American Cinematographer - May 2016 - 47

Recent widower
Davis Mitchell (Jake
Gyllenhaal,
opposite) channels
his grief into
complaint letters
that he sends to a
vending-machine
company, which
leads to a
friendship with
customer-service
rep Karen Moreno
(Naomi Watts, this
page, top) and her
son, Chris (Judah
Lewis, middle, left),
in the dramatic
feature Demolition.
Bottom:
Cinematographer
Yves Bélanger, CSC
behind the lens.

Unit photography by Anne Marie Fox, courtesy of Fox Searchlight Pictures.

I

n the offbeat comedy-drama
Demolition, Wall Street banker Davis
Mitchell ( Jake Gyllenhaal) deals
with tragedy in unconventional ways.
After his wife, Julia (Heather Lind), is
killed in a car accident - and a hospital
candy machine takes his money without
distributing the reciprocal packet of
Peanut M&M's - he channels his grief
into a series of complaint letters to the
Champion Vending Co. Despite her
own issues, Karen Moreno (Naomi
Watts), the customer rep on the receiving end of Davis' candid notes, is moved
and makes tentative efforts to reach out.
Davis slowly forms an almost childlike
bond with both Karen and her troubled
son, Chris ( Judah Lewis).
Meanwhile, Davis' boss and
father-in-law, Phil (Chris Cooper),
pushes Davis to help launch a scholarship in Julia's honor, but the widower
instead wanders about numbly. Phil
advises, "Repairing the human heart is
like repairing an automobile. You have
to take everything apart, just examine
everything, and then you can put it all
back together." Davis takes this notion
to extremes, disassembling a series of
appliances, rooms and more in escalat➣
ing fashion.
www.theasc.com

May 2016

47



http://www.theasc.com

Table of Contents for the Digital Edition of American Cinematographer - May 2016

Contents
American Cinematographer - May 2016 - Cover1
American Cinematographer - May 2016 - Cover2
American Cinematographer - May 2016 - 1
American Cinematographer - May 2016 - 2
American Cinematographer - May 2016 - Contents
American Cinematographer - May 2016 - 4
American Cinematographer - May 2016 - 5
American Cinematographer - May 2016 - 6
American Cinematographer - May 2016 - 7
American Cinematographer - May 2016 - 8
American Cinematographer - May 2016 - 9
American Cinematographer - May 2016 - 10
American Cinematographer - May 2016 - 11
American Cinematographer - May 2016 - 12
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American Cinematographer - May 2016 - 14
American Cinematographer - May 2016 - 15
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American Cinematographer - May 2016 - 17
American Cinematographer - May 2016 - 18
American Cinematographer - May 2016 - 19
American Cinematographer - May 2016 - 20
American Cinematographer - May 2016 - 21
American Cinematographer - May 2016 - 22
American Cinematographer - May 2016 - 23
American Cinematographer - May 2016 - 24
American Cinematographer - May 2016 - 25
American Cinematographer - May 2016 - 26
American Cinematographer - May 2016 - 27
American Cinematographer - May 2016 - 28
American Cinematographer - May 2016 - 29
American Cinematographer - May 2016 - 30
American Cinematographer - May 2016 - 31
American Cinematographer - May 2016 - 32
American Cinematographer - May 2016 - 33
American Cinematographer - May 2016 - 34
American Cinematographer - May 2016 - 35
American Cinematographer - May 2016 - 36
American Cinematographer - May 2016 - 37
American Cinematographer - May 2016 - 38
American Cinematographer - May 2016 - 39
American Cinematographer - May 2016 - 40
American Cinematographer - May 2016 - 41
American Cinematographer - May 2016 - 42
American Cinematographer - May 2016 - 43
American Cinematographer - May 2016 - 44
American Cinematographer - May 2016 - 45
American Cinematographer - May 2016 - 46
American Cinematographer - May 2016 - 47
American Cinematographer - May 2016 - 48
American Cinematographer - May 2016 - 49
American Cinematographer - May 2016 - 50
American Cinematographer - May 2016 - 51
American Cinematographer - May 2016 - 52
American Cinematographer - May 2016 - 53
American Cinematographer - May 2016 - 54
American Cinematographer - May 2016 - 55
American Cinematographer - May 2016 - 56
American Cinematographer - May 2016 - 57
American Cinematographer - May 2016 - 58
American Cinematographer - May 2016 - 59
American Cinematographer - May 2016 - 60
American Cinematographer - May 2016 - 61
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American Cinematographer - May 2016 - 63
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American Cinematographer - May 2016 - Cover3
American Cinematographer - May 2016 - Cover4
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