American Cinematographer - May 2007 - 69
digital image data. This process is based on the production of digital separation negatives, creating archival elements that can be scanned and digitally recombined in the future. Albert Ridilla, Papken Shahbazian, Ronald Belknap and Jay McGarrigle for the design and development of the Hollywood Film Company Brumagic MPST Densitometer. The device was designed to measure density in the motion-picture soundtrack and has become the densitometer of choice for reading soundtrack negative and positive densities worldwide. Klemens Kehrer, Josef Handler, Thomas Smidek and Marc Shipman Mueller for the design and development of the Arri 235 camera system. Designed for handheld photography, this small, lightweight MOS camera an also be used as a secondary production camera. Florian Kainz for the design and development of OpenEXR, a software package implementing 16bit floating-point high-dynamicrange image files. OpenEXR was engineered to meet the requirements of the visual-effects industry by providing for lossless and lossy compression of tiered and tiled images. Walter Trauninger and Ernst Tschida for the design and engineering of the Arri WRC wireless remote lens-control system. This highly modular system permits accurate and reliable wireless control with multiple hand controls of all lens functions. Christian Tschida and Martin Waitz of Cmotion for the design and engineering of the Cmotion Wireless Remote System. The graphical user interface of the system simplifies the difficult task of following focus, and the unique lens tag system recalls the calibration for each lens. Peter Litwinowicz and Pierre Jasmin for the design and development of the RE: Vision Effects family of software tools for optical flow-based image manipulation. A unique user interface and relatively low cost have made these tools ubiquitous in the visualeffects community. Award of Commendation (Special Award) This was presented to Ioan Allen, J. Wayne Anderson, Mary Ann Anderson, Ted Costas, Paul R. Goldberg, Shawn Jones, Thomas Kuhn, Dr. Alan Masson, Colin Mossman, Martin Richards, Frank Ricotta and Richard C. Sehlin for their contributions to the environmentally responsible industry conversion from silver-based to cyan■ dye-analog soundtracks. 69
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American Cinematographer - May 2007
Table of Contents for the Digital Edition of American Cinematographer - May 2007
Contents
Editor’s Note
DVD Playback
Production Slate
A Complex Web
Rabid and Ravenous
Young Man of Steel
Best and Brightest
High Society
Short Takes
Post Focus
New Products & Services
Points East
International Marketplace
Classified Ads
Ad Index
In Memoriam: Barbara Prevedel
ASC Close-Up
American Cinematographer - May 2007 - Cover1
American Cinematographer - May 2007 - Cover2
American Cinematographer - May 2007 - 1
American Cinematographer - May 2007 - 2
American Cinematographer - May 2007 - Contents
American Cinematographer - May 2007 - 4
American Cinematographer - May 2007 - 5
American Cinematographer - May 2007 - 6
American Cinematographer - May 2007 - 7
American Cinematographer - May 2007 - Editor’s Note
American Cinematographer - May 2007 - 9
American Cinematographer - May 2007 - DVD Playback
American Cinematographer - May 2007 - 11
American Cinematographer - May 2007 - 12
American Cinematographer - May 2007 - 13
American Cinematographer - May 2007 - 14
American Cinematographer - May 2007 - 15
American Cinematographer - May 2007 - Production Slate
American Cinematographer - May 2007 - 17
American Cinematographer - May 2007 - 18
American Cinematographer - May 2007 - 19
American Cinematographer - May 2007 - 20
American Cinematographer - May 2007 - 21
American Cinematographer - May 2007 - 22
American Cinematographer - May 2007 - 23
American Cinematographer - May 2007 - 24
American Cinematographer - May 2007 - 25
American Cinematographer - May 2007 - 26
American Cinematographer - May 2007 - 27
American Cinematographer - May 2007 - A Complex Web
American Cinematographer - May 2007 - 29
American Cinematographer - May 2007 - 30
American Cinematographer - May 2007 - 31
American Cinematographer - May 2007 - 32
American Cinematographer - May 2007 - CardA
American Cinematographer - May 2007 - CardB
American Cinematographer - May 2007 - 33
American Cinematographer - May 2007 - 34
American Cinematographer - May 2007 - 35
American Cinematographer - May 2007 - 36
American Cinematographer - May 2007 - 37
American Cinematographer - May 2007 - 38
American Cinematographer - May 2007 - 39
American Cinematographer - May 2007 - 40
American Cinematographer - May 2007 - 41
American Cinematographer - May 2007 - 42
American Cinematographer - May 2007 - 43
American Cinematographer - May 2007 - Rabid and Ravenous
American Cinematographer - May 2007 - 45
American Cinematographer - May 2007 - 46
American Cinematographer - May 2007 - 47
American Cinematographer - May 2007 - 48
American Cinematographer - May 2007 - 49
American Cinematographer - May 2007 - 50
American Cinematographer - May 2007 - 51
American Cinematographer - May 2007 - 52
American Cinematographer - May 2007 - 53
American Cinematographer - May 2007 - Young Man of Steel
American Cinematographer - May 2007 - 55
American Cinematographer - May 2007 - 56
American Cinematographer - May 2007 - 57
American Cinematographer - May 2007 - 58
American Cinematographer - May 2007 - 59
American Cinematographer - May 2007 - 60
American Cinematographer - May 2007 - 61
American Cinematographer - May 2007 - 62
American Cinematographer - May 2007 - 63
American Cinematographer - May 2007 - Best and Brightest
American Cinematographer - May 2007 - 65
American Cinematographer - May 2007 - 66
American Cinematographer - May 2007 - 67
American Cinematographer - May 2007 - 68
American Cinematographer - May 2007 - 69
American Cinematographer - May 2007 - 70
American Cinematographer - May 2007 - High Society
American Cinematographer - May 2007 - 72
American Cinematographer - May 2007 - 73
American Cinematographer - May 2007 - 74
American Cinematographer - May 2007 - 75
American Cinematographer - May 2007 - 76
American Cinematographer - May 2007 - 77
American Cinematographer - May 2007 - 78
American Cinematographer - May 2007 - 79
American Cinematographer - May 2007 - 80
American Cinematographer - May 2007 - 81
American Cinematographer - May 2007 - Short Takes
American Cinematographer - May 2007 - 83
American Cinematographer - May 2007 - 84
American Cinematographer - May 2007 - 85
American Cinematographer - May 2007 - Post Focus
American Cinematographer - May 2007 - 87
American Cinematographer - May 2007 - 88
American Cinematographer - May 2007 - 89
American Cinematographer - May 2007 - 90
American Cinematographer - May 2007 - 91
American Cinematographer - May 2007 - 92
American Cinematographer - May 2007 - 93
American Cinematographer - May 2007 - New Products & Services
American Cinematographer - May 2007 - 95
American Cinematographer - May 2007 - 96
American Cinematographer - May 2007 - 97
American Cinematographer - May 2007 - Points East
American Cinematographer - May 2007 - 99
American Cinematographer - May 2007 - International Marketplace
American Cinematographer - May 2007 - Classified Ads
American Cinematographer - May 2007 - Ad Index
American Cinematographer - May 2007 - In Memoriam: Barbara Prevedel
American Cinematographer - May 2007 - ASC Close-Up
American Cinematographer - May 2007 - Cover3
American Cinematographer - May 2007 - Cover4
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