American Cinematographer - May 2018 - 51

Left and below:
Under cover of a
garden party, CIA
field agent Sandy
Crowder
(Rosamund Pike)
escorts Skiles to a
secret meeting.
Bottom: Director
Brad Anderson
confers with Pike
and Hamm.

to be - to give it that heat."
While Morocco's movie studios
are elsewhere, Tangier has a decent
filmmaking infrastructure. "The Bourne
films and Mission: Impossible might go
for a few days," says Anderson, "but I
think we were one of the first to shoot a
full film in Tangier."
During their four weeks of prep,
Charpentier spent most of the time
with production designer Arad Sawat
and supervising art director Ian Bailie,
figuring out how to build lights into the
locations so two cameras could shoot
360 degrees with sources in frame. "I
light my scenes for the scene, not the
shot," the cinematographer says. "The
actors thanked me, because they could
stay in character. They didn't need to go
to the trailer for a half hour and wait for
relights."
The fact that Beirut was shot
handheld also kept things rolling along.
Charpentier brought in Belgian operator Olivier Merckx for Steadicam/B
camera, but the rig came out only three
times. A crane was deployed just twice,
and a dolly was used on occasion. The
rest was mostly spontaneous footwork.
"We had a general idea of what the
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May 2018

51



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Table of Contents for the Digital Edition of American Cinematographer - May 2018

Contents
American Cinematographer - May 2018 - Cover1
American Cinematographer - May 2018 - Cover2
American Cinematographer - May 2018 - 1
American Cinematographer - May 2018 - 2
American Cinematographer - May 2018 - Contents
American Cinematographer - May 2018 - 4
American Cinematographer - May 2018 - 5
American Cinematographer - May 2018 - 6
American Cinematographer - May 2018 - 7
American Cinematographer - May 2018 - 8
American Cinematographer - May 2018 - 9
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American Cinematographer - May 2018 - 33
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American Cinematographer - May 2018 - 37
American Cinematographer - May 2018 - 38
American Cinematographer - May 2018 - 39
American Cinematographer - May 2018 - 40
American Cinematographer - May 2018 - 41
American Cinematographer - May 2018 - 42
American Cinematographer - May 2018 - 43
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American Cinematographer - May 2018 - 45
American Cinematographer - May 2018 - 46
American Cinematographer - May 2018 - 47
American Cinematographer - May 2018 - 48
American Cinematographer - May 2018 - 49
American Cinematographer - May 2018 - 50
American Cinematographer - May 2018 - 51
American Cinematographer - May 2018 - 52
American Cinematographer - May 2018 - 53
American Cinematographer - May 2018 - 54
American Cinematographer - May 2018 - 55
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