographer - April 2016 - 116
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American Cinematographer - April 2016 - 119
American Cinematographer - April 2016 - 120
American Cinematographer - April 2016 - Cover3
American Cinematographer - April 2016 - Cover4
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