American Cinematographer - June 2012 - 92

is recorded onto Codex’s new Capture Drives from the HD-SDI output of the camera. Codex has partnered with both Vocas and Arri’s Professional Camera Accessories group to design new mounts and handheld solutions for the C300 to accommodate the Onboard S recorder. Codex worked with Canon during the development of the C500, which is capable of originating 4K (4096x2160) motion imagery, to ensure that the entire workflow from recording to production is a seamless experience. The Codex Onboard M can record 4K raw files from the Cinema EOS C500 onto Codex datapacks at up to 120 fps. The datapacks can then be loaded on a Codex Transfer Station for Mac OS X, a Codex Digital Lab or a Codex Vault S for QC, dailies generation and archiving. “Codex is committed to supporting a wide range of cameras and we are excited to work with Canon as they introduce a variety of cameras for the feature film, television and commercials markets,” says Marc Dando, Codex’s managing director. “Given our experience in recording raw data, it was a natural progression for us to develop an entire workflow, from recording through post.” The Codex Onboard M Recorder was used with the C500 camera to capture the Canon promo film 4 Cities, which features material shot by cinematographers Tony Pierce-Roberts, BSC; Ben Seresin, ASC, BSC; and Martin Ruhe. For additional information, visit www.codexdigital.com. AJA Goes 4K with Ki Pro Quad AJA Video Systems has introduced
92

the Ki Pro Quad solid-state portable video recorder, which is capable of capturing highquality edit-ready files in formats including 4K (4096x2160), Quad HD (3840x2160), 2K (2048x1080) and HD (1920x1080), providing a fast path from camera-to-editorial with 10-bit 4:4:4 and 10-bit 4:2:2 color support. Ki Pro Quad helps facilitate a powerful workflow for 4K, making it suited to such camera systems as the new Canon Cinema EOS C500. Ki Pro Quad accepts raw camera output via SDI and simultaneously outputs that data via Thunderbolt. The recorder also performs deBayer processing of the raw data that can be used to produce on-board Apple ProRes recordings to SSD media. HD, 2K and 4K ProRes files recorded to removable SSD media can then be used in a variety of popular nonlinear editors. The deBayered image produced by the Ki Pro Quad can also be used for real-time 4K monitoring; a scaled or cropped output is also simultaneously available for 2K or HD monitoring via dedicated SDI and HDMI connections. Ki Pro Quad will be available later this year through AJA’s worldwide network of resellers for $3,995. For more information, visit www.aja.com.

http://www.maccam.tv http://www.codexdigital.com http://www.maccam.tv http://www.aja.com

American Cinematographer - June 2012

Table of Contents for the Digital Edition of American Cinematographer - June 2012

