American Cinematographer - May 2007 - 68
Best and Brightest SCIENTIFIC AND ENGINEERING AWARDS (Academy Plaques) These are presented for achievements that have had a demonstrable influence on the advancement of the industry. The award is a bronze tablet that bears a description of the achievement and the names of the contributors. Plaques were presented to: Phillip J.Feiner,Jim Houston, Denis Leconte and Chris Bushman of Pacific Title & Art Studio for the design and development of the Rosetta process for creating digital YCM archival masters. With elements that may be recombined either digitally or optically, the Rosetta separations process offers great versatility. Steve Sullivan, Colin Davidson,Max Chen and Francesco Callari for the design and development of the ILM image-based modeling system. This system facilitates interactive construction and editing of 3-D models from digital photographs and addresses 3-D scanning needs in unique and innovative ways. Dr. Bill Collis, Simon Robinson, Ben Kent and Dr. Anil Kokaram for the design and development of the Furnace integrated suite of software tools, which utilizes temporal coherence for enhancing visual effects in motion-picture sequences. The Furnace toolset’s modularity, flexibility and robustness has set a high standard for opticalflow-based image manipulation. Howard Preston and Mirko Kovacevic for the design and engineering of the Preston Cinema Systems FI+Z wireless remote system. Offering unprecedented reliability and flexibility in wireless lens and camera operation, the FI+Z has led the field since its introduction in 1994. TECHNICAL ACHIEVEMENT AWARDS (Academy Certificates) These are presented for accomplishments that contribute to the progress of the industry. A certificate describes the achievement and lists all of the individuals who contributed to its development. This year’s awards went to: Joshua Pines and Chris Kutcka of Technicolor Digital Intermediates (TDI) for the design and development of the TDI process for creating archival separations from digital image data. The TDI process is based on the production of digital separation negatives, creating archival elements that can be scanned and digitally recombined in the future. William Feightner and Chris Edwards of EFilm for the design and development of EFilm’s process for creating archival separations from 68
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American Cinematographer - May 2007
Table of Contents for the Digital Edition of American Cinematographer - May 2007
Contents
Editor’s Note
DVD Playback
Production Slate
A Complex Web
Rabid and Ravenous
Young Man of Steel
Best and Brightest
High Society
Short Takes
Post Focus
New Products & Services
Points East
International Marketplace
Classified Ads
Ad Index
In Memoriam: Barbara Prevedel
ASC Close-Up
American Cinematographer - May 2007 - Cover1
American Cinematographer - May 2007 - Cover2
American Cinematographer - May 2007 - 1
American Cinematographer - May 2007 - 2
American Cinematographer - May 2007 - Contents
American Cinematographer - May 2007 - 4
American Cinematographer - May 2007 - 5
American Cinematographer - May 2007 - 6
American Cinematographer - May 2007 - 7
American Cinematographer - May 2007 - Editor’s Note
American Cinematographer - May 2007 - 9
American Cinematographer - May 2007 - DVD Playback
American Cinematographer - May 2007 - 11
American Cinematographer - May 2007 - 12
American Cinematographer - May 2007 - 13
American Cinematographer - May 2007 - 14
American Cinematographer - May 2007 - 15
American Cinematographer - May 2007 - Production Slate
American Cinematographer - May 2007 - 17
American Cinematographer - May 2007 - 18
American Cinematographer - May 2007 - 19
American Cinematographer - May 2007 - 20
American Cinematographer - May 2007 - 21
American Cinematographer - May 2007 - 22
American Cinematographer - May 2007 - 23
American Cinematographer - May 2007 - 24
American Cinematographer - May 2007 - 25
American Cinematographer - May 2007 - 26
American Cinematographer - May 2007 - 27
American Cinematographer - May 2007 - A Complex Web
American Cinematographer - May 2007 - 29
American Cinematographer - May 2007 - 30
American Cinematographer - May 2007 - 31
American Cinematographer - May 2007 - 32
American Cinematographer - May 2007 - CardA
American Cinematographer - May 2007 - CardB
American Cinematographer - May 2007 - 33
American Cinematographer - May 2007 - 34
American Cinematographer - May 2007 - 35
American Cinematographer - May 2007 - 36
American Cinematographer - May 2007 - 37
American Cinematographer - May 2007 - 38
American Cinematographer - May 2007 - 39
American Cinematographer - May 2007 - 40
American Cinematographer - May 2007 - 41
American Cinematographer - May 2007 - 42
American Cinematographer - May 2007 - 43
American Cinematographer - May 2007 - Rabid and Ravenous
American Cinematographer - May 2007 - 45
American Cinematographer - May 2007 - 46
American Cinematographer - May 2007 - 47
American Cinematographer - May 2007 - 48
American Cinematographer - May 2007 - 49
American Cinematographer - May 2007 - 50
American Cinematographer - May 2007 - 51
American Cinematographer - May 2007 - 52
American Cinematographer - May 2007 - 53
American Cinematographer - May 2007 - Young Man of Steel
American Cinematographer - May 2007 - 55
American Cinematographer - May 2007 - 56
American Cinematographer - May 2007 - 57
American Cinematographer - May 2007 - 58
American Cinematographer - May 2007 - 59
American Cinematographer - May 2007 - 60
American Cinematographer - May 2007 - 61
American Cinematographer - May 2007 - 62
American Cinematographer - May 2007 - 63
American Cinematographer - May 2007 - Best and Brightest
American Cinematographer - May 2007 - 65
American Cinematographer - May 2007 - 66
American Cinematographer - May 2007 - 67
American Cinematographer - May 2007 - 68
American Cinematographer - May 2007 - 69
American Cinematographer - May 2007 - 70
American Cinematographer - May 2007 - High Society
American Cinematographer - May 2007 - 72
American Cinematographer - May 2007 - 73
American Cinematographer - May 2007 - 74
American Cinematographer - May 2007 - 75
American Cinematographer - May 2007 - 76
American Cinematographer - May 2007 - 77
American Cinematographer - May 2007 - 78
American Cinematographer - May 2007 - 79
American Cinematographer - May 2007 - 80
American Cinematographer - May 2007 - 81
American Cinematographer - May 2007 - Short Takes
American Cinematographer - May 2007 - 83
American Cinematographer - May 2007 - 84
American Cinematographer - May 2007 - 85
American Cinematographer - May 2007 - Post Focus
American Cinematographer - May 2007 - 87
American Cinematographer - May 2007 - 88
American Cinematographer - May 2007 - 89
American Cinematographer - May 2007 - 90
American Cinematographer - May 2007 - 91
American Cinematographer - May 2007 - 92
American Cinematographer - May 2007 - 93
American Cinematographer - May 2007 - New Products & Services
American Cinematographer - May 2007 - 95
American Cinematographer - May 2007 - 96
American Cinematographer - May 2007 - 97
American Cinematographer - May 2007 - Points East
American Cinematographer - May 2007 - 99
American Cinematographer - May 2007 - International Marketplace
American Cinematographer - May 2007 - Classified Ads
American Cinematographer - May 2007 - Ad Index
American Cinematographer - May 2007 - In Memoriam: Barbara Prevedel
American Cinematographer - May 2007 - ASC Close-Up
American Cinematographer - May 2007 - Cover3
American Cinematographer - May 2007 - Cover4
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