American Cinematographer - May 2008 - (Page 67) SCIENTIFIC AND ENGINEERING AWARDS (Academy Plaques) These honors are presented for achievements that exhibit a high level of engineering and are important to the progress of the industry. Plaques were presented to: Doug Roble, Nafees Bin Zafar and Ryo Sakaguchi for the development of the fluid-simulation system at Digital Domain. This influential, flexible system incorporates innovative algorithms and refined adaptations of published methods to achieve large-scale water effects. Nick Rasmussen, Ron Fedkiw and Frank Losasso Petterson for the development of the ILM fluid-simulation system. This system achieves large-scale water effects within ILM’s Zeno framework. It includes integrating particle level sets, parallel computation, and tools that enable the artistic direction of the results. TECHNICAL ACHIEVEMENT AWARDS (Academy Certificates) These honors are presented for accomplishments that contribute to the progress of the industry. This year’s awards went to: Christien Tinsley for the creation of the transfer techniques for creating and applying 2-D and 3-D makeup known as “Tinsley Transfers.” These techniques allow quick and precisely repeatable application of makeup such as tattoos, bruises and birthmarks, as well as prosthetic appliances ranging in size from small wounds to entire torsos. They utilize self-adhesive material that features a combination of tissuethin edges, resilience, flexibility and water resistance and requires no dangerous solvents. Jörg Pöhler and Rüdiger Kleinke of Ottec Technology Gmbh for the design and development of the battery-operated series of fog machines known as “Tiny Foggers.” The operating characteristics of this compact, remote-controllable package make possible a range of safe special effects that would be impractical with larger, more conventional fog units. Sebastian Cramer (for the invention and general design) and Andreas Dasser (for the mechanical design) for the P&S Technik Skater Dolly and its family of products. This small, portable, camera-only dolly allows low lens positions, movement in restricted places and tight offset circular maneuvers with rapid setup. Victor Gonzalez, Ignacio Vargas and Angel Tena for the creation of the RealFlow software application. RealFlow was the first widely adopted, commercially available system for the simulation of realistic liquids in motion-picture visual effects. Jonathan Cohen, Jerry Tessendorf, Jeroen Molemaker and Michael Kowalski for the development of the system of fluid dynamics tools at Rhythm & Hues. This system allows artists to create realistic animation of liquids and gases using novel simulation techniques for accuracy and speed, as well as a unique scripting language for working with volumetric data. Duncan Brinsmead, Jos Stam, Julia Pakalns and Martin Werner for the design and implementation of the Maya Fluid Effects system. This system is used to create simulations of gaseous phenomena integrated into the Maya tool suite using an unconditionally stable semi-Lagrangian solver. Stephan Trojansky, Thomas Ganshorn and Oliver Pilarski for the development of the Flowline fluid-effects system. Flowline is a flexible system that incorporates highly parallel computation, allowing rapid iteration and resulting in detailed, realistic fluid effects. I 67 http://www.theasc.com http://www.theasc.com