American Cinematographer - June 2012
Editor’s Note
Short Takes: The Tsunami and the Cherry Blossom
Production Slate: Moonrise Kingdom • Hemingway & Gellhorn
All Together Now
Beauty in Battle
Blood Relatives
Blast from the Past
New Products & Services
International Marketplace
Classified Ads
Ad Index
ASC Membership Roster
Clubhouse News
ASC Close-Up: Sam Nicholson
American Cinematographer - June 2012 - American Cinematographer - June 2012
American Cinematographer - June 2012 - Cover2
American Cinematographer - June 2012 - 1
American Cinematographer - June 2012 - 2
American Cinematographer - June 2012 - 3
American Cinematographer - June 2012 - 4
American Cinematographer - June 2012 - 5
American Cinematographer - June 2012 - 6
American Cinematographer - June 2012 - 7
American Cinematographer - June 2012 - Editor’s Note
American Cinematographer - June 2012 - 9
American Cinematographer - June 2012 - Short Takes: The Tsunami and the Cherry Blossom
American Cinematographer - June 2012 - 11
American Cinematographer - June 2012 - 12
American Cinematographer - June 2012 - 13
American Cinematographer - June 2012 - 14
American Cinematographer - June 2012 - 15
American Cinematographer - June 2012 - 16
American Cinematographer - June 2012 - 17
American Cinematographer - June 2012 - Production Slate: Moonrise Kingdom • Hemingway & Gellhorn
American Cinematographer - June 2012 - 19
American Cinematographer - June 2012 - 20
American Cinematographer - June 2012 - 21
American Cinematographer - June 2012 - 22
American Cinematographer - June 2012 - 23
American Cinematographer - June 2012 - 24
American Cinematographer - June 2012 - 25
American Cinematographer - June 2012 - 26
American Cinematographer - June 2012 - 27
American Cinematographer - June 2012 - 28
American Cinematographer - June 2012 - 29
American Cinematographer - June 2012 - 30
American Cinematographer - June 2012 - 31
American Cinematographer - June 2012 - 32
American Cinematographer - June 2012 - 33
American Cinematographer - June 2012 - All Together Now
American Cinematographer - June 2012 - 35
American Cinematographer - June 2012 - 36
American Cinematographer - June 2012 - 37
American Cinematographer - June 2012 - 38
American Cinematographer - June 2012 - 38a
American Cinematographer - June 2012 - 38b
American Cinematographer - June 2012 - 39
American Cinematographer - June 2012 - 40
American Cinematographer - June 2012 - 41
American Cinematographer - June 2012 - 42
American Cinematographer - June 2012 - 43
American Cinematographer - June 2012 - 44
American Cinematographer - June 2012 - 45
American Cinematographer - June 2012 - 46
American Cinematographer - June 2012 - 47
American Cinematographer - June 2012 - 48
American Cinematographer - June 2012 - 49
American Cinematographer - June 2012 - 50
American Cinematographer - June 2012 - 51
American Cinematographer - June 2012 - Beauty in Battle
American Cinematographer - June 2012 - 53
American Cinematographer - June 2012 - 54
American Cinematographer - June 2012 - 55
American Cinematographer - June 2012 - 56
American Cinematographer - June 2012 - 57
American Cinematographer - June 2012 - 58
American Cinematographer - June 2012 - 59
American Cinematographer - June 2012 - 60
American Cinematographer - June 2012 - 61
American Cinematographer - June 2012 - Blood Relatives
American Cinematographer - June 2012 - 63
American Cinematographer - June 2012 - 64
American Cinematographer - June 2012 - 64a
American Cinematographer - June 2012 - 64b
American Cinematographer - June 2012 - 64c
American Cinematographer - June 2012 - 64d
American Cinematographer - June 2012 - 64e
American Cinematographer - June 2012 - 64f
American Cinematographer - June 2012 - 64g
American Cinematographer - June 2012 - 64h
American Cinematographer - June 2012 - 64i
American Cinematographer - June 2012 - 64j
American Cinematographer - June 2012 - 64k
American Cinematographer - June 2012 - 64l
American Cinematographer - June 2012 - 65
American Cinematographer - June 2012 - 66
American Cinematographer - June 2012 - 67
American Cinematographer - June 2012 - 68
American Cinematographer - June 2012 - 69
American Cinematographer - June 2012 - 70
American Cinematographer - June 2012 - 71
American Cinematographer - June 2012 - 72
American Cinematographer - June 2012 - 73
American Cinematographer - June 2012 - Blast from the Past
American Cinematographer - June 2012 - 75
American Cinematographer - June 2012 - 76
American Cinematographer - June 2012 - 77
American Cinematographer - June 2012 - 78
American Cinematographer - June 2012 - 79
American Cinematographer - June 2012 - 80
American Cinematographer - June 2012 - 81
American Cinematographer - June 2012 - 82
American Cinematographer - June 2012 - 83
American Cinematographer - June 2012 - New Products & Services
American Cinematographer - June 2012 - 85
American Cinematographer - June 2012 - 86
American Cinematographer - June 2012 - 87
American Cinematographer - June 2012 - 88
American Cinematographer - June 2012 - 89
American Cinematographer - June 2012 - 90
American Cinematographer - June 2012 - 91
American Cinematographer - June 2012 - 92
American Cinematographer - June 2012 - 93
American Cinematographer - June 2012 - 94
American Cinematographer - June 2012 - 95
American Cinematographer - June 2012 - 96
American Cinematographer - June 2012 - 97
American Cinematographer - June 2012 - 98
American Cinematographer - June 2012 - 99
American Cinematographer - June 2012 - International Marketplace
American Cinematographer - June 2012 - Classified Ads
American Cinematographer - June 2012 - Ad Index
American Cinematographer - June 2012 - 103
American Cinematographer - June 2012 - ASC Membership Roster
American Cinematographer - June 2012 - 105
American Cinematographer - June 2012 - Clubhouse News
American Cinematographer - June 2012 - 107
American Cinematographer - June 2012 - ASC Close-Up: Sam Nicholson
American Cinematographer - June 2012 - Cover3
American Cinematographer - June 2012 - Cover4
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