TECHNICAL SPECS Super 1.85:1 3-perf Super 35mm Aaton Penelope Zeiss Standard Prime Fujifilm Eterna Vivid 250D 8546, 500 8547 Push Processing by Digimage Digital Intermediate join the actors at the last minute with my camera and my assistant. Fujifilm stopped manufacturing most of its film stocks in March, so this is one of the last features shot on Fuji negative. Gautier: It’s natural for cinema to keep changing, but it’s very sad to lose a tool that has not been completely explored. I’m delighted to be shooting for Alfonso Cuarón with an [Arri] Alexa at the moment, but film negative is much more flexible than digital when you want to create images that go to the extreme. ● 81http://www.pce-atlanta.com http://www.pce-atlanta.com