American Cinematographer - May 2018 - 66

◗

High-School Horrors

black-and-white.
"For moonlight in the present
day, we used one of our custom lighting
balloons [outside] the window; [the
balloon was] augmented with gelled
1.8K HMIs aimed through specific
windows," Uegama explains. "About a
quarter-mile down the road, we had a
20K with Hi Sodium gel on a lift, kicking in toward the cabin. Inside the
cabin, I really wanted it to feel dark,
haunting and mysterious. We used a lot
of practical flashlight bounce off
Styrofoam and placed a variety of small
LEDs - usually 1-by-1s and custom
LED strips that were very dimmeddown to maintain low light levels - in
the areas the characters were exploring.
"For scenes in the past, we used
mostly smaller tungsten lights. I like to
use a lot of Fresnels because I find they
have the nicest qualities. I often use
battery-powered 1-by-1 LEDs when up
close and I need to pop a little light in
there quickly, but I prefer Fresnels. We
also placed some covered wagons in the
corners. For moonlight, we just had a
few HMIs, both direct and bounced,
pushing through the windows."
Uegama shoots Riverdale with an
Arri Alexa package, and he notes that
the camera is especially well suited to
the range of ages and skin tones present
in the cast. "The Alexa comes out of the
66

May 2018

American Cinematographer

Bottom two photos by Brendan Uegama, CSC.

Right: Cheryl
stands ready to
start the street
race in the episode
"Death Proof."
Below: The crew
captures the race,
in which Archie
and Jughead face
off against the
leader of the
Ghoulies, the gang
that is producing
and distributing a
drug known as
"jingle jangle."



Table of Contents for the Digital Edition of American Cinematographer - May 2018

Contents
American Cinematographer - May 2018 - Cover1
American Cinematographer - May 2018 - Cover2
American Cinematographer - May 2018 - 1
American Cinematographer - May 2018 - 2
American Cinematographer - May 2018 - Contents
American Cinematographer - May 2018 - 4
American Cinematographer - May 2018 - 5
American Cinematographer - May 2018 - 6
American Cinematographer - May 2018 - 7
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