Table of Contents Feed for the Digital Edition of American Cinematographer - May 2008 American Cinematographer - May 2008 Contents Editor’s Note Global Village: The Fall Short Takes: ASC Laszlo Kovacs Short Takes: Heritage Award Winners Production Slate: Anamorph Production Slate: Fugitive Pieces Heavy-Metal Hero A Need for Speed Kink and the City Beautiful Minds A Hollywood Homecoming Post Focus: Paramount Restores The Godfather Filmmakers’ Forum: Levie Isaacks, ASC Teaches Marines to Shoot Movies New Products & Services International Marketplace Classified Ads Ad Index Clubhouse News ASC Close-Up: Antonio Calvache American Cinematographer - May 2008 American Cinematographer - May 2008 - American Cinematographer - May 2008 (Page Cover1) American Cinematographer - May 2008 - American Cinematographer - May 2008 (Page Cover2) American Cinematographer - May 2008 - American Cinematographer - May 2008 (Page 1) American Cinematographer - May 2008 - American Cinematographer - May 2008 (Page 2) American Cinematographer - May 2008 - Contents (Page 3) American Cinematographer - May 2008 - Contents (Page 4) American Cinematographer - May 2008 - Contents (Page 5) American Cinematographer - May 2008 - Contents (Page 6) American Cinematographer - May 2008 - Contents (Page 7) American Cinematographer - May 2008 - Editor’s Note (Page 8) American Cinematographer - May 2008 - Editor’s Note (Page 9) American Cinematographer - May 2008 - Global Village: The Fall (Page 10) American Cinematographer - May 2008 - Global Village: The Fall (Page 11) American Cinematographer - May 2008 - Global Village: The Fall (Page 12) American Cinematographer - May 2008 - Global Village: The Fall (Page 13) American Cinematographer - May 2008 - Global Village: The Fall (Page 14) American Cinematographer - May 2008 - Global Village: The Fall (Page 15) American Cinematographer - May 2008 - Short Takes: Heritage Award Winners (Page 16) American Cinematographer - May 2008 - Short Takes: Heritage Award Winners (Page 17) American Cinematographer - May 2008 - Production Slate: Fugitive Pieces (Page 18) American Cinematographer - May 2008 - Production Slate: Fugitive Pieces (Page 19) American Cinematographer - May 2008 - Production Slate: Fugitive Pieces (Page 20) American Cinematographer - May 2008 - Production Slate: Fugitive Pieces (Page 21) American Cinematographer - May 2008 - Production Slate: Fugitive Pieces (Page 22) American Cinematographer - May 2008 - Production Slate: Fugitive Pieces (Page 23) American Cinematographer - May 2008 - Production Slate: Fugitive Pieces (Page 24) American Cinematographer - May 2008 - Production Slate: Fugitive Pieces (Page 25) American Cinematographer - May 2008 - Production Slate: Fugitive Pieces (Page 26) American Cinematographer - May 2008 - Production Slate: Fugitive Pieces (Page 27) American Cinematographer - May 2008 - Production Slate: Fugitive Pieces (Page 28) American Cinematographer - May 2008 - Production Slate: Fugitive Pieces (Page 29) American Cinematographer - May 2008 - Production Slate: Fugitive Pieces (Page 30) American Cinematographer - May 2008 - Production Slate: Fugitive Pieces (Page 31) American Cinematographer - May 2008 - Heavy-Metal Hero (Page 32) American Cinematographer - May 2008 - Heavy-Metal Hero (Page 33) American Cinematographer - May 2008 - Heavy-Metal Hero (Page 34) American Cinematographer - May 2008 - Heavy-Metal Hero (Page 35) American Cinematographer - May 2008 - Heavy-Metal Hero (Page 36) American Cinematographer - May 2008 - Heavy-Metal Hero (Page 37) American Cinematographer - May 2008 - Heavy-Metal Hero (Page 38) American Cinematographer - May 2008 - Heavy-Metal Hero (Page 39) American Cinematographer - May 2008 - Heavy-Metal Hero (Page 40) American Cinematographer - May 2008 - Heavy-Metal Hero (Page 41) American Cinematographer - May 2008 - Heavy-Metal Hero (Page 42) American Cinematographer - May 2008 - Heavy-Metal Hero (Page 43) American Cinematographer - May 2008 - A Need for Speed (Page 44) American Cinematographer - May 2008 - A Need for Speed (Page 45) American Cinematographer - May 2008 - A Need for Speed (Page 46) American Cinematographer - May 2008 - A Need for Speed (Page 47) American Cinematographer - May 2008 - A Need for Speed (Page 48) American Cinematographer - May 2008 - A Need for Speed (Page 49) American Cinematographer - May 2008 - A Need for Speed (Page 50) American Cinematographer - May 2008 - A Need for Speed (Page 51) American Cinematographer - May 2008 - A Need for Speed (Page 52) American Cinematographer - May 2008 - A Need for Speed (Page 53) American Cinematographer - May 2008 - A Need for Speed (Page 54) American Cinematographer - May 2008 - A Need for Speed (Page 55) American Cinematographer - May 2008 - Kink and the City (Page 56) American Cinematographer - May 2008 - Kink and the City (Page 57) American Cinematographer - May 2008 - Kink and the City (Page 58) American Cinematographer - May 2008 - Kink and the City (Page 59) American Cinematographer - May 2008 - Kink and the City (Page 60) American Cinematographer - May 2008 - Kink and the City (Page 61) American Cinematographer - May 2008 - Kink and the City (Page 62) American Cinematographer - May 2008 - Kink and the City (Page 63) American Cinematographer - May 2008 - Beautiful Minds (Page 64) American Cinematographer - May 2008 - Beautiful Minds (Page 65) American Cinematographer - May 2008 - Beautiful Minds (Page 66) American Cinematographer - May 2008 - Beautiful Minds (Page 67) American Cinematographer - May 2008 - Beautiful Minds (Page 68) American Cinematographer - May 2008 - A Hollywood Homecoming (Page 69) American Cinematographer - May 2008 - A Hollywood Homecoming (Page 70) American Cinematographer - May 2008 - A Hollywood Homecoming (Page 71) American Cinematographer - May 2008 - A Hollywood Homecoming (Page 72) American Cinematographer - May 2008 - A Hollywood Homecoming (Page 73) American Cinematographer - May 2008 - A Hollywood Homecoming (Page 74) American Cinematographer - May 2008 - A Hollywood Homecoming (Page 75) American Cinematographer - May 2008 - A Hollywood Homecoming (Page 76) American Cinematographer - May 2008 - A Hollywood Homecoming (Page 77) American Cinematographer - May 2008 - Post Focus: Paramount Restores The Godfather (Page 78) American Cinematographer - May 2008 - Post Focus: Paramount Restores The Godfather (Page 79) American Cinematographer - May 2008 - Post Focus: Paramount Restores The Godfather (Page 80) American Cinematographer - May 2008 - Post Focus: Paramount Restores The Godfather (Page 81) American Cinematographer - May 2008 - Post Focus: Paramount Restores The Godfather (Page 82) American Cinematographer - May 2008 - Post Focus: Paramount Restores The Godfather (Page 83) American Cinematographer - May 2008 - Filmmakers’ Forum: Levie Isaacks, ASC Teaches Marines to Shoot Movies (Page 84) American Cinematographer - May 2008 - Filmmakers’ Forum: Levie Isaacks, ASC Teaches Marines to Shoot Movies (Page 85) American Cinematographer - May 2008 - Filmmakers’ Forum: Levie Isaacks, ASC Teaches Marines to Shoot Movies (Page 86) American Cinematographer - May 2008 - Filmmakers’ Forum: Levie Isaacks, ASC Teaches Marines to Shoot Movies (Page 87) American Cinematographer - May 2008 - New Products & Services (Page 88) American Cinematographer - May 2008 - New Products & Services (Page 89) American Cinematographer - May 2008 - New Products & Services (Page 90) American Cinematographer - May 2008 - New Products & Services (Page 91) American Cinematographer - May 2008 - International Marketplace (Page 92) American Cinematographer - May 2008 - Classified Ads (Page 93) American Cinematographer - May 2008 - Ad Index (Page 94) American Cinematographer - May 2008 - Clubhouse News (Page 95) American Cinematographer - May 2008 - ASC Close-Up: Antonio Calvache (Page 96) American Cinematographer - May 2008 - ASC Close-Up: Antonio Calvache (Page Cover3) American Cinematographer - May 2008 - ASC Close-Up: Antonio Calvache (Page Cover4)
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